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“In the face of such ‘unspeakable truths,’ wouldn’t it be better to simply, quietly bow down?” (Kora Andrieu: Sorry for the Genocide, 2009). This book takes an interdisciplinary approach to the question of colonial crimes. In order to reconcile with massive systemic injustice, not only the historical foundations and legal questions are relevant, but also political viewpoints and peace ethics. The book demonstrates that, in the face of extreme violence, even genocide, a political apology can be an effective tool for conflict transformation, even when the injustice is far in the past.
From 1884 to 1914, the world's fourth-largest overseas colonial empire was that of the German Kaiserreich. Yet this fact is little known in Germany and the subject remains virtually absent from most school textbooks. While debates are now common in France and Britain over the impact of empire on former colonies and colonising societies, German imperialism has only more recently become a topic of wider public interest. In 2015, the German government belatedly and half-heartedly conceded that the extermination policies carried out over 1904-8 in the settler colony of German South West Africa (now Namibia) qualify as genocide. But the recent invigoration of debate on Germany's colonial past has...
Award winning Swedish photographer Per-Anders Pettersson shows a new and unexpected side of the African continent as he examines the fast growing fashion industry in Africa. This book is the first time the emerging African fashion industry has been documented in exclusive behind the scenes photographs. The series was taken in 15 countries around Africa from 2010-2015 and celebrates a new, vibrant, colourful and unexpected view of the African continent.
A monograph comprising 50 years of works by the acclaimed Finnish-American photographer, this edition includes many never-before-published works.
Jus Post bellum: Restraint, Stabilisation and Peace seeks to answer the question “is restraint in war essential for a just and lasting peace”? With a foreword by Professor Brian Orend who asserts this as “a most commendable subject” in extending Just War Theory, the book contains chapters on the ethics of war-fighting since the end of the Cold War and a look into the future of conflict. From the causes of war, with physical restraint and reconciliation in combat and political settlement, further chapters written by expert academics and military participants cover international humanitarian law, practicalities of the use of force and some of the failures in achieving safe and lasting peace in modern-day theatres of conflict.
British photographer Tariq Zaidi presents a fashion subculture of Kinshasa & Brazzaville: La Sape, Societe des Ambianceurs et des Personnes Elegantes. Its followers are known as 'Sapeurs' ('Sapeuses' for women). Most have ordinary day jobs as taxi-drivers, tailors and gardeners, but as soon as they clock off they transform themselves into debonair dandies. Sashaying through the streets they are treated like rock stars - turning heads, bringing 'joie de vivre' to their communities and defying their circumstances.
Following the humanitarian horrors of the 1990s, the international community began to seek consensus on a new norm to help address the tension between upholding the sovereign right of states to administer their own internal affairs, and the pressing need for civilian populations to be protected from their own government in certain situations. The result was the responsibility to protect initiative from the UN, accepted as an emerging norm and based on existing legal structures although not itself necessarily accepted as law. This volume looks not only at the humanitarian-inspired interventions of the past 15 years, such as those that took place under the Force for Good banner of the UK Gover...
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Architecture Rausch opens discussion on architectural training in this volatile time, and who better to articulate those challenges (as well as to challenge the limits of the profession) than the students who will face them in the twenty-first century? The book presents works by students from a studio at Technische Universität Berlin (TU Berlin), Germany's largest science and engineering school. Among the editors are faculty members whose cutting-edge work includes the Gallery for Contemporary Art Leipzig and projects with Daniel Libeskind.