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FilmCraft: Editing
The value of the editor's craft to a finished film cannot be underestimated, and it's no surprise that directors rely heavily on the same editor over and over again. Seventeen exclusive interviews with some of the world's top film editors, including Walter Murch, Virginia Katz, Joel Cox, Tim Squyres and Richard Marks, explore the art of film editing; its complex processes, the relationship with other film practitioners, and the impact of modern editing techniques. The Filmcraft series is a ground-breaking study of the art of filmmaking-the most collaborative and multidisciplinary of all the arts. Each volume covers a different aspect of moviemaking, offering in-depth interviews with a host of the most distinguished practitioners in the field. Forthcoming titles include Cinematography, Directing, Costume Design, Production Design, Producing, Screenwriting, and Acting.
Editing
"Through seventeen exclusive interviews with some of the world's top film editors, this book explores the art of film editing; its complex processes, the relationship with other film practitioners, and the impact of developments in modern editing techniques."--P. [4] of cover.
Journey's End: An Asian Alternate-History Science Fiction Saga
In an alternate reality … set in the future … Will there be War??!! Will the crew of the Tigris survive!! The Ganymede Incident was the spark that would ignite the flames of conflict between Earth and Mars, pitting the two civilizations of the Commonwealth against each other for supremacy, control, preservation of “way of life”, or whatever deeper motives there were. With the mysterious “Sentinel” discovered on Ganymede being retrieved for further analysis and investigation, Captain Olivia Chu and her crew of the Tigris, as well as Captain Hilmi Bakar and his team of Malayan Rangers – are immediately assigned to new missions, both being engulfed in secrecy and distrust, at a cr...
Our Man in China
Eric Chen is ready to make a name for himself. American-born Chinese (ABC) and armed with a high-powered banking job, he is destined for success and riches in the world's next superpower. But the New China is rapidly changing, its billion-plus people ambitious, hungry and on the move. Determined to win a take-over deal that sees him shuttle between Shanghai, Beijing, Hong Kong and New York, Eric encounters those also profiting from the world's most promising nation: the playboy son of a Hong Kong tycoon, a hedonistic boss, and another ABC desiring to belong. In the New China, cultural assimilation and confusion, along with temptation and seduction, abound- and Eric could lose himself not to mention those he loves most.
Edged Blade
With friends like hers, who needs enemies? In the year since her life was torn apart, Kit Colbana has slowly rebuilt herself. There’s a promise of hope in the relationship with the alpha of the local shapeshifters and she no longer comes screaming into wakefulness. Life’s not perfect but then again, when was it ever? When her best friend Justin comes to her for help, there’s little question as to what her answer will be. Witches are disappearing and Justin won’t rest until he has answers. Soon, they learn that it’s not just witches who’ve gone missing, but vampires and shifters, too. Unlikely alliances are forged as Kit and Justin found themselves drawn into a twisted web of lies and betrayal. As the clock counts down and the culprit behind recent disappearances is revealed, those Kit loves the most become the target of somebody who will kill to protect an ugly secret. Bonus story: HUNT ME, written by J.C. Daniels' alter-ego, Shiloh Walker
White Lies and Allies in Contemporary Black Media
This book considers the ways in which Black directors, screenwriters, and showrunners contend with the figure of the would-be White ally in contemporary film and television. White Lies and Allies in Contemporary Black Media examines the ways in which prominent figures such as Issa Rae, Spike Lee, Justin Simien, Jordan Peele, and Donald Glover centralize complex Black protagonists in their work while also training a Black gaze on would-be White allies. Emily R. Rutter highlights how these Black creators represent both performative White allyship and the potential for true White antiracist allyship, while also examining the reasons why Black creators utilize the white ally trope in the wider c...
White Terror
What kinds of terror lurk beneath the surface of White respectability? Many of the top-grossing US horror films between 2008 and 2016 relied heavily on themes of White, patriarchal fear and fragility: outsiders disrupting the sanctity of the almost always White family, evil forces or transgressive ideas transforming loved ones, and children dying when White women eschew traditional maternal roles. Horror film has a long history of radical, political commentary, and Russell Meeuf reveals how racial resentments represented specifically in horror films produced during the Obama era gave rise to the Trump presidency and the Make America Great Again movement. Featuring films such as The Conjuring and Don't Breathe, White Terror explores how motifs of home invasion, exorcism, possession, and hauntings mirror cultural debates around White masculinity, class, religion, socioeconomics, and more. In the vein of Jordan Peele, White Terror exposes how White mainstream fear affects the horror film industry, which in turn cashes in on that fear and draws voters to candidates like Trump.
21st Century Kaiju
Once dismissed as a fading genre with little to say to contemporary audiences, the giant monster movie roared back to life in the new millennium. In one of modern cinema's most surprising turnarounds, a wave of 21st-century kaiju films has delivered exciting and thought-provoking viewing to global audiences. In a variety of works that range from action-packed CGI spectacles to more personal, introspective productions commenting on real-world issues of the day, the new millennium has witnessed some of the most intriguing films in any genre, including movies from such acclaimed directors such as Guillermo del Toro, Bong Joon-ho and Peter Jackson. This book takes a sober, multidimensional look at the new class of giant monster movies. It examines the making of these films and their sometimes-obscure meanings. It also covers efforts to reinvent storied kaiju characters from the past, including Godzilla and King Kong, and to transform the genre with movies such as Cloverfield, The Mist, Colossal, and Pacific Rim that feature all-new creatures.
Film and Everyday Eco-disasters
Eco-disasters such as coal-mining accidents, oil spills, and food-borne diseases appear regularly in the news, making them seem nearly commonplace. These ecological crises highlight the continual tensions between human needs and the environmental impact these needs produce. Contemporary documentaries and feature films explore environmental-human conflicts by depicting the consequences of our overconsumption and dependence on nonrenewable energy. Film and Everyday Eco-disasters examines changing perspectives toward everyday eco-disasters as reflected in the work of filmmakers from the silent era forward, with an emphasis on recent films such as Dead Ahead, an HBO dramatization of the Exxon Va...
Hollywood Remaking
From the inception of cinema to today’s franchise era, remaking has always been a motor of ongoing film production. Hollywood Remaking challenges the categorical dismissal in film criticism of remakes, sequels, and franchises by probing what these formats really do when they revisit familiar stories. Kathleen Loock argues that movies from Hollywood’s large-scale system of remaking use serial repetition and variation to constantly negotiate past and present, explore stability and change, and actively shape how the film industry, cinema, and audiences imagine themselves. Far from a simple profit-making exercise, remaking is an inherently dynamic practice situated between the film industry’s economic logic and the cultural imagination. Although remaking developed as a business practice in the United States, this book shows that it also shapes cinematic aesthetics and cultural debates, fosters film-historical knowledge, and promotes feelings of generational belonging among audiences.
