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On the Ground
The Black Panther Party suffers from a distorted image largely framed by television and print media, including the Panthers' own newspaper. These sources frequently reduced the entire organization to the Bay Area where the Panthers were founded, emphasizing the Panthers' militant rhetoric and actions rather than their community survival programs. This image, however, does not mesh with reality. The Panthers worked tirelessly at improving the life chances of the downtrodden regardless of race, gender, creed, or sexual orientation. In order to chronicle the rich history of the Black Panther Party, this anthology examines local Panther activities throughout the United States—in Seattle, Washi...
Feel My Big Guitar
Contributions by Ignatius Calabria, H. Zahra Caldwell, Brian Jude de Lima, Sabatino DiBernardo, William Fulton, Antonio Garfias, Judson L. Jeffries, Tony Kiene, Molly Reinhoudt, Fred Shaheen, and Karen Turman With his signature blend of genres and lyrics that touch on myriad societal issues, the artist Prince (1958–2016) has challenged and captivated the minds and hearts of countless listeners. Feel My Big Guitar: Prince and the Sound He Helped Create is a wide-ranging collection that seeks to place Prince at the center of contemporary musical scholarship, putting him in proper cultural and political context. This edited volume includes a mix of essays and reflections by scholars and fans,...
The Purple One
Contributions by Cassandra D. Chaney, Shannon M. Cochran, Samuel P. Fitzpatrick, Judson L. Jeffries, Zada Johnson, Tony Kiene, Aaron J. Kimble, Jerod Lockhart, Molly Reinhoudt, Paul N. Reinsch, Laurel Westrup, and Sherman M. White Prince (1958–2016) looms large in contemporary music history. Despite universal acclaim for his artistry, few scholars and writers have thoroughly treated the underlying ideas expressed in his work or examined his profound impact on popular culture. The Purple One: Prince, Race, Gender, and Everything in Between positions Prince in his proper cultural, political, and social place in history. Contributors employ a diverse range of approaches to explore the intrica...
Black Greek-letter Organizations in the Twenty-First Century
During the twentieth century, black Greek-Letter organizations (BGLOs) united college students dedicated to excellence, fostered kinship, and uplifted African Americans. Members of these organizations include remarkable and influential individuals such as Martin Luther King Jr., Congresswoman Barbara Jordan, novelist Toni Morrison, and Wall Street pioneer Reginald F. Lewis. Despite the profound influence of these groups, many now question the continuing relevance of BGLOs, arguing that their golden age has passed. Partly because of their perceived link to hip-hop culture, black fraternities and sororities have been unfairly reduced to a media stereotype—a world of hazing without any real s...
The Great Uprising
Offers a rich description of the impact of the 1960s race riots in the United States whose legacy still haunts the nation.
My People Are Rising
The founder of the Black Panther Party’s Seattle chapter recounts his life on the frontlines of the Black Power Revolution. Growing up in Seattle in the 1960s, Aaron Dixon dedicated himself to the Civil Rights movement at an early age. As a teenager, he joined Martin Luther King on marches to end housing discrimination and volunteered to help integrate schools. After King’s assassination in 1968, Dixon continued his activism by starting the Seattle chapter of the Black Panther Party at the age of nineteen. In My People Are Rising, Dixon offers a candid account of life in the Black Panther Party. Through his eyes, we see the courage of a generation that stood up to injustice, their political triumphs and tragedies, and the unforgettable legacy of Black Power. “This book is a moving memoir experience: a must read. The dramatic life cycle rise of a youthful sixties political revolutionary, my friend Aaron Dixon.” —Bobby Seale, founding chairman and national organizer of the Black Panther Party, 1966 to 1974
Black Against Empire
15 Rupture -- 16 The Limits of Heroism -- Conclusion -- Notes -- Acknowledgments -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z -- Figures
African American Culture
Covering everything from sports to art, religion, music, and entrepreneurship, this book documents the vast array of African American cultural expressions and discusses their impact on the culture of the United States. According to the latest census data, less than 13 percent of the U.S. population identifies as African American; African Americans are still very much a minority group. Yet African American cultural expression and strong influences from African American culture are common across mainstream American culture—in music, the arts, and entertainment; in education and religion; in sports; and in politics and business. African American Culture: An Encyclopedia of People, Traditions,...
Huey P. Newton
Huey P. Newton's powerful legacy to the Black Panther movement and the civil rights struggle has long been obscured. Conservatives harp on Newton's drug use and on the circumstances of his death in a crack-related shooting. Liberals romanticize his black revolutionary rhetoric and idealize his message. In Huey P. Newton: The Radical Theorist, Judson L. Jeffries considers the entire arc of Newton's political role and influence on civil rights history and African American thought. Jeffries argues that, contrary to popular belief, Newton was one of the most important political thinkers in the struggle for civil rights. Huey P. Newton's political career spanned two decades. Like many freedom fig...
The Heart of the Mission
An illustrated, in-depth examintion of the avant-garde and politically radical Latino art of San Francisco's Mission District In The Heart of the Mission, Cary Cordova combines urban, political, and art history to examine how the Mission District, a longtime bohemian enclave in San Francisco, has served as an important place for an influential and largely ignored Latino arts movement from the 1960s to the present. Well before the anointment of the "Mission School" by art-world arbiters at the dawn of the twenty-first century, Latino artists, writers, poets, playwrights, performers, and filmmakers made the Mission their home and their muse. The Mission, home to Chileans, Cubans, Guatemalans, ...
