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Exhibiting Craft and Design: Transgressing the White Cube Paradigm investigates the firmly-established manner in which craft and design have typically been presented by museums and galleries, what strategies curators have employed throughout the twentieth century, and especially in more recent years how exhibiting design and craft objects challenges the notion of the modernist White Cube display paradigm.
Covers receipts and expenditures of appropriations and other funds.
This publication is the catalogue of a retrospective exhibition on the work of pioneer jeweller Margaret De Patta. A seminal figure in the American Modernist Jewellery movement, De Patta trained as a painter in the Bay Area and at the Art Students League
This is the first book on the American sculptor and ceramist Mary Tuthill Lindheim (1912- 2004) who, with contemporaries Edith Heath, Peter Voulkos, Marguerite Wildenhain and others, awakened the art world and public to the exciting potential of clay as a fine art medium. A student of Alexander Archipenko, Isamu Noguchi, and JosA(c) de Creeft, Lindheim entered ceramics in 1946 as a fully formed sculptor. A year into her new career, she was exhibiting with the best potters of her generation. A leader in three influential artists organizations the Association of San Francisco Potters, San Francisco Women Artists, and Designer-Craftsmen of California Lindheim worked to foster dialogue among mus...
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