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The Sacred in Fantastic Fandom
To the casual observer, similarities between fan communities and religious believers are difficult to find. Religion is traditional, institutional, and serious; whereas fandom is contemporary, individualistic, and fun. Can the robes of nuns and priests be compared to cosplay outfits of Jedi Knights and anime characters? Can travelling to fan conventions be understood as pilgrimages to the shrines of saints? These new essays investigate fan activities connected to books, film, and online games, such as Harry Potter-themed weddings, using The Hobbit as a sacred text, and taking on heroic roles in World of Warcraft. Young Muslim women cosplayers are brought into conversation with Chaos magicians who use pop culture tropes and characters. A range of canonical texts, such as Supernatural, Buffy the Vampire Slayer, and Sherlock--are examined in terms of the pleasure and enchantment of repeated viewing. Popular culture is revealed to be a fertile source of religious and spiritual creativity in the contemporary world.
Theology and Black Mirror
Black Mirror, Netflix’s dystopian anthology, probes what it means to be human in a technological world. While the show raises interesting, if not disturbing, questions, it refrains from giving answers, putting the onus on viewers to continue the conversation. Accordingly, Theology and Black Mirror engages questions and prominent themes in the show with resources from the Christian tradition, including the academic disciplines of biblical studies, theology, philosophy, and ethics.
Dread and Hope
Christianity was born in the midst of great expectation and fear about the world’s future. The existing Jewish paradigm of the coming Messiah, his antithesis, and the initiation of the coming age set the stage for Christian beliefs about the end of the current age. However, the unexpected death and resurrection of Jesus caused that paradigm to be reformed within the burgeoning Christian faith, reshaping hopes, and reworking old patterns. Dread and Hope explores the ways in which those old paradigms were challenged by Jesus’s death and resurrection, how the resulting eschatological landscape was understood within Christianity, and how modern popular culture has consumed and modified various components of Christian Hope. Joshua Wise examines how the central Christian eschatological themes such as the Antichrist, the Great Persecution, Heaven, and Hell have both been transformed and preserved in novels, television, films, and video games. Drawing on works such as 1984, Diablo, The Stand, What Dreams May Come, and the Fallout series, Dread and Hope considers how the human fears and desires shaped by Christian beliefs are expressed in popular culture.
Theology and Protest Music
Songs of protest have been inspiring activists for millennia, and continue to be created, shared, and reworked across musical genres. From the prophet Habakkuk as proto-protest singer, through a broad spectrum of twentieth and twenty-first century artists and diverse faith traditions, Theology and Protest Music gathers compelling contributions that examine Brazilian eschatology, Black liberation and womanism, esoteric Islam in Five Percenter rap, heavy metal as anti-theology, Howard Thurman’s relevance to jazz, Cuban Santería priest Pedrito Martinez’ sacred Batá drumming, as well as theological reflections on Jay-Z, Funkadelic, Marvin Gaye, Sweet Honey in the Rock, and the social justice chorale movement. Those interested in theology and popular culture, as well as scholars of music, social justice, racial identity, LGBTQ+ studies, and gender studies will find new aspects of the broad spectrum of protest music and its diverse spiritual connections. Theology and Protest Music also features invited contributions by pioneering choral activist Catherine Roma and world-renowned performer, composer, and educator Dr. Ysaye Maria Barnwell.
Polyphonic Thinking and the Divine
Philosophy of religion is a highly diversified field. An apt description of it is “zoo.” It conjures imagery of a species-wide cacophony of sights and sounds. While some bemoan what this description implies, Contributors to this volume appreciate it. There is no reason why a zoo should intimate a den of confusion rather than an important condition of emergence and novelty. “Polyphonic” is the catchall term to capture this sentiment. It signals a way of thinking that resists the desire to siphon insight into manageable packets of information in the Name of historicality and finitude. A polyphonic, then, is a variegated and discontinuous study that breaks with a tradition that desires ...
Theology and Breaking Bad
Theology and Breaking Bad explores the brutal and seemingly nihilistic moral landscape of the AMC neo-Western crime drama Breaking Bad (2008–2013) with insights into the characters, their struggles, and the moral consequences resulting from their actions. Throughout the book, the contributors find telltale traces of theological themes woven into the storylines by the writers and directors and bring them out for the reader in ten essays spanning topics from Greek mythology to the Hebrew Bible, and extending into Eastern and Western Christendom. Readers will find provocative reflections that will add to their appreciation of this show, as well as its spinoff series, Better Call Saul (2015–2022). This volume also advances academic inquiries in such fields as popular culture and theology, hermeneutics, biblical studies, Patristics, film studies, diasporic and colonial studies, and explores such themes as antihero redemption, penance, salvation, and forgiveness. This book will be of interest to both academics and fans alike.
Ravana's Kingdom
Ravana, the demon-king antagonist from the Ramayana, the ancient Hindu epic poem, has become an unlikely cultural hero among Sinhala Buddhists over the past decade. In Ravana's Kingdom, Justin W. Henry delves into the historical literary reception of the epic in Sri Lanka, charting the adaptions of its themes and characters from the 14th century onwards, as many Sri Lankan Hindus and Buddhists developed a sympathetic impression of Ravana's character, and through the contemporary Ravana revival, which has resulted in the development of an alternative mythological history, depicting Ravana as king of the Sri Lanka's indigenous inhabitants, a formative figure of civilizational antiquity, and th...
Theology, Religion, and Dystopia
Dystopia, from the Greek dus and topos “bad place,” is a revelatory genre and concept that has experienced a meteoric rise in popularity at the start of the twenty-first century. This book addresses approaches to the study of dystopia from the academic fields of theology and religious studies. Following a co-written chapter where Scott Donahue-Martens and Brandon Simonson argue that dystopia can be understood as demythologized apocalyptic, ten unique contributions each engage a work of popular culture, such as a book, movie, or television show. Topics across chapters range from the critical function of dystopia, social location and identity, violence, apocalypse and the end of everything, sacrifice, catharsis, and dystopian existentialism. This volume responds to the need for theological and religious reflection on dystopia in a world increasingly threatened by climate change, pandemics, and global war.
Theology and Batman
Batman is one of the most recognized and popular pop culture icons. Appearing on the page of Detective Comics #27 in 1939, the character has inspired numerous characters, franchises, and spin-offs over his 80+ year history. The character has displayed versatility, appearing in stories from multiple genres, including science fiction, noir, and fantasy and mediums far beyond his comic book origins. While there are volumes analyzing Batman through literary, philosophical, and psychological lenses, this volume is one of the first academic monographs to examine Batman through a theological and religious lens. Theology and Batman analyzes Batman and his world, specifically exploring the themes of theodicy and evil, ethics and morality, justice and vengeance, and the Divine Nature. Scholars will appreciate the breadth of material covered while Batman fans will appreciate the love for the character expressed through each chapter.
Theology and Star Trek
After Star Trek: Enterprise concluded in 2005, Star Trek went on hiatus until the 2009 film Star Trek and its sequels. With the success of these films, Star Trek returned to the small screen with series like Discovery, Picard, and Strange New Worlds. These films and series, in different ways, reflect cultural shifts in Western society. Theology and Star Trek gathers a group of scholars from various religious and theological disciplines to reflect upon the connection between theology and Star Trek anew. The essays in part one, “These are the Voyages,” explore the overarching themes of Star Trek and the thought of its creator, Gene Roddenberry. Part two, “Strange New Worlds,” discusses politics and technology. Part three, “To Explore and to Seek,” focuses on issues related to practice and formation. Part four, “To Boldly Go,” contemplates the future of Star Trek.
