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Madame Vieux Carre
Celebrated in media and myth, New Orleans's French Quarter (Vieux Carr(r)) was the original settlement of what became the city of New Orleans. In Madame Vieux Carr(r), Scott S. Ellis presents the social and political history of this famous district as it evolved from 1900 through the beginning of the twenty-first century. From the immigrants of the 1910s, to the preservationists of the 1930s, to the nightclub workers and owners of the 1950s and the urban revivalists of the 1990s, Madame Vieux Carr(r) examines the many different people who have called the Quarter home, who have defined its character, and who have fought to keep it from being overwhelmed by tourism's neon and kitsch. The old F...
An Earthy Entanglement with Spirituality
An Earthy Entanglement with Spirituality offers compelling perspectives on the human spirit as represented in literature and art. Authors approach the inquiry using distinct critical approaches to varied primary sources—poetry of various genres and periods, Shakespearean drama, contemporary theater, Renaissance sculpture, and the novel, short story, sketch, and dialogue.
The Past is Not Dead
"A collection of [twenty-one representative] literary and historical essays that will mark the fiftieth anniversary of the Southern Quarterly . . . (founded in 1962) dedicated to southern studies. . . . this essay collection features the best work published in the journal. Essays represent every decade of the journal's history. Topics range from historical essays . . . to literary essays . . . . Important regional subjects . . . are given special attention" --Publisher's note.
Ida Kohlmeyer
Ida Kohlmeyer's unique talent evolved from her student years under Hans Hoffmann in the 50's abstract expressionist movement to the cluster series in the 1970s. This beautifully illustrated monograph is the first collection of her paintings and sculpture since her death in 1997. 104 colour plates
Characters and Plots in the Fiction of Kate Chopin
A feminist before such a term was created and most famous for The Awakening, the controversial Kate Chopin was also the author of a second novel, At Fault, as well as numerous short stories. This reference book begins with a brief introduction to Kate Chopin's varied background and her fictional work. A chronology traces the main events of her private and professional lives. Hundreds of alphabetically arranged entries follow, summarizing the plots of her novels and short stories, identifying her fictional characters, and relating them to her own experiences, to her family members and to her friends. Many entries include bibliographical citations.
Women, Performance and the Material of Memory
This book proposes that the performance of archival research is related to the experience of tourism, where an individual immerses herself in a foreign environment, relating to and analyzing visual and sensory materials through embodiment and enactment. Each chapter highlights a particular set of tangible objects including: pocket diaries, portraits, drawings, magic lanterns, silhouettes, waxworks, and photographs in relation to actresses, authors, and artists such as: Elizabeth Inchbald, Sally Siddons, Marguerite Gardiner the Countess of Blessington, Isabella Beetham, Jane Read, Madame Tussaud, and Amelia M. Watson. Ultimately, operating as an archival tourist in my analyses, I offer strategies for thinking about the presence of women artists in the archives through methodologies that seek to connect materials from the past with our representations of them in the present.
William Woodward
"William Woodward was a powerful force in New Orleans and the art world. His legacy endures. This book is a compilation of his work, spanning his career as an artist. The authors of the essays in this book--all well known and respected in their fields--offer their own unique perspectives on Woodward, his life, his influence, and his art" --Dust jacket flap.
New Orleans Architecture: Jefferson City
Traces the development of Uptown New Orleans. A thoroughly researched history of the area tells how the land was transformed from the sprawling plantation to an agricultural suburb and finally to the elegant residential city of the 1870s and after. A complete architectural inventory lists all noteworthy buildings of the neighborhood.
Portraits of Resistance
A highly original history of American portraiture that places the experiences of enslaved people at its center This timely and eloquent book tells a new history of American art: how enslaved people mobilized portraiture for acts of defiance. Revisiting the origins of portrait painting in the United States, Jennifer Van Horn reveals how mythologies of whiteness and of nation building erased the aesthetic production of enslaved Americans of African descent and obscured the portrait's importance as a site of resistance. Moving from the wharves of colonial Rhode Island to antebellum Louisiana plantations to South Carolina townhouses during the Civil War, the book illuminates how enslaved people's relationships with portraits also shaped the trajectory of African American art post-emancipation. Van Horn asserts that Black creativity, subjecthood, viewership, and iconoclasm constituted instances of everyday rebellion against systemic oppression. Portraits of Resistance is not only a significant intervention in the fields of American art and history but also an important contribution to the reexamination of racial constructs on which American culture was built.
