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The Digital Musician
The Digital Musician explores what it means to be a musician in the digital age. It examines musical skills, cultural awareness and artistic identity through the prism of recent technological innovations. New technologies, and especially the new digital technologies, mean that anyone can produce music without musical training. This book asks why make music? what music to make? and how do we know what is good?
The Cambridge Companion to Electronic Music
Musicians are always quick to adopt and explore new technologies. The fast-paced changes wrought by electrification, from the microphone via the analogue synthesiser to the laptop computer, have led to a wide range of new musical styles and techniques. Electronic music has grown to a broad field of investigation, taking in historical movements such as musique concrète and elektronische Musik, and contemporary trends such as electronic dance music and electronica. The first edition of this book won the 2009 Nicolas Bessaraboff Prize as it brought together researchers at the forefront of the sonic explorations empowered by electronic technology to provide accessible and insightful overviews of core topics and uncover some hitherto less publicised corners of worldwide movements. This updated and expanded second edition includes four entirely new chapters, as well as new original statements from globally renowned artists of the electronic music scene, and celebrates a diverse array of technologies, practices and music.
Music Technology
Emphasising the creative aspect of music technology, this introduction sets out an overview of the field for music students in a non-scientific and straightforward way. Engaging and user-friendly, the book covers studio concepts: basic audio and the studio workflow, including audio and MIDI recording. It explores synthesisers, samplers and drum machines as well as basic concepts for electronic performance. In considering the role of the DJ, the book addresses remixing and production, drawing upon many examples from the popular music repertoire as well as looking at the studio as an experimental laboratory. The creative workflow involved in music for media is discussed, as well as controllers for performance and the basics of hacking electronics for music. The book as a whole reflects the many exciting areas found today in music technology and aims to set aspiring musicians off on a journey of discovery in electronic music.
Music Technology
An engaging and user-friendly introduction to the world of music technology, perfect for music students with little technical background.
The Cambridge Companion to Electronic Music
Now updated and expanded with four new chapters, this book explores the history, theory, creation and analysis of electronic music.
Renaissance Polyphony
This engaging study introduces Renaissance polyphony to a modern audience, balancing the listening experience with what lies beyond the notes.
Of Remixology
A new theory of moral and aesthetic value for the age of remix, going beyond the usual debates over originality and appropriation. Remix—or the practice of recombining preexisting content—has proliferated across media both digital and analog. Fans celebrate it as a revolutionary new creative practice; critics characterize it as a lazy and cheap (and often illegal) recycling of other people's work. In Of Remixology, David Gunkel argues that to understand remix, we need to change the terms of the debate. The two sides of the remix controversy, Gunkel contends, share certain underlying values—originality, innovation, artistic integrity. And each side seeks to protect these values from the...
The Act of Musical Composition
The study of musical composition has been marked by a didactic, technique-based approach, focusing on the understanding of musical language and grammar -harmony, counterpoint, orchestration and arrangement - or on generic and stylistic categories. In the field of the psychology of music, the study of musical composition, even in the twenty-first century, remains a poor cousin to the literature which relates to musical perception, music performance, musical preferences, musical memory and so on. Our understanding of the compositional process has, in the main, been informed by anecdotal after-the-event accounts or post hoc analyses of composition. The Act of Musical Composition: Studies in the Creative Process presents the first coherent exploration around this unique aspect of human creative activity. The central threads, or key themes - compositional process, creative thinking and problem-solving - are integrated by the combination of theoretical understandings of creativity with innovative empirical work.
Chaos Theory: Modeling, Simulation And Applications - Selected Papers From The 3rd Chaotic Modeling And Simulation International Conference (Chaos2010)
The work done in chaotic modeling and simulation during the last decades has changed our views of the world around us and has introduced new scientific tools, methods and techniques. Advanced topics of these achievements are included in this volume on Chaos Theory which focuses on Chaotic Modeling, Simulation and Applications of the nonlinear phenomena. This volume includes the best papers presented in the 3rd International Conference on CHAOS. This interdisciplinary conference attracted people from many scientific fields dealing with chaos, nonlinear dynamics, fractals and the works presented and the papers included here are of particular interest that could provide a broad understanding of chaos in its various forms.The chapters relate to many fields of chaos including Dynamical and Nonlinear Systems, Attractors and Fractals, Hydro-Fluid Dynamics and Mechanics, Chaos in Meteorology and Cosmology, Chaos in Biology and Genetics, Chaotic Control, Chaos in Economy and Markets, and Computer Composition and Chaotic Simulations, including related applications.
Postmodernism in Music
What is postmodernism? How does it relate to music? This introduction clarifies the concept, providing ways of interpreting postmodern music.
