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A Writer's Topography
A Writer’s Topography examines French-Algerian Nobel Prize laureate Albert Camus’s intimate yet often unsettled relationship with natural and human landscapes. Much like the Greek hero Sisyphus about whom he wrote his famous philosophical essay, Camus sustained a deep awareness of and appreciation for what he termed le visage de ce monde—the face of this earth. This wide-ranging collection of essays by Camus scholars from around the world demonstrates to what extent topography is omnipresent in Camus’s life and works. Configurations and contemplations of landscape figure prominently in his fictional works on both a literal and figurative level—from the earliest writings of his youth to his final, unfinished novel, Le Premier Homme. Furthermore, as a core component of the way in which Camus perceived, conceived and expressed the human condition, topography constitutes an over-arching and particularly profound dimension of his personal, public and philosophical thought.
Performing the Pied-Noir Family
Performing the Pied-Noir Family: Constructing Narratives of Settler Memory and Identity in Literature and On-Screen sheds new light on the memory community of the pieds-noir from the Algerian War (1954-1962) as it continues to resonate in France, where the subject was initially repressed in the collective psyche. Aoife Connolly draws on theories of performativity to explore autobiographical and fictional narratives by the settlers in over thirty canonical and non-canonical works of literature and film produced from the colony’s imminent demise up to the present day. Connolly focuses on renewed attachment to the family in exile to facilitate a comprehensive analysis of settler masculinity, femininity, childhood, and adolescence and to uncover neglected representations, including homosexual and Jewish voices. Connolly argues that findings on the construction of a post-independence identity and collective memory have broader implications for communities affected by colonization and migration. Scholars of literature, film, Francophone studies, and film studies will find this book particularly useful.
Uncivil War
Uncivil War is a provocative study of the intellectuals who confronted the loss of France's most prized overseas possession: colonial Algeria. Tracing the intellectual history of one of the most violent and pivotal wars of European decolonization, James D. Le Sueur illustrates how key figures such as Albert Camus, Jean-Paul Sartre, Simone de Beauvoir, Germaine Tillion, Jacques Soustelle, Raymond Aron, Claude Lévi-Strauss, Albert Memmi, Frantz Fanon, Mouloud Feraoun, Jean Amrouche, and Pierre Bourdieu agonized over the "Algerian question." As Le Sueur argues, these individuals and others forged new notions of the nation and nationalism, giving rise to a politics of identity that continues to influence debate around the world. This edition features an important new chapter on the intellectual responses to the recent torture debates in France, the civil war in Algeria, and terrorism since September 11.
The Spectacle of Flight
From historian Wohl comes an extraordinary account of the development of aviation and the heroism, romance, adventure, and shattered dreams that followed. Archival photos.
Against the Postcolonial
"In an exploration of the work of five writers from lands formerly or currently ruled by France - Algeria, Cambodia, Guiana, Madagascar, and Mali - Serrano demonstrates the rewards of research that engages in textual analysis within its historical and literary contexts. He deftly argues against the relevance of a homogenizing critical practice - considering these writers postcolonial, he claims, is to misunderstand their aesthetic strategies for survival in the face of French colonialism and modernism. Scholars of Francophone literature, Postcolonial Studies, and world literature will relish Serrano's lively invitation to debate and masterful analysis of five brilliant artists."--Jacket.
Global Cold War Literature
In countries worldwide, the Cold War dominated politics, society and culture during the second half of the twentieth century. Global Cold War Literatures offers a unique look at the multiple ways in which writers from Asia, Africa, Europe and North and South America addressed the military conflicts, revolutions, propaganda wars and ideological debates of the era. While including essays on western European and North American literature, the volume views First World writing, not as central to the period, but as part of an international discussion of Cold War realities in which the most interesting contributions often came from marginal or subordinate cultures. To this end, there is an emphasis...
Running to Stand Still
A work of enduring love and self-reflection, this autobiography follows a troubled Irishman and his lifelong battle with inner demons. After a life of violence--including a warring family in his youth, enrollment in the Irish Republican Army, stints in prison, and spousal abuse--the author is finally forced to recognize these patterns of aggression and reevaluate his life. Aided by his loyal and loving wife, the author tells the story of his recovery and redemption through the discovery of the roots of his violence and provocation.
Remnants of Empire in Algeria and Vietnam
In Remnants of Empire in Algeria and Vietnam: Women, Words, and War author Pamela A. Pears proposes a new approach to Francophone studies. The work uses postcolonial theory, along with gender and feminist inquiries, to emphasize the connections between two Francophone literatures, Algerian and Vietnamese. Specifically Pears focuses on four novels: Yamina Mechakra's La Grotte ZclatZe, Ly Thu Ho's Le Mirage de la paix, Malika Mokeddem's L'Interdite, and Kim Lef_vre's Retour la saison des pluies. All four novels show the profound transformation of women's roles in Algeria and Vietnam during and following the presence of French colonialism. These four authors never attempt to unfold a clear and ...
Gender. Nation. Text.
This collection explores the multifarious manifestations of gender intrinsic to national ideologies, the use of gender in the construction and development of nation states, and the role of political, literary, and cinematographic discourses in cultural debates that define national and international borders in post-colonial societies. The selected essays focus primarily on Europe and Latin America and consider the implications of colonialism, dictatorship, and the transition to democracy on national identities as well as the deliberate use of gendered language and images in the development of discourses of hegemony, frequently used to underpin support for individual political regimes, or as a call to arms to defend national patrimony. (Series: Cultural Studies / Kulturwissenschaft / Estudios Culturales / Etudes Culturelles, Vol. 55) [Subject: Gender Studies, Politics, Sociology, Cultural Studies]
