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The Monthly Magazine
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David Jayne Hill and the Problem of World Peace
David Jayne Hill was a scholar, a diplomat, and a publicist from 1874 to 1930. He was the youngest college president in America, steering Bucknell University and the University of Rochester through turbulent times. He then served as First Assistant Secretary of State and U.S. envoy to Switzerland. The man and his accomplishments truly deserve such a fine biography.
Regents bulletin
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The 13th Juror
"Beginning on November 15th, 1999, the civil wrongful death trial of Martin Luther King was held in Division IV of the Circuit Court of Shelby County, Tennessee, in Memphis. This is the actual unedited transcript of the trial regarding one of the most infamous days in American history. Judge James Swearengen, Circuit Court Judge, presided over the trial with an impaneled jury of twelve people from the Memphis area."--Introduction.
An Act of State
This definitive account of Martin Luther King, Jr.’s assassination collects “an impressive array of testimony and evidence” to offer a new perspective on the conspiracy that changed the course of American history (Kirkus). “We recommend this important book to everyone who seeks the truth about Dr. King’s assassination.” —Coretta Scott King On April 4, 1968, Martin Luther King was in Memphis to support a workers’ strike. As night fell, army snipers took up position; military officers surveilled the scene from a nearby roof; and their accomplice, restaurant-owner Loyd Jowers, was ready to remove the murder weapon. When the dust had settled, King had been shot and a cleanup oper...
Bitter Tastes
Challenging the conventional understandings of literary naturalism defined primarily through its male writers, Donna M. Campbell examines the ways in which American women writers wrote naturalistic fiction and redefined its principles for their own purposes. Bitter Tastes looks at examples from Edith Wharton, Kate Chopin, Willa Cather, Ellen Glasgow, and others and positions their work within the naturalistic canon that arose near the turn of the twentieth century. Campbell further places these women writers in a broader context by tracing their relationship to early film, which, like naturalism, claimed the ability to represent elemental social truths through a documentary method. Women had a significant presence in early film and constituted 40 percent of scenario writers--in many cases they also served as directors and producers. Campbell explores the features of naturalism that assumed special prominence in women's writing and early film and how the work of these early naturalists diverged from that of their male counterparts in important ways.
