You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Based on sound scientific principles, The Davis Technique for Attaining Emotional Comfort is an easily learned self-hypnotic system that allows you to create a new entity in your mind: an Inner Guide. By searching your memory for the origins of your problems, your Inner Guide finds true solutions and enables you to become consciously aware of them.
Sound and Score brings together music expertise from prominent international researchers and performers to explore the intimate relations between sound and score and the artistic possibilities that this relationship yields for performers, composers and listeners. Considering "notation" as the totality of words, signs, and symbols encountered on the road to an accurate and effective performance of music, this book embraces different styles and periods in a comprehensive understanding of the complex relations between invisible sound and mute notation, between aural perception and visual representation, and between the concreteness of sound and the iconic essence of notation. Three main perspectives structure the analysis: a conceptual approach that offers contributions from different fields of enquiry (history, musicology, semiotics), a practical one that takes the skilled body as its point of departure (written by performers), and finally an experimental perspective that challenges state-of-the-art practices, including transdisciplinary approaches in the crossroads to visual arts and dance.
This book is a reference volume and a digest of more than a century of scholarly work on troubadour poetry. Written by leading scholars, it summarizes the current consensus on the various facets of troubadour studies. Standing at the beginning of the history of modern European verse, the troubadours were the prime poets and composers of the twelfth and thirteenth centuries in the South of France. No study of medieval literature is complete without an examination of the courtly love which is celebrated in the elaborately rhymed stanzas of troubadour verse, creations whose words and melodies were imitated by poets and musicians all over medieval Europe. The words of about 2,500 troubadour song...
This text discusses the visual and graphic conventions in contemporary poetry in English. It defines contemporary poetry and its historical construction as a 'seen object' and uses literary and social theory of the 1990s to facilitate the study. In examining how a poem is recognized, the interpretive conventions for reading it, and how the spacial arrangement on the page is meaningful for contemporary poetry, the text takes examples from individual poems. There is also a focus on changes in manuscript conventions from Old to Middle English poetry and the change from a social to a personal understanding of poetic meaning from the late 18th through the 19th century.
"The nucleus of the collection consists of papers on Middle English language, literature, and culture. Other papers examine the pervasive interaction between the European and Arabic cultures. Diachronically, the essays range from the Anglo-Saxon to the Bysantine era and beyond to nineteenth- and twentieth-century medievalism. In their multicultural diversity and interdisciplinarity, the papers reflect the personal and academic multiculturalism and cosmopolitanism of the volume's honoree."--BOOK JACKET.
This book is a history of love and the challenge love offers to the laws and customs of its times and places, as told through poetry from the Song of Songs to John Milton’s Paradise Lost. It is also an account of the critical reception afforded to such literature, and the ways in which criticism has attempted to stifle this challenge. Bryson and Movsesian argue that the poetry they explore celebrates and reinvents the love the troubadour poets of the eleventh and twelfth centuries called fin’amor: love as an end in itself, mutual and freely chosen even in the face of social, religious, or political retribution. Neither eros nor agape, neither exclusively of the body, nor solely of the sp...
This classic has been the most authoritative text in the field since 1924. The thoroughly revised Eleventh Edition continues to provide a sound, sophisticated, sociological treatment of the principal issues in criminology.
Finalist in the Best Books Awards and International Book Awards. Rancher Flint Ashmore never expected to find a redware potter squatting on his property he purchased along Cherry Creek with his four brothers and sister. With a ruthless fiancé on her heels, Julia Gast has fled from Pennsylvania to the Colorado Territory to set up her pottery business and raise horses. She desperately needs not only the rich clay deposits of Cherry Creek, but also cash to survive. Against her better judgment, she aligns herself with a renegade Indian who helps her gather wild horses to sell to the same army which is hunting him. But long-held secrets in the Ashmore family and Julia's past will set off a series of chain reactions, throwing Flint and Julia together to try to thwart mutual enemies who are trying to destroy them. Will quick wits, a simple ring flask, and a meddlesome Indian be enough to help the pair discover the truth…and to ultimately find the peace and love they are seeking?
Thinking. Doing Caring. In every chapter, you’ll first explore the theoretical knowledge behind the concepts, principles, and rationales. Then, you’ll study the practical knowledge involved in the processes; and finally, you’ll learn the skills and procedures. Student resources available at DavisPlus (davisplus.fadavis.com).
Robert Kehew augments his own verse translations with those of Pound & Snodgrass, to provide a collection that captures both the poetic pyrotechnics of the original verse & the astonishing variety of troubadour voices.