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Real Life
"In a book rich with formal variety and lyric intensity, Carr takes up economic inequality, gendered violence, losses both personal and national, and the crisis of the body within all of these forces. Standing at the crossroads between the real and the supernatural, the actual and the imaginary, Real Life: An Installation is a terrifying book, but one that keeps us close as it moves through the disruptions and eruptions of the real." --
100 Notes on Violence
Product Description: Carr, winner of the 2009 Sawtooth Poetry Prize, obsessively researches intimate terrorism, looking everywhere from Whitman and Dickinson to lists of phobias and weapon-store catalogs for answers. Do they lie in statistics, in statements by and about rapists and killers, in the capacity for cruelty that the poet herself admits to? This book is a dream-document both of light and innocence-babies and the urge to protect them-and of giving in to a wrenching darkness, where despair lies in the very fact that no single factor is to blame.
Rag
At once civil lyric and lament crying beyond civility, spiraling with kinetic intensity, a 21st century feminist book-length aria
Mead
The central subject in Julie Carr's debut poem collection is marriage. Intimacy is examined, not only in terms of the erotic, the quotidian, and the contractual, but also in terms of the intertextual: the pact between reader and writer and the blending of texts that results. Motherhood also figures as a kind of marriage-a bond that includes affective, legal, and sensual elements. Using a variety of poetic structures--prose poems, stanzaic forms, concrete poems, fractured lyrics, direct dialogue, and discursive modes--Carr simultaneously embraces and breaks from the expected and the known, revealing the precarious balance between our desire for narrative, sequence, drama, and resolution, on the one hand, and rupture, fragment, and fracturing, on the other.
Active Romanticism
"Essays that highlight the pervasive role of Romantic poetry and poetics on modern and contemporary innovative poetry"--
Equivocal
Author's second collection explores elements of chance and mystery that determine human identity and relationships.
Think Tank
Poetry. 'It's still dark / Then, a door, ' begins Julie Carr's beautiful THINK TANK. We are invited to step through it, into a space both interstitial and marked, always, with the parts that don't adhere: 'streaks of water between panes of glass, ' 'shores... [like] garnets, as vital as they are coarse, ' a '[p]inching and elliptical grammar... slightly tipped at the horizon.' This is where pleasure lies--in its tilted reality and luminous curiosity that resembles, so much, childhood imaginaries of loss, landscape and becoming. In connecting to these other qualities of consciousness, Carr opens apertures and seams of different kinds, in a complex, delicate, durational writing that could be both things: the mouth that releases its load of blood when it opens to speak, or something else--a way to get to the next part of life. 'At the doorway: endlessness, ' Carr writes. And we follow her gaze until it breaks: 'glinting and wet.'--Bhanu Kapil
Climate
We could try writing letters, one of us said to the other after our cross-country trip was over and we weren't done talking. Talking about hurricanes, fires, floods, droughts, freezes. About shootings, bombings, border crises, #MeToo. Jewishness, whiteness, feminism. Fear, ambition, desire. Work, marriage, friendship. Grief, anger, illness, and suicide. At once anecdotal, philosophical, political, and deeply personal, the letters quickly come to sustain a different kind of present moment: a way of finding self through other, a portal into urgent and shared contemplation, a means of saying what otherwise feels unsayable. Propelled by events both public and private, these epistolary essays comprise a catalog of living with and thinking through the climatic disturbances that determine our lives. Finding kinship in other epistolary exchanges, from Paul Celan and Nelly Sachs to Etel Adnan's Of Cities and Women to Martin Land and Jonathan Boyarin's Time and Human Language Now, they inhabit the experiment of talking and listening in the unspooling, untenable now, while exploring what it means to be an I and a you in the alternate present letters invent. Literary Nonfiction.
Excess--the Factory
Excess-The Factory is about factory work, about working class resistance to capitalism, about the 68 general strike in France.
After We All Died
Poetry. Ecopoetics. In AFTER WE ALL DIED, poet Allison Cobb examines modes of crisis not from the point of recognizing they are impending or even inevitable, but from the realization one's entire reality--on the scale of the individual, the cultural, the ecological--has been an eventuality constructed within the crosshairs of history. Combining various iterations of the anxiousness common to life in late-capitalist America with the claustrophobic awareness of Earth's biopolitical fate, the book copes with calamity through mourning, placing at its conceptual and emotional center the question when did everything die? Rather than claiming to have an answer, or providing an insufficient one, this inquiry is suspended, mid-air, so that readers might reconsider the circumstances under which such a question must be articulated: not because an answer will save us, but because acknowledging it as unanswerable begins the process of understanding one's grief. Poet Allison Cobb's new book AFTER WE ALL DIED (Ahsahta Press) is thrilling--inventive, visionary, hard-thought, and impossible to put down...Five shining stars and highly recommended.--Carolyn Forché
