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Disc characteristics : DVD Region 4.
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LONGLISTED FOR THE BAILEYS WOMEN'S PRIZE FOR FICTION 2016 Growing up in Zagreb in the summer of 1991, 10-year-old Ana Juric is a carefree tomboy; she runs the streets with her best friend, Luka, helps take care of her baby sister, Rahela, and idolizes her father. But when civil war breaks out across Yugoslavia, football games and school lessons are supplanted by sniper fire and air raid drills. The brutal ethnic cleansing of Croats and Bosnians tragically changes Ana's life, and she is lost to a world of genocide and child soldiers; a daring escape plan to America becomes her only chance for survival. Ten years later she returns to Croatia, a young woman struggling to belong to either country, forced to confront the trauma of her past and rediscover the place that was once her home.
Dora and Luka are inseparable: ever since he fainted at the sight of her - walking into the classroom with her new schoolbag - and she woke him with a chaste kiss, it has been love at first sight. 'There's something in the air when the two of them are together. You can't call it calm, you can't call it storm.' Theirs is a friendship made of chocolate and mandarin oranges; of shape-shifting clouds and coloured canvases; and, as Dora's family leave Croatia for Paris, of farewells and memories. It is not until years later, when a promising artist faints at the familiar sight of a young actress entering a Parisian gallery on his opening night, that Luka and Dora are reunited. But just as chance brings them together, fateful choices and forces bigger than themselves conspire to keep the couple apart. Will they ever truly be able to find or forget one another? Bursting with drama and ardour, at turns heartbreaking and exhilarating, and told with the same overwhelming intensity as the bond it describes, this is a dazzling tour de force of a very special love affair.
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Leading expert Brian Winston's new book is one of the first to take the ethical issue seriously. Looking at the recent crises of confidence in public service broadcasting and the controversy surrounding docusoaps, his major new study provides a foundational study of ethics and the documentary. This accessible but comprehensive treatment will be an important contribution to academic debates over the role of the media and to the ongoing debates in the documentary community.
The expanded, updated, and revised edition of Film Music brings together the experience and insights of the professional film music editor with the scholarship and concerns of the film critic and historian. In this pioneering work, film music--from its beginnings to the present day--is analyzed both as composition and as an integral element of cinematic expression. Beginning with an extensive historical overview, the author recreates the process by which film music composers developed their own forms out of typical screen action. The techniques and achievements of filmmakers from the silent and early sound film eras to the 1990s are examined, including the unique demands of music for the rap...