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Edith Wharton and Willa Cather wrote many of the most enduring American novels from the first half of the twentieth century, including Wharton's The House of Mirth, Ethan Frome, and The Age of Innocence, and Cather's O Pioneers!, My Ántonia, and Death Comes for the Archbishop. Yet despite their perennial popularity and their status as major American novelists, Wharton (1862-1937) and Cather (1873-1947) have rarely been studied together. Indeed, critics and scholars seem to have conspired to keep them at a distance: Wharton is seen as "our literary aristocrat," an author who chronicles the lives of the East Coast, Europe-bound elite, while Cather is considered a prairie populist who describe...
Edith Wharton and Willa Cather wrote many of the most enduring American novels from the first half of the twentieth century, including Wharton’s The House of Mirth, Ethan Frome, and The Age of Innocence, and Cather’s O Pioneers!, My Ántonia, and Death Comes for the Archbishop. Yet despite their perennial popularity and their status as major American novelists, Wharton (1862–1937) and Cather (1873–1947) have rarely been studied together. Indeed, critics and scholars seem to have conspired to keep them at a distance: Wharton is seen as “our literary aristocrat,” an author who chronicles the lives of the East Coast, Europe-bound elite, while Cather is considered a prairie populist ...
Edith Wharton, the first woman to win the Pulitzer Prize for Fiction with her novel The Age of Innocence, was also a brilliant poet. This revealing collection of 134 poems brings together a fascinating array of her verse—including fifty poems that have never before been published. The celebrated American novelist and short story writer Edith Wharton, author of The House of Mirth, Ethan Frome, and the Pulitzer Prize–winning The Age of Innocence, was also a dedicated, passionate poet. A lover of words, she read, studied, and composed poetry all of her life, publishing her first collection of poems at the age of sixteen. In her memoir, A Backward Glance, Wharton declared herself dazzled by ...
‘French Ways and their Meaning’ is part guidebook and part tribute to Wharton’s beloved France. While living there during the First World War, Wharton decided to write a collection of essays about the French, to enlighten the English and American troops who were to find themselves stationed there. Often funny, and always perceptive, Wharton not only beautifully captures the cities and countryside but the spirit of the French. A superb read for Francophiles, Wharton fans, and those with an interest in 20th Century history. Edith Wharton (1862 – 1937) was an American designer and novelist. Born in an era when the highest ambition a woman could aspire to was a good marriage, Wharton went on to become one of America’s most celebrated authors. During her career, she wrote over 40 books, using her wealthy upbringing to bring authenticity and detail to stories about the upper classes. She moved to France in 1923, where she continued to write until her death.
Wharton and 's antiwar masterpiece, now once again available, probes the devastation of World War I on the home front. Interweaving her own experiences of the Great War with themes of parental and filial love, art and self-sacrifice, national loyalties and class privilege, Wharton tells an intimate and captivating story of war behind the lines.
Edith Wharton was one of America's most popular and prolific writers, becoming the first woman to win the Pulitzer Prize for Fiction in 1921. In a publishing career spanning seven decades, Wharton lived and wrote through a period of tremendous social, cultural and historical change. Bringing together a team of international scholars, this volume provides the first substantial text dedicated to the various contexts that frame Wharton's remarkable career. Each essay offers a clearly argued and lucid assessment of Wharton's work as it relates to seven key areas: life and works, critical receptions, book and publishing history, arts and aesthetics, social designs, time and place, and literary milieux. These sections provide a broad and accessible resource for students coming to Wharton for the first time while offering scholars new critical insights.
"Marcus (English, CUNY-Graduate Center and City College of New York) explores race, gender, and reading in Europe during the 1920s and 30s--a period coinciding with the end of empire and the rise of fascism. The author analyzes the work of such novelists as Virginia Woolf, Nancy Cunard, Mulk Raj Anand, and Djuna Barnes, and their treatment of cultural issues of their time--particularly imperialism and totalitarianism--in an effort to "relocate the heart of darkness in London and Paris, away from those light-filled lands of Africa and India where it has lodged in the Western imagination." Annotation ©2004 Book News, Inc., Portland, OR.
Willa Cather’s The Song of the Lark, the latest in Rodopi’s Dialogue Series, is a collection of thirteen new essays exploring Cather’s 1915 classic novel about the coming-of-age of Thea Kronborg, a gifted young opera singer. As in previous editions in the Dialogue series, this volume on Cather’s novel offers analyses by both new and emerging scholars on complex and controversial issues. Specific areas of focus include: the role of the West and the railroad, race and race relations, the performing arts, as well as Cather’s complex construction of “culture” throughout the novel. Thea’s role as a possible feminist icon receives a fresh, insightful look, while other writers explore the nature of gift and gift-giving as well as the novel’s relation to other literary movements and genres. Scholars and the general public will welcome the ways these new critical insights offer a fresh look at this modern classic.
"These energizing, excellent essays address the international scope of Wharton's writing and contribute to the growing fields of transatlantic, hemispheric, and global studies."--Carol J. Singley, author of A Historical Guide to Edith Wharton "Readers will emerge with a new respect for Wharton's engagement with the world around her and for her ability to convey her particular vision in her literary works."--Julie Olin-Ammentorp, author of Edith Wharton's Writings from the Great War Hailed for her remarkable social and psychological insights into the Gilded Age lives of privileged Americans, Edith Wharton, the first woman to win a Pulitzer Prize, was a transnational author who attempted to un...
Alexis de Tocqueville asserted that America had no truly great literature, and that American writers merely mimicked the British and European traditions of the eighteenth and nineteenth centuries. This new edited collection masterfully refutes Tocqueville's monocultural myopia and reveals the distinctive role American poetry and prose have played in reflecting and passing judgment upon the core values of American democracy. The essays, profiling the work of Mark Twain, F. Scott Fitzgerald, John Updike, Edith Wharton, Walt Whitman, Henry James, Willa Cather, Walker Percy, and Tom Wolfe, reveal how America's greatest writers have acted as society's most ardent cheerleaders and its most penetrating critics. Christine Dunn Henderson's exciting new work offers literature as a portal through which to view the philosophical principles that animate America's political order and the mores which either reinforce or undermine them.