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Nominated for the prestigious Angoulême Festival Grand Prix, Vanistendael creates comics 'about life as it really is'. A beautiful, unexpected story, told from the heart, which reaches far beyond the love story that originally inspired it.
"The moment his granddaughter Louise is born, David learns that he has cancer. He would rather keep quiet about his illness, the pain and the end that awaits him-- much to the frustration of the women in his life. They wait, powerless, for the silent but inexorable end"--Page 4 of cover.
Penelope is a Belgian physician who works with Doctors Without Borders in war-torn Syria. She returns to Belgium when she can in order to see her husband and daughter, but the transition is hard. Her latest trip home for the holidays proves even tougher than usual, as the coexistence of the two excruciatingly different worlds she inhabits becomes increasingly fraught.
A poetic fable for grown-ups full of wisdom and beauty, by two Belgian masters of graphic storytelling.Out on the high seas lives a whale unlike any other, who spends her days reading stories to all who will listen, taken from the vast library hidden in her belly. When the whale bumps into a sea postman's boat one fateful night, it's the beginning of an extraordinary friendship. But not every story can have a happy ending...
Mikel has a lifelong dream: to become a writer. Seeking to inject some extra cash and inspiration into his life, he uproots his family from their sleepy village to the Basque country, where he takes a job protecting politicians from the armed separatist group ETA. But financial security comes at a price: fear, uncertainty and family breakdown.
Life writing, in its various forms, does work that other forms of expression do not; it bears on the world in a way distinct from imaginative genres like fiction, drama, and poetry; it acts in and on history in significant ways. Memoirs of illness and disability often seek to depathologize the conditions that they recount. Memoirs of parents by their children extend or alter relations forged initially face to face in the home. At a time when memoir and other forms of life writing are being produced and consumed in unprecedented numbers, this book reminds readers that memoir is not mainly a "literary" genre or mere entertainment. Similarly, letters are not merely epiphenomena of our "real lives." Correspondence does not just serve to communicate; it enacts and sustains human relationships. Memoir matters, and there’s life in letters. All life writing arises of our daily lives and has distinctive impacts on them and the culture in which we live.
When someone very close to you dies your whole life changes. Everything is different. Alice is the central figure in these five inter-connected narratives, which tell of her life at times of loss. Suddenly it is no longer possible to say what the person looked like, how he spoke, cursed, smiled, how he lived his life. Objects are left behind, books, letters, pictures and every now and again you think you can see them in a crowd. Judith Hermann tells of days of transition, of waiting, of holding on and letting go-and of how clear and dazzling such days can sometimes be. Alice is a book of extraordinary power and great literary beauty from one of Europe's finest writers Alice is translated by Margot Bettauer Dembo.
With a focus on the object and where it is situated, in time (memory) and space (mobility), Memory, Mobility, and Material Culture embodies a multidisciplinary and cross-disciplinary approach. The chapters track the movement of the objects and their owner(s), within and between continents, countries, cities, and families. Objects have always been considered with an eye to their worth – economic, aesthetic, and/or functional. If that worth is diminished, their meaning and value disappear, they are just things. Yet things can still fulfil functions in our daily lives; they hold symbolic potential, from personal memory triggers, to focal points of public ritual and religion; from collectorsâ€...
A Gothic mystery of murder, mutilation, books and skin
Media in general and narrative media in particular have the potential to represent not only a variety of both possible and actual worlds but also the perception and consciousness of characters in these worlds. Hence, media can be understood as "qualia machines," as technologies that allow for the production of subjective experiences within the affordances and limitations posed by the conventions of their specific mediality. This edited collection examines the transmedial as well as the medium-specific strategies employed by the verbal representations characteristic for literary texts, the verbal-pictorial representations characteristic for comics, the audiovisual representations characteristic for films, and the interactive representations characteristic for video games. Combining theoretical perspectives from analytic philosophy, cognitive theory, and narratology with approaches from phenomenology, psychosemiotics, and social semiotics, the contributions collected in this volume provide a state-of-the-art map of current research on a wide variety of ways in which subjectivity can be represented across conventionally distinct media.