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Dramatic Closure
Examples of plays from Oedipus to the present appear throughout the book, and individual chapters are dedicated to sustained discussions of William Shakespeare's King Lear, Tom Stoppard's Rosencrantz and Guildenstern Are Dead, Arthur Miller's The Ride Down Mount Morgan, and Tennessee Williams's A Streetcar Named Desire. The author emphasizes Shakespeare and, especially, modern drama in the belief that these plays provide salient models of the theoretical principles of reading toward closure.
Shakespeare Survey: Volume 60, Theatres for Shakespeare
Shakespeare Survey is a yearbook of Shakespeare studies and production. The theme for Shakespeare Survey 60 is 'Theatres for Shakespeare'.
Two Gentlemen of Verona
Twenty-nine collected essays represent a critical history of Shakespeare's play as text and as theater, beginning with Samuel Johnson in 1765, and ending with a review of the Royal Shakespeare Company production in 1991. The criticism centers on three aspects of the play: the love/friendship debate.
The Album Amicorum & the London of Shakespeare's Time
The album Amicorum -- A Case Study: Michael van Meer's Album -- Landmarks of London -- Picturing the Lord Mayor of London -- Royal Images: Arms, and Autographs -- Who Owned the King's Album? -- Players: Indoors, Outdoors, and On the Road -- The Blind Water-carrier -- Other Curiosities -- Francis Segar and the International Network of Englishmen -- Appendices: A Selection of Additional Album Signatures -- Libraries Consulted -- Albums Cited.
"A Brief Discourse of Rebellion and Rebels" by George North
A new source for Shakespeare's plays, only recently uncovered, is investigated here with a full edition and facsimile of the text.
Acts of Criticism
This book assembles a cast of sixteen distinguished theater historians and performance critics, each of whom has contributed significantly to our understanding of issues associated with performing works of Shakespeare and his contemporaries. Their essays, all appearing in print for the first time, are presented in two groupings: a theater history and practice section, in which contributors examine matters related to performance in Shakespeare's time and our own, and a performance criticism section, in which contributors treat modern productions on stage and screen. In the theater history and practice section, Roslyn L. Knutson explores the 1599-1600 repertory of the Admiral's Men and the Chamberlain's Men, who performed in rival playhouses.
Thomas North's 1555 Travel Journal
Thomas North’s 1555 Travel Journal: From Italy to Shakespeare makes available a little known early modern journal kept by a member of Queen Mary’s delegation to Rome, its purpose to win papal approval of England’s return to Roman Catholicism. The book provides details of the six-month journey, a discussion of the manuscript, and an identification of the twenty-year-old Thomas North as its author. It also points to numerous connections between the journal and the plays of Shakespeare, extending the playwright’s debt beyond North’s translation of Plutarch’s Lives and revealing how the journal served as a template for The Winter’s Tale and Henry VIII. Both, the authors argue, were written by North during the Marian years (1554-58) and later adapted by Shakespeare. Like the authors’ 2018 “A Brief Discourse of Rebellion and Rebels” by George North, this book presents original work using digital research tools, including massive databases and plagiarism software. The earlier book garnered worldwide attention, with a front-page story in The New York Times.
Reading Shakespeare in Performance
This work attempts to bring together the divided commitments of academics and theater people. Its method is threefold: scrutinizing the text for signals that may guide production, identifying and analyzing those moments that represent textual and performance cruces, and looking at ways in which performance interprets text by focusing on King Lear.
An Encyclopedia of British Women Writers
This broad examination of women writers identified with Great Britain builds on its predecessor's strengths, with fifty percent new material as well as completely updated entries. Over 600 writers are discussed in terms of their biographies, with precise details where these could be ascertained and in some cases correcting biographies in other reference works, as well as thematic issues and critical reception. Each entry includes a definitive bibliography of primary works and thorough secondary bibliographies (including book-length studies, reference works, major essays and reviews) to lead readers to other sources. Available in paperback for the first time, this book is an ideal desk reference for scholar and student alike.
Women Writers of Great Britain and Europe
First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
