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Storytelling in Christian Art from Giotto to Donatello
Recounting the biblical stories through visual images was the most prestigious form of commission for a Renaissance artist. In this book, Jules Lubbock examines some of the most famous of these pictorial narratives by artists of the caliber of Giovanni Pisano, Duccio, Giotto, Ghiberti, Brunelleschi, Donatello and Masaccio. He explains how these artists portrayed the major biblical events, such as: the Sacrifice of Isaac, the Annunciation, the Feast of Herod and the Trial and Passion of Jesus, so as to be easily recognizable and, at the same time, to capture our attention and imagination for long enough to enable us to search for deeper meanings. He provides evidence showing that the Church f...
The Tyranny of Taste
How do countries acquire their distinctive features and appearance, their look or style? In this study, Jules Lubbock answers this question by focusing on Britain, with its characteristic terraced houses, Georgian squares, postwar slab blocks and Victorian floral ornamentation. Lubbock traces the fierce debates over consumerism, good design and town planning that have raged in Britain since the Elizabethan period, investigating how the design of buildings and possessions - domestic as well as official - becomes an issue of public policy and controversy.
Architecture--art Or Profession?
Architects are perhaps the most important people involved in shaping the built environment, so the ideas they receive in the course of their training are a major influence upon the buildings and cities of the future. Crinson and Lubbock present a bold new perspective on the evolution of the British architect from Wren to post-modernism and beyond, and provide the first general history of architectural education, making an important contribution to current debates. The Prince of Wales' views on modern architecture and the need for a change in the way architects are trained, has attracted enormous support from the public, resulting in architects and their training being under the spotlight more than ever. The drive to define and promote the architectural profession that began in the eighteenth century and reached its apogee in the 1960s has now begun to unravel. How has this happened? What relation does an architect's education have to the built environment? What lessons are there from the past? This book will be of interest to students, lecturers and all those interested in the debates around contemporary architecture.
Man-Made Future
This anthology of essays by a group of distinguished scholars investigates post-1945 city planning in Britain; not from a technical viewpoint, but as a polemical, visual and educational phenomenon, shifting the focus of scholarly interest towards the often-neglected emotional and aesthetic aspects of post-war planning. Each essay is grounded in original archival research and sheds new light on this critical era in the development of modern town planning. This collection is a valuable resource for architectural, social and urban historians, as well as students and researchers offering new insights into the development of the mid-twentieth century city.
Architect Knows Best
The idea that buildings could be used to reform human behaviour and improve society was fundamental to the 'modernist' architecture and planning of people like Walter Gropius, Le Corbusier and José Luis Sert in the first half of the 20th century. Their proposals for functional zoning, multi-level transport, high-rise living, and machine-inspired aesthetics came under attack from the 1950s onwards, and many alternative approaches to architecture and planning emerged. It was thought that the environmental determinist strand of the discourse was killed off at this time as well. This book argues that it was not, but on the contrary, that it has deepened and diversified. Many of the most promine...
Marketing Modernisms
Architect, teacher, journalist, town planner and cultural entrepreneur, Sir Charles Reilly (1874–1948) was a leading figure of the early twentieth-century British architectural scene. Marketing Modernisms is the first book to take an in-depth look at Reilly’s career, tracing his evolving architectural ethos via a series of case studies of his built work. Among other issues, the author considers Reilly’s involvement in cultural enterprises such as the establishment of the Liverpool Repertory Theatre, his journalism, transatlantic links and town-planning theories. Reilly has been largely overlooked by writers of Modernist histories, but this book restores him to deserved prominence.
Walter Scott and the Greening of Scotland
Demonstrates how Walter Scott, one of Romanticism's most globally influential authors, put Scotland's ecologies at the heart of nineteenth-century writing.
ReVisioning
ReVisioning: Critical Methods of Seeing Christianity in the History of Art examines the application of art historical methods to the history of Christianity and art. As methods of art history have become more interdisciplinary, there has been a notable emergence of discussions of religion in art history as well as related fields such as visual culture and theology. This book represents the first critical examination of scholarly methodologies applied to the study of Christian subjects, themes, and contexts in art. ReVisioning contains original work from a range of scholars, each of whom has addressed the question, in regard to a well-known work of art or body of work, "How have particular methods of art history been applied, and with what effect?" The study moves from the third century to the present, providing extensive treatment and analysis of art historical methods applied to the history of Christianity and art.
Beyond Pleasure: Freud, Lacan, Barthes
Introduction : from mirror to anamorphosis -- Uncanny : the blind field in Edward Hopper -- Paranoia : Dalí meets Lacan -- Encounter : Breton meets Lacan -- Death drive: Robert Smithson's Spiral jetty -- Mourning : the Vietnam Veterans Memorial -- The real : what is a photograph? -- Conclusion : after Camera lucida.
Architecture, Town Planning and Community
Cecil Burgess was professor of architecture and resident architect at the University of Alberta between 1913 and 1940. This title collects Burgess' public talks and writings offering a fresh insight into the social and intellectual dimensions of architecture and town planning during the first half of the twentieth century.
