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A critical investigation of how virginity is represented in film. It considers virginity as it is produced and marketed in film. With chapters that span a range of periods, genres, and performances, it intends to prove that although it seems like an obvious quality at first glance, virginity in film is anything but simple.
This volume offers a unique contribution to both postcolonial studies and Austen scholarship by: * examining the texts to illumine nineteenth century attitudes to colonialism and the expanding Empire * revealing a new range of interpretations of Austen's work, each shaped by the critic's particular context * exploring the ways in which the study of Austen's novels raises fresh issues for post-colonial criticism. Bringing together work by highly-respected critics from four continents and a range of disciplines, this newly paperbacked volume allows sometimes surprising and always fascinating new insights into some of the most frequently studied - and best loved - novels in the English language.
Pop culture portrayals of medieval and early modern monarchs are rife with tension between authenticity and modern mores, producing anachronisms such as a feminist Queen Isabel (in RTVE’s Isabel) and a lesbian Queen Christina (in The Girl King). This book examines these anachronisms as a dialogue between premodern and postmodern ideas about gender and sexuality, raising questions of intertemporality, the interpretation of history, and the dangers of presentism. Covering a range of famous and lesser-known European monarchs on screen, from Elizabeth I to Muhammad XII of Granada, this book addresses how the lives of powerful women and men have been mythologized in order to appeal to today’s audiences. The contributors interrogate exactly what is at stake in these portrayals; namely, our understanding of premodern rulers, the gender and sexual ideologies they navigated, and those that we navigate today.
This authoritative and innovative volume explores the place of Shakespeare in relation to a wide range of artistic practices and activities, past and present.
Today, it often seems as though Assisted Reproductive Technologies (ARTs) have reached a stage of normalization, at least in some countries and among certain social groups. Apparently some practices – for example in vitro fertilization (IVF) – have become standard worldwide. The contributors to Assisted Reproduction Across Borders argue against normalization as an uncontested overall trend. This volume reflects on the state of the art of ARTs. From feminist perspectives, the contributors focus on contemporary political debates triggered by ARTs. They examine the varying ways in which ARTs are interpreted and practised in different contexts, depending on religious, moral and political app...
Queering Wolverine in Comics and Fanfiction: A Fastball Special interrogates the ways in which the Marvel Comics character Wolverine is a queer hero and examines his representation as an open, vulnerable, and kinship-oriented queer hero in both comics and fanfiction. Despite claims that Wolverine embodies Reagan-era conservatism or hegemonic hypermasculinity, Wolverine does not conform to gender or sex norms, not only because of his mutant status, but also because his character, throughout his publication history, resists normalization, making him a site for a queer-heroic futurity. Rather than focusing on overt queer representations that have appeared in some comic forms, this book explores...
This collection of essays explores the literary and cinematic implications of translating Austen's prose into film. Contributors raise questions of how prose fiction and cinema differ, of how mass commercial audiences require changes to script and character, and of how continually remade films evoke memories of earlier productions. The essays represent widely divergent perspectives, from literary 'purists' suspicious of filmic renderings of Austen to film-makers who see the text as a stimulus for producing exceptional cinema. This comprehensive study will be of interest to students and teachers alike.
Jane Austen is one of England's most enduringly popular authors, renowned for her subtle observations of the provincial middle classes of late eighteenth- and early nineteenth-century England. This guide to Austen's much-loved work offers: an accessible introduction to the contexts and many interpretations of Austen's texts, including film adaptations, from publication to the present an introduction to key critical texts and perspectives on Austen's life and work, situated within a broader critical history cross-references between sections of the guide, in order to suggest links between texts, contexts and criticism suggestions for further reading. Part of the Routledge Guides to Literature series, this volume is essential reading for all those beginning detailed study of Jane Austen and seeking not only a guide to her works but also a way through the wealth of contextual and critical material that surrounds them.
This book argues that there are recurrent spatiotemporal patterns and structures in six Jane Austen novels which constitute a source of enduring, if unconscious, pleasure. More precisely, the book contends that there are overlapping natural and cultural cycles which co-exist in a constantly transmuting space-time and which are counterpointed with the linearity of pivotal events that drive the plot forwards. This work examines the psychological relations to these space-time patterns of the characters, principally the heroines, focusing on the transformations of their emotional states which prompt linear leaps.