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A Critical Companion to Julie Taymor
A Critical Companion to Julie Taymor is the most updated and holistic volume on the director currently published. Situating Taymor’s work within the intersections of story and spectacle, contributors to this collection examine issues of creativity, gender, sexuality, and adaptation by focusing on themes from Taymor’s oeuvre including martyrdom, musicality, fidelity, postmodern representations, feminism and queerness, identity, desire, trauma, revenge, hybridity, and obscenity. The result reveals Julie Taymor to be a globally-influenced American director who exhibits and exemplifies the authentic artistry of ingenious storytelling and deserves scholarly attention. This work will be of particular interest to scholars of film, philosophy, popular culture, gender, feminisms, and queer identities.
The Tempest
The book of The Tempest is both a handsome edition of Julie Taymor's eminently readable adaptation of Shakespeare's play and a stunning visual narrative of her new film, which stars Helen Mirren as Prospera, the magician/alchemist in a bold, gender-switched realization. One of Shakespeare's greatest and most popular plays, The Tempest begs to be visualized by a master filmmaker. Taymor's definitive film version combines romance and tragicomedy in one powerful story. She uses all of her considerable storytelling skills to make the action and atmosphere of the play come vividly to life. With an artist's touch, she combines extraordinary locations with experimental visual effects to create the magic that suffuses this great work.
The Lion King
The Lion King debuted on July 8, 1997 at the Orpheum Theatre in Minneapolis and was an instant success before premiering at the New Amsterdam Theatre on November 13, 1997. It is Broadway's highest grossing production of all time, having grossed more than $1 billion. The show won six 1998 Tony Awards, including Best Musical and Best Direction of a Musical, making Julie Taymor the first woman in theatrical history bestowed with the honor. In this updated redesigned edition of her book originally published in 1998. Taymor has a chance to reflect on her 20-year journey with this beloved show. Featuring all of the original behind-the-scenes text and imagery photographed during the building of sets and rehearsals and costume creation, Pride Rock on Broadway is an important volume for theater fans, Disney fans, and Taymor fans alike.
Titus
This mesmerizing retelling of Shakespeare's comic tragedy Titus Andronicus is as visually stunning as it is theatrically charged. For Taymor, the play "not only reflects dark events but turns them inside out, probing and challenging our fundamental beliefs on morality and justice." With the film, this uniquely talented director has transformed a largely overlooked lesser work of the great bard into a powerful, daring exploration of the contemporary human condition.
Song of Spider-Man
“One of the best literary works of this year” (Miami Herald-Tribune): The true story of a theatrical dream—or nightmare—come true…the making of the Spider-Man musical. As you might imagine, writing a Broadway musical has its challenges. But it turns out there are challenges one can’t begin to imagine when collaborating with two rock legends and a superstar director to stage the biggest, most expensive production in theater history. Renowned director Julie Taymor picked playwright Glen Berger to cowrite the book for a $25 million Spider-Man musical. Together—along with U2’s Bono and Edge—they would shape a work that was technically daring and emotionally profound, with a sto...
A Midsummer-night's Dream
National Sylvan Theatre, Washington Monument grounds, The Community Center and Playgrounds Department and the Office of National Capital Parks present the ninth summer festival program of the 1941 season, the Washington Players in William Shakespeare's "A Midsummer Night's Dream," produced by Bess Davis Schreiner, directed by Denis E. Connell, the music by Mendelssohn is played by the Washington Civic Orchestra conducted by Jean Manganaro, the setting and lights Harold Snyder, costumes Mary Davis.
The Lion King
Highly-illustrated work on set and costume design.
Puppets, Masks, and Performing Objects
This volume, which originally appeared as a special issue of TDR/The Drama Review, looks at puppets, masks, and other performing objects from a broad range of perspectives. Puppets and masks are central to some of the oldest worldwide forms of art making and performance, as well as some of the newest. In the twentieth century, French symbolists, Russian futurists and constructivists, Prague School semioticians, and avant-garde artists around the world have all explored the experimental, social, and political value of performing objects. In recent years, puppets, masks, and objects have been the focus of Broadway musicals, postmodernist theory, political spectacle, performance art, and new ac...
Shakespeare on Screen : The Roman Plays
Is there a specificity to adapting a Roman play to the screen ? This volume interrogates the ways directors and actors have filmed and performed the Shakespearean works known as the "Roman plays", which are, in chronological order of writing, Titus Andronicus, Julius Caesar, Antony and Cleopatra and Coriolanus. In the variety of plays and story lines, common questions nevertheless arise. Is there such a thing as filmic "Romanness"? By exploring the different ways in which the Roman plays are re-interpreted in the light of Roman history, film history and the Shakespearean tradition, the papers in this volume all take part in the ceaseless investigation of what the plays keep saying not only about our vision of the past, but also about our perception of the present.
