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My Life with Mario Vargas Llosa
Living in a Paris garret with a struggling young writer who has since become a famous author was not fictional for Julia Urquidi Illanes as the wife of Mario Vargas Llosa. This English translation is an incredible but true «portrait of an artist as a young man» and of his aunt by marriage, whom he later fictionalized in Aunt Julia and the Scriptwriter. Married for 9 years, Julia typed the first of his best-selling novels, The Time of the Hero, only to be abandoned when Mario fell in love with his first cousin Patricia, who is now his second wife. Readers will find this behind the scene account of a writer nominated for the Nobel prize gives insights into the creative processes of a novelist as it relates the range of human emotions in real life.
The Story of the Storyteller
This book traces the history of an engaging character, a writer, who acts as the narrator and protagonist of three of Vargas Llosa's novels. In La tía Julia y el escribidor he recalls his apprenticeship, in Historia de Mayta he reflects upon the practice of his craft, and in El hablador he ponders the significance of his vocation. That this fictional character closely resembles his flesh-and-blood creator only adds to his allure. Because the three novels in question have such strong structural and thematic links, it proves quite helpful to conceive of them as a trilogy. Indeed, the connections are so pronounced that a significant synergistic effect results from considering the three together. It is this effect that this volume brings light as it analyzes how each novel functions as a separate entity, how these entities are integrated into a greater whole, and how this whole fits into the wider picture of the Peruvian author's long and prolific literary career. As students and scholars alike will find, thinking in terms of a trilogy greatly enhances our understanding and appreciation of Vargas Llosa's rich narrative.
Art and Anger
Fascinated by the idea of Western civilization as being a sequence of numerous misinterpretations and misrepresentations, these nineteen essays cover a broad range of topics with the unifying theme being the crossroads where politics and the imagination meet. An essay on linguistics and culture discusses the shaping of Latin America's collective identity; Peru's modern history is approached as a bloody battle between enlightenment and darkness; and in critiques of Octavio Paz and Gabriel García Márquez, Stavans reflects on the dichotomy between pen and sword in the Hispanic world. In 'Letter to a German Friend', Stavans returns to his fate as a Jew in the Southern Hemisphere, and in 'The First Book,' he connects his passion for literature to his initiation into Jewishness. Finally, in a meditation on Columbus's afterlife, he reflects on the many ways in which we reinvent ourselves in order to make sense of the chaotic world that surrounds us.
The Politics of Farce in Contemporary Spanish American Theatre
The Politics of Farce in Contemporary Spanish American Theatre is the first book-length study of the role of farce in Spanish American theatre. Spanish American playwrights have realized that farce's "lack of power" and marginality can become a res
A Companion to Mario Vargas Llosa
This Companion offers an overview and assessment of Mario Vargas Llosa's large body of work, tracing his development as a writer and intellectual in his essays, critical studies, journalism, and theatrical works, but above all inhis novels.
The New Novel in Latin America
A critical analysis of Latin American writers from the 1960s to the present reveals interesting insights into the ambiguity of the fiction's break from traditional social realism to a representation of realism which is incomprehensible and paradoxical. Swanson (Hispanic studies, State U. of New York, Albany) examines the "new novel's" inconsistencies, political statements, and postmodern intertextuality through the work of Puig, Vargas Llosa, Cabrera, Infante, Fuentes, Donoso, Sainz, Lispector, and Isabel Allende. Distributed by St. Martin's Press. Annotation copyright by Book News, Inc., Portland, OR
Aunt Julia and the Scriptwriter
'A comic novel on the grand scale written with tremendous confidence and verve. Mario, 18-year-old law student and radio news-editor, falls scandalously for his Aunt Julia, the 32-year-old divorced wife of a cousin, and the progressively lunatic story of this affair is interwoven with episodes from a series of radio soap-operas written by his friend Pedro Comacho. Vargas Llosa's huge energy and inventiveness is extravagant and fabulously funny.' New Statesman
Political Suicide in Latin America
Over recent years James Dunkerley has established a reputation as one of the most thoughtful and eloquent writers on Latin America. In his latest book he investigates the high incidence of political suicide in the subcontinent. A sensitive and revealing essay details a number of case studies: the still disputed death of Chilean President Salvador Allende during Pinochet’s storming of the Moneda Palace in 1973; the case of the Salvadorean guerrilla leader Salvador Cayetano Carpio who shot himself in the heart in April 1983; the death of Brazilian President Getulio Vargas, who declared in April 1954 that he would only leave the presidential palace dead—and a few days later did so; Bolivian...
Gabriel Garcia Marquez the creator of Che Guevara
This book is to explain, how and who, were involved in the making of a propaganda hero Che Guevara. It is safe to say the Guevara family, were not the parental family of this hero, the Jurado family were; among them were international lawyers, film stars, Mexican statesmen. Mexico City was Gabriel Garcia Marquez home; his friends were statesmen from around the world. In Mexico he had the elate of show business, international lawyers, film stars, film producers to offer support, he connect the CIA and the drug world Mafia. They used the same script repeatedly; gave their actors different names; built a spy network around the globe.Gabriel Garcia Marquez owned and ran large newspapers groups, owned and organized collages for journalist and producers of film, owned television and radio stations. Gabriel Garcia Marquez was adviser to political leaders from Panama and the South Americas; presidents, J F Kennedy and Fidel Castro, Bill Clinton. Gabriel Garcia Marquez was the man on the corner. "Spies-CIA-Lies-Terrorist-Che Guevara" explains why I was looking
Feminist Studies
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