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Exploring the hazy line that can exist between friendship and desire, this memoir-in-essays is a coming out story that chronicles the childhood, adolescence, and early adulthood of Julia Koets, who grows up entrenched in religion in a small town in the South.
Poetry. LGBTQIA Studies. Pine maps a secret relationship between two women in the South, where certain kinds of desire --queer desire, in particular --have historically been hidden and feared. Creating new landscapes of identity by reimagining form, modifying villanelles, sonnets, elegies, thank-you notes, and dictionary entries, Pine's imagistic and metaphorical associations between the body and the natural world form a queer ecology of longing and loss.
Selected by 2011 National Book Award winner Nikky Finney as the seventh annual winner of the South Carolina Poetry Book Prize, Hold Like Owls is the first book-length collection from Julia Koets. Full of imagery deeply embedded in memories of growing up in the American South, Koets explores what it means to hold—to carry memories—and what to hold onto and what to let go. Birds turn into paper, a voice fits inside a chestnut shell, and moths eat stars through a woolen sky as the collection evokes nuance within the ordinary, reframes childhood memory, and engages the themes of the night, sensuality, and desire. Whether questioning personal histories, language, sexual identity, or love, the collection honors the "gentle corners of the night" that allow for questioning and uncertainty to exist.
“This dazzling writer has created a guidebook for growing up queer in the American South . . . a testament to human endurance and dignity.” —Nick White, author of Sweet & Low Growing up in a small town in the South, Julia and her childhood best friend Laura know the church as well as they know each other’s bodies—the California-shaped scar on Julia’s right knee, the tapered thinness of Laura’s fingers, the circumference of each other’s ponytails. When Laura’s family moves away in middle school and Julia gets a crush on the new priest’s daughter at their church, Julia starts to more fully realize the consequences of being anything but straight in the South. After college, ...
Lyrical essays reflecting on gender, sexuality, embodiment, family, and culture as the author considers her personal history with her body, beauty, and love.
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Set mostly on or off the coast of Cape Cod, poet-naturalist Elizabeth Bradfield continues her ongoing exploration of humans in their natural habitat—and, at times, at odds with it. Known for her poetic portrayals of polar expeditions throughout the ages, Elizabeth Bradfield explores environments remote and local, ecological and interior, in these enthralling new poems. Whether afloat on the Amazon or wandering her home turf of Cape Cod, Bradfield connects her natural surroundings with the most essential of human longings.
"The poems in Leah Osowski's exquisite debut, hover over her, trace the various constructions of adolescence and gender in twenty-first century America through the experience of three young women who speak in a single, collective voice. That's the easy, catalogue-like description. But the narrative through-line is complicated by the notion of geography: the poems' geographies, the girls' physical spaces, the landscapes of Osowski's lyrical music and syntax. In one way or another, these poems are constantly trying to locate themselves, living in the liminal spaces between comfort and fear, discovery and youth"--Foreword, page xi.
Poetry. Middle Eastern Studies. Winner of the 2016 Michael Waters Poetry Prize. In Lebanon during the civil war, a teenage boy and his family witness leveled cities, displaced civilians, the aftermath of massacres. Resources are scarce and uncertainty is everywhere. What does it mean to survive? To leave behind a home torn apart by war? To carry the burden of what you've seen across an ocean? These poems follow a man in search of security as he leaves his country for America, falls in love, and becomes a single father to three daughters. Through the perspective of one man, his family, and even his country, SET TO MUSIC A WILDFIRE explores the violence of living, the guilt of surviving, the loneliness of faith, and the impossible task of belonging.
NOW A MAJOR MOTION PICTURE • This searing memoir of fraternity culture and the perils of hazing provides an unprecedented window into the emotional landscape of young men. Reeling from a terrifying assault that has left him physically injured and psychologically shattered, nineteen-year-old Brad Land must also contend with unsympathetic local police, parents who can barely discuss “the incident” (as they call it), a brother riddled with guilt but unable to slow down enough for Brad to keep up, and the feeling that he’ll never be normal again. When Brad’s brother enrolls at Clemson University and pledges a fraternity, Brad believes he’s being left behind once and for all. Desperate to belong, he follows. What happens there—in the name of “brotherhood,” and with the supposed goal of forging a scholar and a gentleman from the raw materials of boyhood—involves torturous late-night hazing, heartbreaking estrangement from his brother, and, finally, the death of a fellow pledge. Ultimately, Brad must weigh total alienation from his newfound community against accepting a form of brutality he already knows too well.