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Writing about Literature combines detailed practical and scholarly advice with a sense of the scope and creative possibilities of literary criticism, empowering the student reader to make his or her own discoveries and experiments with language. In addition, it gives valuable guidance on adult language learning and translation skills for students of foreign literature. This handy, accessible guide covers all aspects of the essay-writing process, including: preliminary reading and choosing and researching a topic referencing and presentation computer use style, structure, vocabulary, grammar and spelling the art and craft of writing scholarly and personal insights into the problems and pleasures of writing about literature. Written in an entertaining and informative way and containing a wealth of practical advice and scholarly insights, this wise, witty and helpful book should be on every literature student's bookshelf.
Through close readings of Woolf's essays, including 'Montaigne', A Room of One's Own, 'Craftsmanship', Three Guineas, and 'Thoughts on Peace in an Air Raid', Allen shows how Woolf's politics, expressed and enacted by her writings, are relevant to our curr
This bestselling title from Humanities-Ebooks offers an explication of the major contributions to feminist theory in the late Twentieth Century, covering Initial Articulations of the ‘Woman’ Problem (Virginia Woolf; Simone de Beauvoir), Radical Feminism (Kate Millett; Shulamith Firestone; Radicalesbians; Mary Daly), Black Feminism (Audre Lorde; Alice Walker; Patricia Hill Collins), French Feminism (Luce Irigaray; Hélène Cixous; Monique Wittig; Julia Kristeva), Materialist Feminism (Gayle Rubin; Gayatri Chakravorty Spivak), Queer Theory (Adrienne Rich; Judith Butler; Eve Kosofsky Sedgwick; Wayne Koestenbaum).
A Room of One's Own, first published in 1929, is a witty, urbane and persuasive argument against the intellectual subjection of women, particularly women writers. The sequel, Three Guineas, is a passionate polemic which draws a startling comparison between the tyrannous hypocrisy of the Victorian patriarchal system and the evils of fascism. This volume combines two books which were among the greatest contributions to feminist literature this century. Together they form a brilliant attack on sexual inequality and a passionate polemic which draws a startling comparison between the tyrannous hypocrisy of the Victorian patriarchal system and the evils of fascism. Virginia Woolf makes the connection between war and the economy and a woman's role (or lack there of) in both. Adeline Virginia Woolf (25 January 1882 – 28 March 1941) was an English writer, and one of the foremost modernists of the twentieth century. During the interwar period, Woolf was a significant figure in London literary society and a central figure in the influential Bloomsbury Group of intellectuals.
A History of English Autobiography explores the genealogy of autobiographical writing in England from the medieval period to the digital era. Beginning with an extensive introduction that charts important theoretical contributions to the field, this History includes wide-ranging essays that illuminate the legacy of English autobiography. Organized thematically, these essays survey the multilayered writings of such diverse authors as Chaucer, Bunyan, Carlyle, Newman, Wilde and Woolf. Written by a host of leading scholars, this History is the definitive, single-volume collection on English autobiography and will serve as an invaluable reference for specialists and students alike.
Women's Lives/Women's Times reflects the growing interest in life-writing as a basis for both feminist theorizing and women-centered education. It discusses the many ways in which the study of autobiography can contribute to the theory, practice, and politics of women's studies as curriculum, and to feminist theory more generally. This volume is concerned with the application of theory to text--particularly with the assumptions and discourses of postmodernism--but also in exploring how general theories of the subject do not always fit comfortably with the specifics of autobiographical writing. It also recognizes the challenge women's autobiography offers to theory, taking us, in its complex weave of the personal, the political, and the theoretical, beyond the usual generic and disciplinary boundaries.
London's Soho district underwent a spectacular transformation between the late Victorian era and the end of the Second World War: its fin-de-siècle buildings and dark streets infamous for sex, crime, political disloyalty, and ethnic diversity became a center of culinary and cultural tourism servicing patrons of nearby shops and theaters. Indulgences for the privileged and the upwardly mobile edged a dangerous, transgressive space imagined to be "outside" the nation. Treating Soho as exceptional, but also representative of London's urban transformation, Judith Walkowitz shows how the area's foreignness, liminality, and porousness were key to the explosion of culture and development of modernity in the first half of the twentieth century. She draws on a vast and unusual range of sources to stitch together a rich patchwork quilt of vivid stories and unforgettable characters, revealing how Soho became a showcase for a new cosmopolitan identity.
In this study of Primo Levi's 'If This is a Man (Se questo è un uomo)', the author tries to give some sense of the historical and cultural context not just of Levi's book, but also of the events which gave rise to it, since it is to those events that Levi is directing us. For the same reason, suggestions for further reading mainly concentrate on history. While looking at some of the many literary influences on Levi's book, particularly that of Dante's Inferno, this book also places it in the literature of survivor accounts. The author has drawn widely on Levi's other writings, both because If This is a Man has to be seen as the beginning of a lifetime's endeavour, and because, in the absence of a definitive body of criticism, Levi remains the best explicator of his own work.This book is intended both for the student of Italian and for the general reader. All quotations from If This is a Man and all verse quotations are given both in Italian and in English, while all other quotations from Italian texts are given in English.
Being of Two Minds examines the place that early modern literature held in Modernist literary criticism. For T. S. Eliot, Virginia Woolf, and William Empson, the early modern period helps model a literary future. At stake in their engagements across time were ontological questions about literature and its ability to mediate between the one and the many, the particular and the general, life and death, the past and the present. If reading and writing literature enables the mind to be in two places at once, creative experience serves as a way to participate in an expanded field of consciousness alongside mortality. Goldberg reads the readings that these modernists performed on texts that Eliot ...
From the New York Times bestselling author of Looking for Mr. Goodbar—a haunting tale of forbidden love set against the backdrop of the American industrial revolution. This is the story of Emmeline Mosher, who, before her fourteenth birthday, was sent from her home on a farm in Maine to support her family by working in a cotton mill in Massachusetts. So begins the sixth novel by the author of Looking for Mr. Goodbar. But nothing Judith Rossner has written can prepare the reader for this haunting love story of a young girl thrust into one of America’s early industrial towns, then drawn into a love affair for which she is far from ready. In Emmeline, Rossner brings us the intensity, grasp of character, and storytelling ability that have distinguished her novels of modern women.