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Uncanny Magazine Issue 21
The March/April 2018 issue of Hugo Award-winning Uncanny Magazine. Featuring new fiction by Sarah Pinsker, A.T. Greenblatt, Emma Törzs, Sarah Monette, Vina Jie-Min Prasad, and Brandon O'Brien, reprinted fiction by Nalo Hopkinson, essays by R.F. Kuang, Neile Graham, Marissa Lingen, and Karlyn Ruth Meyer, and poetry by Fran Wilde, Cassandra Khaw, Brandon O'Brien, Beth Cato, Sonya Taaffe,Hal Y. Zhang, and Andrea Tang, interviews with A.T. Greenblatt and Vina Jie-Min Prasad by Caroline M. Yoachim, a cover by Nilah Magruder, and an editorial by Lynne M. Thomas and Michael Damian Thomas.
Uncanny Magazine Issue 27
The March/April 2019 issue of Hugo Award-winning Uncanny Magazine. Featuring new fiction by Karen Osborne, Tina Connolly, Bonnie Jo Stufflebeam, Marie Brennan, Silvia Moreno-Garcia, and A.T. Greenblatt. Reprinted fiction by Aliette de Bodard, essays by Tracy Townsend, Briana Lawrence, Marissa Lingen, and Suzanne Walker, poetry by Beth Cato, D.A. Xaolin Spires, Cassandra Khaw, Sandi Liebowitz, and Chloe N. Clark, interviews withBonnie Jo Stufflebeam and A.T. Greenblatt by Caroline M. Yoachim, a cover by Christopher Jones, and an editorial by Lynne M. Thomas and Michael Damian Thomas.
Antique Trader's Antiques and Collectibles Price Guide, 1999
Gives prices for antiques and collectibles for the 1999 market.
The Antique Trader's Antiques and Collectibles Price Guide, 2001
For 30 years, "Antique Trader" has been producing price guides for the antiques and collectibles marketplace. This latest edition carries these authoritative, detailed guides into the new millennium with 20,000 detailed listings, including special coverage of "hot" items. 3,000 photos.
The Best Horror of the Year
This statement was true when H. P. Lovecraft first wrote it at the beginning of the twentieth century, and it remains true at the beginning of the twenty-first century. The only thing that has changed is what is unknown. With each passing year, science, technology, and the march of time shine light into the craggy corners of the universe, making the fears of an earlier generation seem quaint. But this “light” creates its own shadows. The Best Horror of the Year, edited by Ellen Datlow, chronicles these shifting shadows. It is a catalog of terror, fear, and unpleasantness, as articulated by today’s most challenging and exciting writers. The best horror writers of today do the same thing...
Yearbook
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Official Register
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