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While the current philosophical debate surrounding Hegel’s aesthetics focuses heavily on the philosopher’s controversial ‘end of art’ thesis, its participants rarely give attention to Hegel’s ideas on the nature of beauty and its relation to art. This study seeks to remedy this oversight by placing Hegel’s views on beauty front and center. Peters asks us to rethink the common assumption that Hegelian beauty is exclusive to art and argues that for Hegel beauty, like art, is subject to historical development. Her careful analysis of Hegel’s notion of beauty not only has crucial implications for our understanding of the ‘end of art’ and Hegel’s aesthetics in general, but also sheds light on other fields of Hegel’s philosophy, in particular his anthropology and aspects of his ethical thought.
A Roadmap for Transforming Ambition into Achievement In the sea of thrown-together, stereotypical leadership advice, Julia Tang Peters’ Pivot Points stands out like a beacon. This book is not the result of trite 10-step recipes or unstudied observations. Instead, its source is in-depth research conducted among some of the country’s most effective leaders. Intimate interviews and broad survey data reveal that the leaders who stand out are the ones who fearlessly face the decisions that characterize career turning points. Amazingly, the people who break through barriers to transform industries encounter—and effectively confront—the same five critical decisions. In Pivot Points, you’l...
By bringing together influential critics of neo-Aristotelian virtue ethics and some of the strongest defenders of an Aristotelian approach, this collection provides a fresh assessment of the strengths and weaknesses of Aristotelian virtue ethics and its contemporary interpretations. Contributors critically discuss and re-assess the neo-Aristotelian paradigm which has been predominant in the philosophical discourse on virtue for the past 30 years.
A history of the re-emergence of midwifery in America.
Professional photographer Matthew Cunningham returns home from a successful assignment in Paris and upon realising the loss of his camera case, he panics, not only does it contain expensive photographic equipment, but also hundreds of stored images. Several days later, his girlfriend Libby Ellis receives an anonymous package containing both photographs of the models Matt works with and also herself. After a meeting, Libby fails to return home and Detective Sergeant Isobel Woods begins investigating her disappearance. Struggling with internal politics and a boss intent on discrediting her, she is told to solve the case as quickly as possible. However, events take an unexpected turn. Gradually women connected to Matt are drawn into the nightmare and DS Woods suspects his involvement. Co-operating with the police while secretly negotiating with the abductor, Matt risks incriminating himself and is left with no option but to gamble with the lives of those closest to him.
The small-town editor is at odds with a domineering mayor, whom he knows to be crooked but hasn't the courage to use his power of the press. Along comes Julia, a girl just out of school and with a driving ambition to become a news woman. She serves her "Chief" well and learns the business but soon finds herself wedged in between the two men. As the story progresses she experiences romance, adventure, murders, and the feeling she may be next on the list of victims, because she is coming too close to exposing the mayor.
Working-class Britons played a crucial role in the pioneering settlement and integration of South Asians in imperial Britain. Using a host of new and neglected sources, Imperial Heartland revises the history of early South Asian immigration to Britain, focusing on the northern English city of Sheffield. Rather than viewing immigration through the lens of inevitable conflict, this study takes an alternative approach, situating mixed marriages and inter-racial social networks centrally within the South Asian settlement of modern Britain. Whilst acknowledging the episodic racial conflict of the early inter-war period, David Holland challenges assumptions that insurmountable barriers of race, religion and culture existed between the British working classes and non-white newcomers. Imperial Heartland closely examines the reactions of working-class natives to these young South Asian men and overturns our pre-conceptions that hostility to perceived racial or national difference was an overriding pre-occupation of working-class people during this period. Imperial Heartland therefore offers a fresh and inspiring new perspective on the social and cultural history of modern Britain.
This book provides a new interpretation of Hegel's philosophy, arguing that his theory of reason and thinking revolve around the concept of organic life. Through a detailed analysis of Hegel's philosophy and Kant's influence, Karen Ng shows that Hegel's unique contribution is that cognitive capacities are indexed to species capacities, where embodiment and the relation to the environment are central in processes of mind.
In his Berlin lectures on fine art, Hegel argued that art involves a unique form of aesthetic intelligibility—the expression of a distinct collective self-understanding that develops through historical time. Hegel’s approach to art has been influential in a number of different contexts, but in a twist of historical irony Hegel would die just before the most radical artistic revolution in history: modernism. In After the Beautiful, Robert B. Pippin, looking at modernist paintings by artists such as Édouard Manet and Paul Cézanne through Hegel’s lens, does what Hegel never had the chance to do. While Hegel could never engage modernist painting, he did have an understanding of modernity...
Presents what philosophical ethics can be like if freed from the idealizing and reductive pressures of conventional moral theory, making the case that moral imagination is a key part of human virtue by showing the variety of roles it plays in our practical and evaluative lives.