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The Language of Dress
"His work contributes to the ongoing interest in the history of women and in the history of resistance."--Jacket.
The Visual Arts
None
History and Ethnography of the Beothuk
Relations with Inuit, Montagnais, and Micmac are also discussed.
The Underneath of Things
In this erudite and gracefully written ethnography, Mariane Ferme explores the links between a violent historical and political legacy, and the production of secrecy in everyday material culture. The focus is on Mende-speaking southeastern Sierra Leone and the surrounding region. Since 1990, this area has been ravaged by a civil war that produced population displacements and regional instability. The Underneath of Things documents the rural impact of the progressive collapse of the Sierra Leonean state in the past several decades, and seeks to understand how an even earlier history is reinscribed in the present.
Prehistoric Sandals from Northeastern Arizona
During the late 1920s and early 1930s, archaeologists Earl and Ann Axtell Morris discovered an abundance of sandals from the Basketmaker II and III through Pueblo III periods while excavating rockshelters in northeastern Arizona. These densely twined sandals made of yucca yarn were intricately crafted and elaborately decorated, and Earl Morris spent the next 25 years overseeing their analysis, description, and illustration. This is the first full published report on this unusual find, which remains one of the largest collections of sandals in Southwestern archaeology. This monograph offers an integrated archaeological and technical study of the footwear, providing for the first time a full-s...
Rhapsodic Objects
Zirkulation und Nachahmung haben einen wesentlichen Einfluss auf die Gestaltung der materiellen Welt. Die Beiträge des Bandes untersuchen, wie technisches Wissen, immaterielle Wünsche und politische Agenden die Produktion und Rezeption der visuellen und materiellen Kultur im Wandel der Zeit und Orte prägten. Sie gehen den Wanderungen von Kulturgütern unter besonderer Berücksichtigung ihrer Entstehungskontexte nach. Mit dem Begriff des „rhapsodischen Objektes" werden dabei die vielschichtigen, nicht immer in einem Zusammenhang stehenden Erzählungen der Objekte angesprochen.
Craft and the Kingly Ideal
In ancient Mediterranean cultures, diamonds were thought to endow their owners with invincibility. In contemporary United States culture, a foreign-made luxury car is believed to give its owner status and prestige. Where do these beliefs come from? In this study of craft production and long-distance trade in traditional, nonindustrial societies, Mary W. Helms explores the power attributed to objects that either are produced by skilled artisans and/or come from "afar." She argues that fine artisanship and long-distance trade, both of which are more available to powerful elites than to ordinary people, are means of creating or acquiring tangible objects that embody intangible powers and energies from the cosmological realms of gods, ancestors, or heroes. Through the objects, these qualities become available to human society and confer honor and power on their possessors. Helms’ novel approach equates trade with artistry and emphasizes acquisition rather than distribution. She rejects the classic Western separation between economics and aesthetics and offers a new paradigm for understanding traditional societies that will be of interest to all anthropologists and archaeologists.
Asen, Ancestors, and Vodun
A social and iconographic history of a West African sculptural form
Decolonizing African Knowledge
Addressing the consequences of European slavery, colonialism, and neo-colonialism on African history, knowledge and its institutions, this innovative book applies autoethnography to the understanding of African knowledge systems. Considering the 'Self' and Yoruba Being (the individual and the collective) in the context of the African decolonial project, Falola strips away Eurocentric influences and interruptions from African epistemology. Avoiding colonial archival sources, it grounds itself in alternative archives created by memory, spoken words, images and photographs to look at the themes of politics, culture, nation, ethnicity, satire, poetics, magic, myth, metaphor, sculpture, textiles, hair and gender. Vividly illustrated in colour, it uses diverse and novel methods to access an African way of knowing. Exploring the different ways that a society understands and presents itself, this book highlights convergence, enmeshing private and public data to provide a comprehensive understanding of society, public consciousness, and cultural identity.
