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Most of the old factories are long gone and many workers have retired. Combining history, memory and heritage, Theatres of Memory: Industrial Heritage of 20th Century Singapore takes a stroll through Singapore’s industrial past. From Jurong to Redhill and Kallang, the book uncovers the many hands that enabled the island’s transformation from a colonial entrepôt to an industrial nation. Along the way, we will meet the pioneers of industry—government officials and production workers, men and women, Singaporeans and foreigners. We will hear laughter on the assembly line, descend into the quiet dark of the night shift, and relive the products once made in Singapore, from Rollei cameras and Acma refrigerators to carbonated soft drinks and Bata shoes.
Photography in Southeast Asia: A Survey is a comprehensive attempt to map the emergence and trajectories of photographic practices in Southeast Asia. The narrative begins in the colonial era, at the point when the transfer of photographic technology occurred between visiting practitioners and local photographers. With individual chapters dedicated to the countries of Brunei, Cambodia, Indonesia, Laos, Malaysia, Myanmar, Singapore, Thailand, Philippines and Vietnam, the bulk of the book spans the post-World War Two era to the contemporary, focusing on practitioners who operate with agency and autonomy. The relationship between art and photography, which has been defined very narrowly over the decades, is re-examined in the process. Photography also offers an entry point into the cultural and social practices of the region, and a prism into the personal desires and creative decisions of its practitioners.
In this era of climate crisis, in which our very futures are at stake, sustainability is a global imperative. Yet we tend to associate sustainability, nature, and the environment with distant places, science, and policy. The truth is that everything is environmental, from transportation to taxes, work to love, cities to cuisine. This book is the first to examine contemporary Singapore from an ecocultural lens, looking at the ways that Singaporean life and culture is deeply entangled with the nonhuman lives that flourish all around us. The authors represent a new generation of cultural critics and environmental thinkers, who will inherit the future we are creating today. From chilli crab to Tiger Beer, Changi Airport to Pulau Semakau, O-levels to orang minyak films, these essays offer fresh perspectives on familiar subjects, prompting us to recognise the incredible urgency of climate change and the need to transform our ways of thinking, acting, learning, living, and governing so as to maintain a stable planet and a decent future.
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Presents thirty novel terms that do not yet exist in English to envision ways of responding to the environmental challenges of our generation As the scale and gravity of climate change becomes undeniable, a cultural revolution must ultimately match progress in the realms of policy, infrastructure, and technology. Proceeding from the notion that dominant Western cultures lack the terms and concepts to describe or respond to our environmental crisis, An Ecotopian Lexicon is a collaborative volume of short, engaging essays that offer ecologically productive terms—drawn from other languages, science fiction, and subcultures of resistance—to envision and inspire responses and alternatives to ...
Quek Zhou Ma, a performer who goes by the stage name Zed, returns to the island-nation of Tinhau after a long absence to attend the funeral of his older sister. As he deals with conflicting feelings about a homeland he hardly recognises, he decides to produce a lavish production with the Ministry of Culture, but opening night is marred by a bombing attributed to a local resistance group, Red Dhole. He meets Tara, a graphic designer with the Ministry of Culture who finds herself uneasily associated with Red Dhole. She is charged with bringing Zed over to the cause, but as the pair grow closer, she doubts whether she can complete her task. Meanwhile, Vahid Nabizadeh, Zed’s creative partner and a master puppeteer, finds a new home in Tinhau, but he becomes embroiled in political and financial intrigue that threatens to unbalance the stability of the government. As Zed, Tara and Vahid struggle with their disaffected identities, Tinhau is abruptly attacked by the Range, a mysterious cloud formation that appears without warning and destroys without mercy, a weapon as fickle and restless as the human mind.
The year is 2040 and an envoy of the North American Union finds himself a fugitive in the Southeast Asian nation of Tinhau. Lucas Lehrer is tasked with travelling from the North American Union to the island-nation of Tinhau to extend the offer of political partnership. When negotiations break down, Lucas decides to request asylum, and he soon encounters an odd series of coincidences in which his deep-seated desires start coming true. Among the backdrop of societal instability and growing nativism, he befriends a young woman who is not what she seems, and who may not be from our universe at all.
In this era of climate crisis, in which our very futures are at stake, sustainability is a global imperative. Yet we tend to associate sustainability, nature, and the environment with distant places, science, and policy. The truth is that everything is environmental, from transportation to taxes, work to love, cities to cuisine. This book is the first to examine contemporary Singapore from an ecocultural lens, looking at the ways that Singaporean life and culture is deeply entangled with the nonhuman lives that flourish all around us. The authors represent a new generation of cultural critics and environmental thinkers, who will inherit the future we are creating today. From chilli crab to Tiger Beer, Changi Airport to Pulau Semakau, O-levels to orang minyak films, these essays offer fresh perspectives on familiar subjects, prompting us to recognise the incredible urgency of climate change and the need to transform our ways of thinking, acting, learning, living, and governing so as to maintain a stable planet and a decent future.
One Fierce Hour is Alfian Sa’at’s first and breakout work. It was hailed as ‘truly a landmark’ for Singaporean poetry when it was published in 1998 when the poet was just 21 years old. Since, then it has been kept in print and has entered the list of canonical anthologies of Singapore literature. The collection contains the anti-anthem “Singapore You Are Not My Country” written well before social media gave voice to dissent and different views of Singapore. Alfian remains an intelligent writer with an unabashedly social and political voice. He has written 37 plays, 3 works of prose and 2 poetry anthologies.