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In 1920, the Hungarian parliament introduced a Jewish quota for university admissions, making Hungary the first country in Europe to pass antisemitic legislation following World War I. Quotas explores the ideologies and practices of quota regimes and the ways quotas have been justified, implemented, challenged, and remembered from the late nineteenth century until the middle of the twentieth century. In particular, the volume focuses on Central and Eastern Europe, with chapters covering the origins of quotas, the moral, legal, and political arguments developed by their supporters and opponents, and the social and personal impact of these attempts to limit access to higher education.
At the end of the nineteenth century, Austro-Hungarian society was undergoing a significant re-evaluation of gender roles and identities. Debates on these issues revealed deep anxieties within the multi-ethnic empire that did not resolve themselves with its dissolution in 1918. The concepts of gender and modernity were modified by the various regimes that ruled the empire's successor states in the twentieth century and have been redefined again in the post-Communist period, but the Habsburg Monarchy's influence on gender and modernity in Central Europe is still palpable. --
Introduction: from rights to revanche -- The promise of progress : women's rights and women's movements in Hungary, 1904-1918 -- Between the private and the public : the Hungarian women's debating club -- Did Hungarian women have a revolution? -- To regenerate the Hungarian family and the nation -- The political is personal : the friendships and fallings-out of Emma Ritoók -- A perfect storm of citizenship -- Conclusion: the long shadow of Cecile Tormay -- Bibliography -- Index
This book sheds light on the life of the intellectual refugee Laura Polanyi Stricker, whose contributions to the progressive counterculture and women's movement of turn-of-the-century Austria-Hungary have remained unexplored. Stricker, the elder sister of Karl and Michael Polanyi, was a pioneering feminist and educator as well as a historian whose work on Captain John Smith earned her the epithet of the title. The book explores the family's history during a little-known period of Central European history in light of narratives of women's emancipation and Jewish assimilation. Szapor discusses patterns and networks of immigration and the experience of women refugees. By incorporating previously unexplored public and family archives, along with extensive interviews, Szapor brings to the forefront the volatility of early-twentieth-century Hungary, the political and artistic ferment of Vienna and Weimar Berlin, and the Polanyis' flight from Hitler.
The Soul of Things is a deeply reflective, evocative, and beautifully written memoir. A bestseller in Hungary, where it has been compared to the works of Primo Levi, it marks an important female contribution to the canon of Holocaust writing.
A stolen sign, ‘No Jews Live Here,’ kept John Lorinc’s Hungarian Jewish family alive during the Holocaust. From pre-war Budapest to post-war Toronto, journalist John Lorinc unspools four generations of his Hungarian Jewish family's journey through the Holocaust, the 1956 Revolution, and finally exodus from a country that can't rid itself of its antisemitic demons. This braided saga centers on the writer's eccentric and defiant grandmother, a consummate survivor who, with her love of flashy jewelry and her vicious tongue, was best appreciated from afar. Lorinc also traces the stories of both his grandfathers and his father, all of whom fell victim, in different ways, to the Nazis’ genocidal campaign to rid Europe of Jews. This is a deeply reported but profoundly human telling of a vile part of history, told through Lorinc’s distinctively astute and compassionate consideration of how cities and cultures work. Set against the complicated and poorly understood background of Hungary's Jewish community, No Jews Live Here is about family stories, and how the narratives of our lives are shaped by our times and historical forces over which we have no control.
Following the Brexit vote, this book offers a timely historical assessment of the different ways that Britain’s economic future has been imagined and how British ideas have influenced global debates about market relationships over the past two centuries. The 2016 EU referendum hinged to a substantial degree on how competing visions of the UK should engage with foreign markets, which in turn were shaped by competing understandings of Britain’s economic past. The book considers the following inter-related questions: - What roles does economic imagination play in shaping people’s behaviour and how far can insights from behavioural economics be applied to historical issues of market selection? - How useful is the concept of the ‘official mind’ for explaining the development of market relationships? - What has been the relationship between expanding communications and the development of markets? - How and why have certain regions or groupings (e.g. the Commonwealth) been ‘unimagined’- losing their status as promising markets for the future?
This volume of essays provides the first major comparative study of the role played by women’s movements and individual female activists in enabling or thwarting the transition from war to peace in Europe in the crucial years 1918 to 1923.
Women, Nationalism, and Social Networks in the Habsburg Monarchy, 1848–1918 focuses on the lives of women in Southeastern Europe during the nineteenth and twentieth centuries, exploring the intersection of gender and nationalism. By looking at a wide range of sources and employing rich historiography, this collection investigates the currents of women’s emancipatory efforts in a climate of conflicting assumptions relating to nationhood and nationalization. This book sheds light on a time when both women and nations were working to assert themselves, and how women promoted the national cause in an attempt to assume stronger roles in the public sphere. The volume studies areas that were na...
Annotation Contains 150 biogrpahical portraits of women and men who were active in, or part of, the women's movement and feminisms in 22 countries in Central, Eastern and South Eastern Europe in the 19th and 20th centuries.