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Museum of Islamic Art: the Guide
A guide to the best of the collections at the Museum of Islamic Art in Doha, Qatar.
The Image Of An Ottoman City
This urban and architectural study of Aleppo reconstructs the city's evolution over the first two centuries of Ottoman rule and proposes a new model for the understanding of the reception and adaptation of imperial forms, institutions and norms in a provincial setting.
The Diez Albums
The five Diez albums in Berlin, acquired by Heinrich Friedrich von Diez in Constantinople around 1789, contain more than 400 figurative paintings, drawings, fragments, and calligraphic works originating for the most part from Ilkhanid, Jalayirid, and Timurid workshops. Gonnella, Weis and Rauch unite in this volume 21 essays that analyse their relation to their “parent” albums at the Topkapı Palace or examine specific works by reflecting upon their role in the larger history of book art in Iran. Other essays cover aspects such as the European and Chinese influence on Persianate art, aspects related to material and social culture, and the Ottoman interest in Persianate albums. This book m...
Empire of Salons
A history of the Ottoman incorporation of Arab lands that shows how gentlemanly salons shaped culture, society, and governance Historians have typically linked Ottoman imperial cohesion in the sixteenth century to the bureaucracy or the sultan’s court. In Empire of Salons, Helen Pfeifer points instead to a critical but overlooked factor: gentlemanly salons. Pfeifer demonstrates that salons—exclusive assemblies in which elite men displayed their knowledge and status—contributed as much as any formal institution to the empire’s political stability. These key laboratories of Ottoman culture, society, and politics helped men to build relationships and exchange ideas across the far-flung ...
The Caliph and the Imam
The authoritative account of Islam's schism that for centuries has shaped events in the Middle East and the Islamic world. In 632, soon after the Prophet Muhammad died, a struggle broke out among his followers as to who would succeed him. Most Muslims argued that the leader of Islam should be elected by the community's elite and rule as Caliph. They would later become the Sunnis. Otherswho would become known as the Shiabelieved that Muhammad had designated his cousin and son-in-law Ali as his successor, and that henceforth Ali's offspring should lead as Imams. This dispute over who should guide Muslims, the Caliph or the Imam, marks the origin of the Sunni-Shii split in Islam. Toby Matthiese...
Islamic Palace Architecture in the Western Mediterranean
This book offers a comprehensive and up-to-date overview of Islamic palace architecture in Spain, Morocco, Algeria, Tunisia, and southern Italy, presenting all known palace buildings in ground plans, sections and individual descriptions. The author traces their evolution from the 8th to the 19th century and places them within the context of the history of Islamic culture.
Mughal Occidentalism
In Mughal Occidentalism, Mika Natif elucidates the meaningful and complex ways in which Mughal artists engaged with European art and techniques from the 1580s-1630s. Using visual and textual sources, this book argues that artists repurposed Christian and Renaissance visual idioms to embody themes from classical Persian literature and represent Mughal policy, ideology and dynastic history. A reevaluation of illustrated manuscripts and album paintings incorporating landscape scenery, portraiture, and European objects demonstrates that the appropriation of European elements was highly motivated by Mughal concerns. This book aims to establish a better understanding of cross-cultural exchange from the Mughal perspective by emphasizing the agency of local artists active in the workshops of Emperors Akbar and Jahangir.
Digital Heritage. Progress in Cultural Heritage: Documentation, Preservation, and Protection
This two-volume set LNCS 10058 and LNCS 10059 constitutes the refereed proceedings of the 6th International Conference on Digital Heritage, EuroMed 2016, held in Nicosia, Cyprus, in October/November 2016. The 29 full papers, 44 project papers, and 32 short papers presented were carefully reviewed and selected from 502 submissions. The papers are organized in topical sections on 3D Reconstruction and 3D Modelling; Heritage Building Information Models; Innovative Methods on Risk Assessment, Monitoring and Protection of Cultural Heritage; Intangible Cultural Heritage Documentation; Digital Applications for Materials' Preservation and Conservation in Cultural Heritage; Non-Destructive Techniques...
The Arts of the Mamluks in Egypt and Syria
Based on the conference "The Arts of the Mamluks in Egypt and Syria" held at SOAS in 2009.
Egypt and the Eastern Mediterranean World
During the period 500–1000 CE Egypt was successively part of the Byzantine, Persian and Islamic empires. All kinds of events, developments and processes occurred that would greatly affect its history and that of the eastern Mediterranean in general. This is the first volume to map Egypt's position in the Mediterranean during this period. Drawing on a wide range of disciplines, the individual chapters detail its connections with imperial and scholarly centres, its role in cross-regional trade networks, and its participation in Mediterranean and Near Eastern cultural developments, including their impact on its own literary and material production. With unparalleled detail, the book tracks the mechanisms and structures through which Egypt connected politically, economically and culturally to the world surrounding it.
