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Arthur Brownjohn has never quite got anything right. Take the murder of his wife – a bungled, inferior affair despite his having consulting all the experts in the field of killings, executions and dastardly deeds. Resolving never to repeat the same mistakes, he enlists the help of Major Easonby Mellon – a man who really knows what he’s doing...
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Traces the evolution of crime fiction from Poe's earliest detective stories and Collins' mysterious thrillers.
When a girl turns up dead in a Mayfair mews, the police want to write it off as just another murdered prostitute, but Superintendent Manners isn't quite so sure. He is convinced that the key to the crime lies in 'The Dell' - an affluent suburban housing estate. And in 'The Dell' lives Solomon Grundy. Could he have killed the girl? So Superintendent Manners thinks.
A likeable but rather hapless young man decides he’s tired of small-time games and attempts to break into the big league. However, he finds himself out of his depth and ends up caught out in an ingenious back-firing murder conspiracy. Entertaining and full of suspense, Symons’ plot has enough twists to keep you guessing.
In 1972, in an attempt to elevate the stature of the "crime novel," influential crime writer and critic Julian Symons cast numerous Golden Age detective fiction writers into literary perdition as "Humdrums," condemning their focus on puzzle plots over stylish writing and explorations of character, setting and theme. This volume explores the works of three prominent British "Humdrums"--Cecil John Charles Street, Freeman Wills Crofts, and Alfred Walter Stewart--revealing their work to be more complex, as puzzles and as social documents, than Symons allowed. By championing the intrinsic merit of these mystery writers, the study demonstrates that reintegrating the "Humdrums" into mystery genre studies provides a fuller understanding of the Golden Age of detective fiction and its aftermath.
Featuring Tom Smith, Clare Corbett, Lydia Leonard & Don McCorkindale.
When a stranger arrives at Belting, he is met with a very mixed reception by the occupants of the old house. Claiming his so-called ‘rightful inheritance’ the stranger makes plans to take up residence at once. Such a thing was bound to cause problems amongst the family – but why were so many of them turning up dead?
The office party was in full swing so no one heard the shot – fired at close range through the back of Lionel Hargreaves. The killer left only one clue – a pair of yellow gloves – but it looked as if he wanted them to be found. Inspector Bland encounters a deadly trail of deception, suspense – and two more dead bodies.
Anderson was a bored, unhappy sales executive longing for something to liven up his monotonous life. But perhaps he wished too hard because not long later he found his wife lying dead at the bottom of the cellar stairs. An accident of course – so why wouldn’t the police believe him?