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FilmCraft: Editing
The value of the editor's craft to a finished film cannot be underestimated, and it's no surprise that directors rely heavily on the same editor over and over again. Seventeen exclusive interviews with some of the world's top film editors, including Walter Murch, Virginia Katz, Joel Cox, Tim Squyres and Richard Marks, explore the art of film editing; its complex processes, the relationship with other film practitioners, and the impact of modern editing techniques. The Filmcraft series is a ground-breaking study of the art of filmmaking-the most collaborative and multidisciplinary of all the arts. Each volume covers a different aspect of moviemaking, offering in-depth interviews with a host of the most distinguished practitioners in the field. Forthcoming titles include Cinematography, Directing, Costume Design, Production Design, Producing, Screenwriting, and Acting.
Journey's End: An Asian Alternate-History Science Fiction Saga
In an alternate reality … set in the future … Will there be War??!! Will the crew of the Tigris survive!! The Ganymede Incident was the spark that would ignite the flames of conflict between Earth and Mars, pitting the two civilizations of the Commonwealth against each other for supremacy, control, preservation of “way of life”, or whatever deeper motives there were. With the mysterious “Sentinel” discovered on Ganymede being retrieved for further analysis and investigation, Captain Olivia Chu and her crew of the Tigris, as well as Captain Hilmi Bakar and his team of Malayan Rangers – are immediately assigned to new missions, both being engulfed in secrecy and distrust, at a cr...
Our Man in China
Eric Chen is ready to make a name for himself. American-born Chinese (ABC) and armed with a high-powered banking job, he is destined for success and riches in the world's next superpower. But the New China is rapidly changing, its billion-plus people ambitious, hungry and on the move. Determined to win a take-over deal that sees him shuttle between Shanghai, Beijing, Hong Kong and New York, Eric encounters those also profiting from the world's most promising nation: the playboy son of a Hong Kong tycoon, a hedonistic boss, and another ABC desiring to belong. In the New China, cultural assimilation and confusion, along with temptation and seduction, abound- and Eric could lose himself not to mention those he loves most.
White Lies and Allies in Contemporary Black Media
This book considers the ways in which Black directors, screenwriters, and showrunners contend with the figure of the would-be White ally in contemporary film and television. White Lies and Allies in Contemporary Black Media examines the ways in which prominent figures such as Issa Rae, Spike Lee, Justin Simien, Jordan Peele, and Donald Glover centralize complex Black protagonists in their work while also training a Black gaze on would-be White allies. Emily R. Rutter highlights how these Black creators represent both performative White allyship and the potential for true White antiracist allyship, while also examining the reasons why Black creators utilize the white ally trope in the wider c...
Coming Out to the Mainstream
Coming Out to the Mainstream is a collection of essays written from a range of perspectives, from scholars to film producers, who seek to contextualize and reframe New Queer Cinema from a 21st century perspective—decades after Stonewall, the emergence of the HIV-AIDS crisis, and the initial years of the gay marriage movement. These essays situate themselves in the 21st century as an attempt to assess what appears to be a mainstreaming of New Queer Cinema, a current wave of New Queer Cinema film that holds potential for influencing film viewers beyond the original limits of an independent film audience, critics, and the academy. Specifically, these essays examine whether and how the filmmak...
Persons
What is a person? Why do we count certain beings as persons and others not? How is the concept of a person distinct from the concept of a human being, or from the concept of the self? When and why did the concept of a person come into existence? What is the relationship between moral personhood and metaphysical personhood? How has their relationship changed over the last two millennia? This volume presents a genealogy of the concept of a person. It demonstrates how personhood--like the other central concepts of philosophy, law, and everyday life--has gained its significance not through definition but through the accretion of layers of meaning over centuries. We can only fully understand the ...
Hollywood Remaking
"From the inception of cinema to today's franchise era, remaking has always been a motor of ongoing textual production. Hollywood Remaking critically examines the persistent economic and cultural relevance of film remakes, series, sequels, crossovers, spin-offs, and prequels that emerge from the large-scale system of remaking actively shape how the film industry, cinema, and audiences imagine themselves as these movies constantly negotiate past and present, stability and change through a serial dynamic of repetition and variation. The book develops a theory of Hollywood remaking as an inherently dynamic practice situated between the film industry's economic logic and the cultural imaginary and analyzes how remaking has developed as a business practice in the United States, how it has been imagined, discursively constructed, and defined by networked stakeholders from production and reception contexts, how it has shaped cinematic aesthetics and cultural debates, and how it has fostered film-historical knowledge, promoted feelings of generational belonging among audiences, and become deeply enmeshed with constructions of the self"--
Gray Matters
Culture is in right now for Christians. Engaging it, embracing it, consuming it, and creating it. Many (younger) evangelicals today are actively cultivating an appreciation for aspects of culture previously stigmatized within the church. Things like alcohol, Hollywood's edgier content, plays, art openings, and concerts have moved from being forbidden to being celebrated by believers. But are evangelicals opening their arms too wide in uncritical embrace of culture? How do they engage with culture in ways that are mature, discerning, and edifying rather than reckless, excessive, and harmful? Can there be a healthy, balanced approach--or is that simply wishful thinking? With the same insight and acuity found in his popular Hipster Christianity, Brett McCracken examines some of the hot-button gray areas of Christian cultural consumption, helping to lead Christians to adopt a more thoughtful approach to consuming culture in the complicated middle ground between legalism and license. Readers will learn how to both enrich their own lives and honor God--refining their ability to discern truth, goodness, beauty, and enjoy his creation.
White Terror
What kinds of terror lurk beneath the surface of White respectability? Many of the top-grossing US horror films between 2008 and 2016 relied heavily on themes of White, patriarchal fear and fragility: outsiders disrupting the sanctity of the almost always White family, evil forces or transgressive ideas transforming loved ones, and children dying when White women eschew traditional maternal roles. Horror film has a long history of radical, political commentary, and Russell Meeuf reveals how racial resentments represented specifically in horror films produced during the Obama era gave rise to the Trump presidency and the Make America Great Again movement. Featuring films such as The Conjuring and Don't Breathe, White Terror explores how motifs of home invasion, exorcism, possession, and hauntings mirror cultural debates around White masculinity, class, religion, socioeconomics, and more. In the vein of Jordan Peele, White Terror exposes how White mainstream fear affects the horror film industry, which in turn cashes in on that fear and draws voters to candidates like Trump.
Editing
"Through seventeen exclusive interviews with some of the world's top film editors, this book explores the art of film editing; its complex processes, the relationship with other film practitioners, and the impact of developments in modern editing techniques."--P. [4] of cover.
