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The Limits of Ancient Biography
The genre of biography in the ancient world is interestingly diverse and permeable and deserves intensive study, bearing as it does on ideas of characterization and the individual. This volume considers both the form and the content of biography across the ancient world, and is particularly interested in the frontiers with other related genres, such as history. The papers range from the Old Testament to the Arab world, from the New Testament to the Lives of Saints, from the classic Greek and Roman biographers to less well known practitioners of the art.
Wild Justice
'Revenge is a kind of wild justice...' (Francis Bacon). Euripides' "Hecuba" is dominated by the vengeance which Hecuba takes on the faithless Polymestor, and explores in a complex and profound manner the potential for revenge as a subject for tragedy. The sacrifice of Polyxena is in counterpoint to the revenge action; the whole is set in the chaotic aftermath of the fall of Troy. The combination of plots creates one of Euripides' most effective dramas, full of pathos, suspense and excitement. This study of the play in English argues that it has been greatly undervalued by critics who have failed to appreciate the power of its rhetoric, the subtlety of its characterisation, and the beauty of its choral odes.
Space, Time and Language in Plutarch
'Space and time' have been key concepts of investigation in the humanities in recent years. In the field of Classics in particular, they have led to the fresh appraisal of genres such as epic, historiography, the novel and biography, by enabling a close focus on how ancient texts invest their representations of space and time with a variety of symbolic and cultural meanings. This collection of essays by a team of international scholars seeks to make a contribution to this rich interdisciplinary field, by exploring how space and time are perceived, linguistically codified and portrayed in the biographical and philosophical work of Plutarch of Chaeronea (1st-2nd centuries CE). The volume's aim...
Plutarch and His Intellectual World
Plutarch's writings, for long treated in a fragmentary way as a source for earlier periods, are now increasingly studied in their own right. The thirteen original essays in this volume range over Plutarch's relations with his contemporaries and his engagement in philosophical debate, his views on social issues such as education and gender, his modes of expression and his construction of argument. Also treated here are Plutarch's understanding and use of his antecedents, literary and historical, and the sophisticated techniques with which he conveyed his own vision. It is a theme of the present book that the writings of Plutarch should be seen as the product of a single, extraordinarily capacious, intelligence.
Euripides
Few ancient authors are as challenging as Euripides, and few have provoked so many diverse critical opinions through the ages: Aristotle described him as 'most tragic', and yet many of his plays have been condemned by critics as barely qualifying as 'proper' tragedies at all. In general he has enjoyed a revival in reputation over the last few decades: his manipulation of convention and the skill of his dramaturgy are perhaps more widely admired now than at any time since the Renaissance.Moreover, his exploration of the emotions of the marginalized sections of Athenian society - women, slaves, foreigners - has given his work strong contemporary resonances. This volume aims to bring together for students some classic essays illustrating the main strands of Euripidean criticism over the last forty years. Two of the essays are translated here for the first time, and many others have been revised by their authors. All Greek has been translated.
Half-Life Series
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Gender and the City in Euripides' Political Plays
The present study makes use of recent insights into classical Greek conceptions of gender (in real life and on stage) and Athenian notions of civic identity to demonstrate that the political plays are, in face, intellectually subtle and structurally coherent exercises in political theorizing - works that use complex interactions between female and male characters to explore the advantages, and costs, of being a member of the polis."--BOOK JACKET.
A Versatile Gentleman
Plutarch was a brilliant Platonist, an erudite historian, a gifted author of highly polished literary dialogues, a priest of Apollo at Delphi, and a devoted politician in his hometown Chaeronea. He felt confident in the most technical and specialized discussions, yet was not afraid of rhetorical generalizations. In his voluminous oeuvre, he appears as a sharp polemicist and a loving father, an ardent pupil but also a kind, inspiring teacher, a sober historian and a teller of wondrous tales. In view of all these different personae, erudite versatility is without any doubt a major characteristic of Plutarch’s works. A Versatile Gentleman is dedicated to Luc Van der Stockt, professor emeritus of Greek language and literature at KU Leuven and a truly versatile gentleman. The volume aims to do justice to his and Plutarch’s versatility by discussing the Chaeronean from many different angles. As such, it sheds new light on the coherence of, and the tensions in, Plutarch’s thinking and writing.
Placing Michael Neill
Honoring Shakespearean scholar Michael Neill, this eleventh issue of The Shakespearean International Yearbook assesses Neill's extraordinary body of work, employing his many analyses of place as points of departure for new critical investigations of Shakespeare and Renaissance culture. It also challenges us to think about the conception of place implicit in the International of the Yearbook's title.
Gender and Communication in Euripides’ Plays
The prominent role of women in Greek drama has always fascinated readers. This book proposes that women in Euripides’ plays communicate in ways constructed by the tragic genre itself as ‘female.’ Yet these women’s words are surprisingly not uniformly dangerous or excessively emotional, as has traditionally been thought. Rather, Euripides’ women resort to ‘female’ ways of talking in order to enable others to understand them and their unique point-of-view. Aspects of women’s speech—song, silence and secret-keeping as female verbal genres, and the challenges of speaking out of place—contribute to Euripides’ portrayal of women as different from men. Originating in a culture where putting women under scrutiny was part of daily life, Euripides’ tragedies dramatise women’s constant struggle to control language.
