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Chronicles the construction of a reproduction of an apartment from the Unité d'habitation, Marseille.
A 17th-century French haberdasher invented the Black Mass. An 18th-century English Cabinet Minister administered the Eucharist to a baboon. High-ranking Catholic authorities in the 19th century believed that Satan appeared in Masonic lodges in the shape of a crocodile and played the piano there. A well-known scientist from the 20th century established a cult of the Antichrist and exploded in a laboratory experiment. Three Italian girls in 2000 sacrificed a nun to the Devil. A Black Metal band honored Satan in Krakow, Poland, in 2004 by exhibiting on stage 120 decapitated sheep heads. Some of these stories, as absurd as they might sound, were real. Others, which might appear to be equally well reported, are false. But even false stories have generated real societal reactions. For the first time, Massimo Introvigne proposes a general social history of Satanism and anti-Satanism, from the French Court of Louis XIV to the Satanic scares of the late 20th century, satanic themes in Black Metal music, the Church of Satan, and beyond.
L’histoire du musée national des arts et traditions populaires (ATP), se termine au printemps 2005, soixante-dix ans après sa création. Pour Martine Segalen, qui a dirigé pendant dix ans le Centre d’ethnologie française, laboratoire rattaché au musée, c’est « un crève-cœur, la fin d’une aventure et l’enterrement d’un grand projet ». C’est aussi le moment de revenir sur cette histoire riche d’enseignements sur les rapports entre politique et culture, beaux-arts et arts populaires, identité, nation et patrimoine. À l’origine des ATP, il y a d’abord la folle ambition d’un homme, Georges-Henri Rivière, visionnaire, passionné et prêt à tous les revirements i...
Chapitre 1. Musée de ville, une nouvelle catégorie de musées ? Une étude de discours Une définition impossible à établir Chapitre 2. Les origines et le contexte muséal L’affirmation d’un sentiment national L’émergence d’une dimension locale Un musée au croisement du local et du national Chapitre 3. L’âge classique du musée d’histoire de ville Le Musée Carnavalet de Paris, institution fondatrice La diffusion européenne du modèle, à la charnière des XIXe et XXe siècles La période 1920-1970 De la collection à la démocratisation, vers un changement de paradigme Chapitre 4. Des modèles en mutation Une nouvelle muséologie pour un nouveau regard sur la ville (1970-1990) La diversification des approches, au cours des vingt-cinq dernières années
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Traces the history of the tradition of women wearing pants, providing accounts and photographs from the 1850s to the 1920s.
In the public imagination Satanism is associated with bizarre rituals, perverse hedonistic lifestyles, heavy metal music, immature adolescents acting out, horror movies, and rumors of ritual abuse. But what are the facts behind the urban legends and the "moral panics" that periodically sweep the country regarding this countercultural phenomenon? This authoritative reference work gathers together scholarly studies of Satanism and original source material, focusing on two major aspects--organized religious Satanism and the Satanic Ritual Abuse hoax that was prevalent in the 1980s and early 1990s. The contributors first examine modern Satanism, a decentralized movement whose only coherence is b...
Despite the fascinating nature of religious Satanism, it has attracted little scholarship until relatively recently. This book brings together a group of international scholars to produce the first serious book-length study of religious Satanism, presenting a collection that will have wide appeal to specialists and non-specialists alike. The first part contains broader studies of influential groups and important aspects of the Satanic milieu, especially regarding historical developments, the construction of tradition and issues of legitimacy. The second part narrows the view to regional variations, especially with studies on Northern and Eastern Europe. The third part consists of primary documents selected for their representational and informational value.
Written by three experts in the field, The Invention of Satanism examines contemporary religious Satanism as the product of historical, ideological, and social processes.