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That the idea of world revolution was crucial for the Bolshevik leaders in the years following the 1917 revolution is a well-known fact. But what did the party’s rank and file make of it? How did it resonate with the general population? And what can a social history of international solidarity tell us about the transformation of Soviet society from NEP to Stalinism? This book undertakes the first in-depth analysis of the discourses and practices of internationalism in early Soviet society during the years of revolution, civil war and NEP, using forgotten archival materials and contemporary sources.
Across Africa and South-East Asia, the impulse to protect nature often dovetails with the domination of local people. From mass displacement to severe restrictions on land use and daily acts of violence, conservation work risks reproducing Eurocentric modes of colonialism and worsening the effects of the climate crisis. In this insightful and wide-ranging study of the colonial history of conservation, Tropical Nature seeks to provide a much-needed history of the Global South from its own perspective. Comparing case studies ranging from Ali Bongo’s Gabon, to the postcolonial African itinerary of the agronomist Arthur Bunting, this volume advances a “small-scale global history” that deciphers the relations binding human societies to the non-human world.
This volume places the Eastern, especially the Austro-Russian, fronts of the Great War centre stage, examining the little-known environmental and spatial dimensions in the history of the war. The focus is particularly on the Austrian crown land of Galicia, which was transformed from a neglected periphery into a battleground of three imperial armies, and where for the first time, nature was a key protagonist. The book balances contributions by emerging and established scholars, and benefits from a multi-language approach, expertise in the field, and extensive archival research in national archives. Contributors are Hanna Bazhenova, Gustavo Corni, Iaroslav Golubinov, Kerstin Susanne Jobst, Tomasz Kargol, Alexandra Likhacheva, Oksana Nagornaia, David Novotny, Christoph Nübel, Gwendal Piégais, Andrea Rendl, Kamil Ruszała, Nicolas Saunders, Kerstin von Lingen, Yulia Zherdeva, and Liubov Zhvanko.
This ground-breaking history of the General Jewish Labour Bund in migration investigates how the organisation transformed itself from a revolutionary protagonist in early twentieth-century Russia to a socialist institution of secular Jewish life and yidishkayt for Jews in North and South America. By following thousands of activists’ paths from the shtetls of Eastern Europe to the working-class Yiddish neighbourhoods of New York and Buenos Aires, Frank Wolff traces the networks that connected these revolutionaries on both sides of the Atlantic, resulting in a richly detailed social history of this seminal transnational movement. This book was first published in 2014 as Neue Welten in der Neuen Welt: Die transnationale Geschichte des Allgemeinen Jüdischen Arbeiterbundes, 1897–1947 by Böhlau Verlag, Köln, ISBN 978-3412222116.
“A fresh and lively approach to understanding how the various Russian empires have worked.” —Slavic Review A fundamental dimension of the Russian historical experience has been the diversity of its people and cultures, religions and languages, landscapes and economies. For six centuries this diversity was contained within the sprawling territories of the Russian Empire and the Soviet Union, and it persists today in the entwined states and societies of the former USSR. Russia’s People of Empire explores this enduring multicultural world through life stories of 31 individuals―famous and obscure, high born and low, men and women―that illuminate the cross-cultural exchanges at work f...
Die etwa 150.000 Frauen, die im Zweiten Weltkrieg im Women's Army Corps Dienst taten, waren die ersten regularen Soldatinnen der US-Armee. Um mannliche Soldaten fur den Kampf freizusetzen, arbeiteten sie auch in traditionellen Mannerbereichen, etwa als Mechanikerinnen oder Pilotinnen in den USA, Afrika, Europa und Sudostasien. Die Autorin geht den Erfahrungen dieser Frauen nach, den militarischen und zivilen Diskursen uber Soldatinnen im Militar und dem Umgang der Armee mit soldatischer Weiblichkeit und weiblicher Sexualitat. Anhand von Regierungsdokumenten, Kriegsgerichtsprozessen, aber auch Selbstzeugnissen, Gedichten und Songs zeigt M. Michaela Hampf, wie umkampft die Konstruktion der Soldatin im Amerika der vierziger Jahre war und bis heute ist.
"Shows that precolumbian tectonic forms (especially as found in sculpture and weaving) appear to be an overlooked source, or anticipation, of much of the art of the 20th century. Second part of book deals with artifacts as American art and addresses reception of ancient tectonics in the 20th century. Emphasizes intense relationship that some members of the New York School (particularly Barnett Newman and Adolph Gottlieb) had during 1940s with the aboriginal arts of the North American part of the hemisphere and thus the affinities between their work and the work of the older Torres Garcâia in Montevideo, at the other end of the continent"--Handbook of Latin American Studies, v. 58.
Analysis of how a religious festival dramatized the subaltern status of indigenous converts and how these converts used this to construct positive colonial identities.
Informed by the belief that critical pedagogy must move beyond the classroom if it is to be truly effective, this essay collection makes clear how cultural practices--as portrayed in film, sports, and in the classroom itself--enable cultural studies to deepen its own political possibilities and to construct diverse geographies of identity, representation and place. Contributors: Henry A. Giroux, Ava Collins, Nancy Fraser, Carol Becker, bell hooks, Michael Eric Dyson, Roger I. Simon, Chandra Talpede Mohanty, Simon Watney, Michele Wallace, Peter McLaren, David Trend, Abdul R. JanMohamed and Kenneth Mostern.
This important and welcome volume is the first English-language anthology of writings on Latin American modern art of the twentieth century. The book includes some fifty seminal essays and documents—including statements, interviews, and manifestoes by artists—that encompass the broad diversity of this emerging field. Many of these materials are difficult to access and some are translated here for the first time. Together the selections explore the breadth and depth of Latin American modern art as well as its distinctive evolution apart from American and European art history. Included in this collection are fascinating ideas and insights on the impact of the avant-garde in the 1920s, the Mexican mural movement, Surrealism and other fantasy-based styles, modern architecture, geometric and optical art, concrete and neo-concrete art, and political conceptualism. For students and scholars of Latin American art, the volume offers an invaluable collection of primary and secondary sources.