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Stephens argues that encounters between Islam and British colonial rule in South Asia were fundamental to the evolution of modern secularism.
Governing Islam traces the colonial roots of contemporary struggles between Islam and secularism in India, Pakistan, and Bangladesh. The book uncovers the paradoxical workings of colonial laws that promised to separate secular and religious spheres, but instead fostered their vexed entanglement. It shows how religious laws governing families became embroiled with secular laws governing markets, and how calls to protect religious liberties clashed with freedom of the press. By following these interactions, Stephens asks us to reconsider where law is and what it is. Her narrative weaves between state courts, Islamic fatwas on ritual performance, and intimate marital disputes to reveal how deeply law penetrates everyday life. In her hands, law also serves many masters - from British officials to Islamic jurists to aggrieved Muslim wives. The resulting study shows how the neglected field of Muslim law in South Asia is essential to understanding current crises in global secularism.
Once the world’s bastion of liberal, democratic values, Europe is now having to confront demons it thought it had laid to rest. The old pathologies of anti-Semitism, populist nationalism, and territorial aggression are threatening to tear the European postwar consensus apart. In riveting dispatches from this unfolding tragedy, James Kirchick shows us the shallow disingenuousness of the leaders who pushed for “Brexit;” examines how a vast migrant wave is exacerbating tensions between Europeans and their Muslim minorities; explores the rising anti-Semitism that causes Jewish schools and synagogues in France and Germany to resemble armed bunkers; and describes how Russian imperial ambitions are destabilizing nations from Estonia to Ukraine. With President Trump now threatening to abandon America's traditional role as upholder of the liberal world order and guarantor of the continent's security, Europe may be alone in dealing with these unprecedented challenges. Based on extensive firsthand reporting, this book is a provocative, disturbing look at a continent in unexpected crisis.
One of the most elegant mansions in Florida, Goodwood was built over a century ago and stands today as one of Tallahassee's grandest historical monuments. It was once the center of a thriving plantation founded by the Croom family of North Carolina, who in the 1820s sought to revive their fortunes in the newly opened Florida territory. William Warren Rogers and Erica R. Clark tell the story of this family and their legacy, shedding new light on many aspects of antebellum family life, plantation management, and race relations. They describe how brothers Hardy and Bryan Croom developed Goodwood Plantation to over four thousand acres with nearly two hundred slaves before Hardy and his family were killed in a shipwreck, and how a twenty-year lawsuit, complicated by questions of survivorship and residency, denied Bryan control of the estate. This meticulously detailed account, drawing extensively on family correspondence and court records, is a story of humaneness, hard work, and family values—but also of selfishness and greed—that reveals an intriguing chapter of southern history.
Who, if anyone, was responsible when Virginia Woolf wandered across the water-meadows and threw herself in the river Ouse? By examining the various strains which led to Woolf's tragically ending her life — the true nature of her marriage, her complex relationship with Vita Sackville-West, the pangs of sexual insecurity, and the lack of self-esteem —noted psychoanalyst Alma H. Bond illustrates how these influences coalesced to bring Woolf's life to a logical ending. “…a masterpiece of its kind—a brilliant, original book that not only gives the reader new understanding of why Virginia Woolf committed suicide but also brings him new depths in the understanding of his own life…A flow...
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Parenting/Internet/Kids, with three key terms slashed together, conveys the idea that the practice of parenting may extend both to the Internet and to our children— to the extent that both require attention, care, and forms of regulation, and, in turn, provide support and enjoyment. While the triadic title is somewhat playful, it also strikes a serious note and introduces layered possibilities: we are not simply raising children who have grown up in the internet age, but also Domesticating Technologies by "managing" the computer (relatively young in age, too, having established itself in homes in the 1980s). Including perspectives from scholars and parents living in Australia, Canada, India, Japan, the UK, and the USA, the collection examines how the intimate presence of computer technology in our homes and on our bodies affects not only mothers and parenting, but family life more broadly.
An innovative study of the establishment of 'age' as a political category in late colonial India.
The author explains how her love for the outdoors--and her journeys to natural landscapes in Colorado, Idaho, Wyoming and Alaska--became her only source of redemption after suffering sexual abuse from her stepfather for more than six years.
Among the most significant playwrights and theatre-makers of postcolonial India, Utpal Dutt (1929–1993), was an early exponent of rethinking colonial history through political theatre. Dutt envisaged political theatre as part of the larger Marxist project, and his incorporation of new developments in Marxist thinking, including the contributions of Antonio Gramsci, makes it possible to conceptualise his protagonists as insurgent subalterns. A decolonial approach to staging history remained a significant element in Dutt's artistic project. This Element examines Dutt's passionate engagement with Marxism and explores how this sense of urgency was actioned through the writing and producing of plays about the peasant revolts and armed anti-colonial movements which took place during the period of British rule. Drawing on contemporary debates in political theatre regarding the autonomy of the spectator and the performance of history, the author locates Dutt's political theatre in a historical frame.