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The Pulitzer Prize–winning film critics offers up more reviews of horrible films. Roger Ebert awards at least two out of four stars to most of the more than 150 movies he reviews each year. But when the noted film critic does pan a movie, the result is a humorous, scathing critique far more entertaining than the movie itself. I Hated, Hated, Hated This Movie is a collection of more than 200 of Ebert’s most biting and entertaining reviews of films receiving a mere star or less from the only film critic to win the Pulitzer Prize. Ebert has no patience for these atrocious movies and minces no words in skewering the offenders. Witness: Armageddon * (1998)—The movie is an assault on the eye...
This book is unique in illuminating and comparing the charismatic role of two political leaders, Jawaharlal Nehru and David Ben-Gurion, along with assessments of many other 20th century political leaders. Its aim is to enrich our knowledge of an important dimension of global politics: charismatic leadership. The central role of political leaders in shaping the behavior of states has been universally recognized since the political systems of antiquity in East Asia, the Middle East, and Europe. With the massive increase of independent states since the end of World War II, from 55 initial members of the United Nations to more than 200 today, and especially the emergence of awesome weapons of mass destruction, the centrality of political leaders in the survival of the planet has grown exponentially. Both India and Israel have experienced the crucial role of charismatic leaders, Nehru and Ben Gurion, who dominated their states and societies for a near-identical formative period in their political independence, 1947-64 and 1948-63 respectively, as charismatic leaders. Their impact, Brecher shows, extended far beyond their states to both their geographic regions and global politics.
In the aftermath of the 2020 U.S. presidential election, Krista Comer invited fifteen colleagues into a conversation about feminism and the U.S. West. From her travels over some thirteen thousand miles to places chosen by participants comes a remarkable series of dialogues focusing on questions about the where of us—the places that we love or belong, or don’t belong, and who we are in them. Living West as Feminists moves from travelogue to interviews to critical meditations. It asks who one’s people are, to whom one feels accountable, and how we might make peace with the itinerant, often displaced lives of late-stage capitalist culture. Ultimately, the book understands feminism not as a specific politics or set of theories but as a network of relations. Its coalitional perspective allows for coming together even while distinguishing feminists who write from Black, Indigenous, queer, Chicanx, and materialist perspectives. Feminist rest areas, in which relational securities find footing, can create the most priceless resource in desperate times: well-being and political hope.
DigiCat Publishing presents to you this special edition of "Danger Signals" (Remarkable, Exciting and Unique Examples of the Bravery, Daring and Stoicism in the Midst of Danger of Train Dispatchers and Railroad Engineers) by Jasper Ewing Brady, John A. Hill. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Golden Prospects is the moving story of the Chinese who came to the West Coast of New Zealand during the gold-rush days of the late 1860's and afterwards. It is a record of their experiences and the unique contribution they made as gold-miners, merchants, cooks, market gardeners, and even missionaries, to the West Coast's history and development. This is a fascinating and highly readable book that opens the door on a poorly documented part of the West Coast's history. It is rich in personal stories, humorous anecdotes and details the sometimes turbulent interaction between Europeans and Chinese, the role that Chinese women played, inter-cultural marriages and the achievements of individual Chinese.
This book presents a unique and comprehensive examination of the human and moral rights of artists. In what is arguably the first exhaustive book-length account of artists' rights, Paul Kearns explores the problems associated with censorship, both from philosophical and legal perspectives, and focuses on the various ways in which the morality of art is legally regulated in different jurisdictions. In relation to human rights, English, French and American law, the law of the European Convention on Human Rights, European Union law and public international law are all closely scrutinised to discover the extent to which they offer protection for artistic freedom. The author also examines domestic and international law in respect of artists' moral rights, the law of copyright and related laws. In short, the book provides an original, and sometimes controversial, analysis of persistent concerns regarding the legal regulation of the arts universally, doctrinally and theoretically, and seeks to offer an holistic treatment which will appeal to art lawyers, artists and those interested in the future of the arts.