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Containing analyses of everything from prisoner poetry to album covers, Belomor: Criminality and Creativity in Stalin’s Gulag moves beyond the simplistic good/evil paradigm that often accompanies Gulag scholarship. While acknowledging the normative power of Stalinism—an ethos so hegemonic it wanted to harness the very mechanisms of inspiration—the volume also recognizes the various loopholes offered by artistic expression. Perhaps the most infamous project of Stalin’s first Five-Year Plan, the Belomor construction was riddled by paradox, above all the fact that it created a major waterway that was too shallow for large crafts. Even more significant, and sinister, is that the project won the backing of famous creative luminaries who enthusiastically professed the doctrine of self-fashioning. Belomor complicates our understanding of the Gulag by looking at both prisoner motivation and official response from multiple angles, thereby offering a more expansive vision of the labor camp and its connection to Stalinism.
Cover -- Title -- Copyright -- Contents -- Acknowledgments -- A Note on Archives and Language -- Map of Locations of Forced Labor Camps and Colonies during the Stalin Years -- Introduction: Exploiting "Human Raw Material"--1. Food: "Whoever Does Not Work, Shall Not Eat" -- 2. Prisoners: "The Contingent" -- 3. Health: "Physical Labor Capability" -- 4. Illness and Mortality: "Lost Labor Days" -- 5. Invalids: "Inferior Workforce" -- 6. Releases: "Unloading the Ballast" -- 7. Power: "We Are Not Doctors but Delousers" -- 8. Selection: "The More (and Less) Valuable Human Element" -- 9. Exploitation: "Labor Utilization" -- Epilogue: Deaths and Deceptions -- Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y
Stalin's Gulag at War places the Gulag within the story of the regional wartime mobilization of Western Siberia during the Second World War. Far from Moscow, Western Siberia was a key area for evacuated factories and for production in support of the war effort. Wilson T. Bell explores a diverse array of issues, including mass death, informal practices such as black markets, and the responses of prisoners and personnel to the war. The region's camps were never prioritized, and faced a constant struggle to mobilize for the war. Prisoners in these camps, however, engaged in such activities as sewing Red Army uniforms, manufacturing artillery shells, and constructing and working in major defense...
In this historical monograph on non-urban communist Albania, Artan Hoxha discusses the ambitious development project that turned a swampland into a site of sugar production after 1945. The author seeks to free the history of Albanian communism from the stereotypes that still circulate about it with stigmas of an aberration, paranoia, extreme nationalism, and xenophobia. This micro-history of the agricultural and industrial transformation of a zone in southeastern Albania, explores a wide range of issues including modernization, development, and social, cultural, and economic policies. In addition to analyzing the collectivization of agriculture, Hoxha shows how communism affected the lives o...
From Incarceration to Repatriation explores the lives and memories of the nearly 1.5 million German POWs who were held by the Soviet Union during and after World War II and released in phases through 1956, seven years longer than the prisoners of any other Allied nation. Susan C. I. Grunewald argues that Soviet leadership deliberately kept able-bodied German POWs to supplement their labor force after the end of the war. The Soviet Union lost 27 million citizens and a quarter of its physical assets during the war, motivating Soviet leadership to harness the labor of German POWs for as long as possible. Engaging with recently declassified documents in former Soviet archives, archival material ...
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This book is devoted to the phenomenon of removal of people declared "public enemies" from group photographs in Stalin’s Russia. The book is based on long-term empirical research in Russian archives and includes 57 photographs that are exceptional in terms of historical interest: all these images bear traces of editing in the form of various marks, such as blacking-out, excisions or scratches. The illustrative materials also include a group of photographs with inscriptions left by officers of Stalin’s secret police, the NKVD. To approach this extensive visual material, Denis Skopin draws on a wealth of Stalin-era written sources: memoirs, diaries and official documents. He argues that this kind of political iconoclasm cannot be confused with censorship nor vandalism. The practice in question is more harrowing and morally twisted, for in most cases the photos were defaced by those who were part of victim’s intimate circle: his/her colleagues, friends or even close family members. The book will be of interest to scholars working in history of photography, art history, visual culture, Russian studies and Russian history and politics.
Maxim Gorky was dubbed the father of socialist realism in the Soviet period, but he had forged his career as an internationally known novelist and dramatist some three or more decades earlier. Posing questions that Soviet critics found difficult to confront, the author examines the effects of exile and religion on the content and form of the plays as well as the role played by women, and the personal and political implications of motherhood. All sixteen of Gorky's published plays are covered, and the book explores whether this body of work has themes and styles to unify it. While conflict is central to the core political themes and also infiltrates many aspects of the dramatic style (cartoon...
A literary scholar examines survival narratives from Russian and German concentration camps, shedding new light on testimony in the face of evil. In this illuminating study, Leona Toker demonstrates how Holocaust literature and Gulag literature provide contexts for each other, especially how the prominent features of one shed light on the veiled features and methods of the other. Toker’s analysis concentrates on the narrative qualities of the works as well as how each text documents the writer’s experience in a form where fictionalized narrative can double as historical testimony. Toker also views these texts against the background of historical information about the Soviet and the Nazi regimes of repression. Writers at the center of this work include Varlam Shalamov, Primo Levi, Elie Wiesel, and Ka-Tzetnik, and others, including Aleksandr Solzhenitsyn, Evgeniya Ginzburg, and Jorge Semprún, illuminate the discussion. Toker also provides context for references to potentially obscure historical events and shows how they form new meaning in the text.
A pioneering history of medical care in Stalin's Gulag--showing how doctors and nurses cared for inmates in appalling conditions A byword for injustice, suffering, and mass mortality, the Gulag exploited prisoners, compelling them to work harder for better rations in shocking conditions. From 1930 to 1953, eighteen million people passed through this penal-industrial empire. Many inmates, not reaching their quotas, succumbed to exhaustion, emaciation, and illness. It seems paradoxical that any medical care was available in the camps. But it was in fact ubiquitous. By 1939 the Gulag Sanitary Department employed 10,000 doctors, nurses and paramedics--about 40 percent of whom were prisoners. Dan Healey explores the lives of the medical staff who treated inmates in the Gulag. Doctors and nurses faced extremes of repression, supply shortages, and isolation. Yet they still created hospitals, re-fed prisoners, treated diseases, and "saved" a proportion of their patients. They taught apprentices and conducted research too. This groundbreaking account offers an unprecedented view of Stalin's forced-labour camps as experienced by its medical staff.