You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Six weeks after Haiti's 2010 earthquake, onomatopoeically known by Haitians as the "Goudou Goudou," cultural anthropologist and filmmaker, Julian Vigo, went to Port-au-Prince in order to volunteer her skills in the relief efforts. Within three weeks of her arrival in Haiti, Vigo discovered three separate child trafficking schemes-from the illegal adoption schemes of a children's hospital to Haitian NGO entrepreneurs who traffick children across the border of the Dominican Republic to a Haitian clergy member who stands outside the MINUSTAH offices with pictures of children "for sale." Working between permaculture projects, child advocacy NGOs and United Nations agencies such as UNICEF, Julian Vigo chronicles what she witnessed in Haiti's communities, the various UN agencies, the Cluster meetings held between NGOs and UN offices and her work in the field. This book describes the monumental failure of development policies and practices which instead of helping to alleviate misery and poverty are actually instrumental in creating both.
This book reconsiders the body in literature and makes a case for visual representation as a physical and gesticulative domain for rethinking the constructions of gender, nationalism and sexuality. Examining literary production from the eleventh century until the present, the author argues that the body in contemporary North Africa and Latin America serves as a physical and symbolic terrain upon which sexual, textual, national, racial and linguistic identities are vectored and through which postcolonial and hegemonic antagonisms of power and identity are resolved. Rather than embracing «third world» identity as a residual repository of western thought, colonization and linguistic infusion,...
Redefining self. Transnational Rio de Janeiro : (Re)visiting geographical experiences / Alan P. Marcus ; When Russia came to stay / Lea Povozhaev ; "Neither the end of the world nor the beginning" : transnational identity politics in Lisa Suhair Majaj's self-writing / Silvia Schultermandl ; Identity and belonging among second-generation Greek and Italian Canadian women / Noula Papayiannis ; Time and space in the life of Pierre S. Weiss : autoethnographic engagements with memory and trans/dis/location / Samuel Veissière -- Redefining nation. Contemporary Croatian film and the new social economy / Jelena Šesnić ; Identity, bodies, and second-generation returnees in West Africa / Erin Kenny ...
Throughout his 40-year career, Michael Jackson intrigued and captivated public imagination through musical ingenuity, sexual and racial spectacle, savvy publicity stunts, odd behaviours, and a seemingly apolitical (yet always political) offering of popular art. A consistent player on the public stage from the age of eight, his consciousness was no doubt shaped by his countless public appearances, both designed and serendipitous. The artefacts he left behind - music, interviews, books written by and about him, and commercial products including dolls, buttons, posters, and photographs, videos, movies - will all become data in our cultural conversation about who Michael Jackson was, who he want...
This book represents the voices of scholars, fashion designers, bloggers and artists, who speak to the pervasive nature of fashion in matters of politics, history, economics, sociology, religion, culture, art and identity. Dialogically open, the volume offers a broad apprehension of visual matter in the global contemporary context with fashion at its core, exploring its metamorphosing, media-oriented and ‘disordered’ modes of being in the early twenty-first century. The book’s contributors consider topics of universal import stemming from the realm of fashion, its dissemination and impact, from institutional, corporate, collective and individual perspectives, reflecting on the morphing, interchanging and revolutionary quality of the visual realm as the basis for continued research in fashion studies. Contributors are Shari Tamar Akal, Jess Berry, Naomi Braithwaite, Claire Eldred, Sarah Heaton, Hilde Heim, Demetra Kolakis, Sarah Mole, Lynn S. Neal, Laura Petican, Cecilia Winterhalter, Manrutt Wongkaew.
"This volume is a selection of the papers presented during the international conference Patagonia: Myths and Realities organised through the Centre of Latin American Cultural Studies at the University of Manchester and held in September 2005 at the Manchester Museum"--Introd.
[God’s Diplomats is] a mix of impartial description and informed opinion. Not everyone will agree with how different issues are framed, or how different figures are portrayed. But what certainly cannot be argued with is the fact that Gaetan has given a gift not only to foreign policy practitioners, but also to American Catholics. You will not find a book on Church diplomacy as accessible, comprehensive, and faithful, as God’s Diplomats. It is a must read for anyone interested in understanding the Vatican’s diplomatic priorities better — and especially why they don’t always align with America’s. ― National Catholic Register Using inside sources and extensive field reporting about the secretive, high-stakes world of international diplomacy, Vatican reporter Victor Gaetan takes readers to the Holy See to explicate Pope Francis's diplomacy, show why it works, and to offer readers a startling contrast to the dangerous inadequacies of recent U.S. international decisions.
This collection of essays examines current trends in scholarly research on Spanish author Carmen Martín Gaite (1925-2000). It concentrates on the least explored areas of Martín Gaite's oeuvre, such as her collage artwork, the relationship between image and text in her work, and her close relationship with themes such as genre writing, the fairy tale, and textual/physical notions of space, as well as her personal theories on orality and narration. As we pass the tenth anniversary of her death, Martín Gaite continues to be an increasing focus of study, as scholars start to identify and comprehend the breadth and scope of her work. The essays in the volume complement previous studies of Martín Gaite's major works from the 1960s and 1970s by focusing largely on her later novels, together with in-depth analysis of the manuscripts and artistic materials that have been made available since her death.