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Mike Nichols and the Cinema of Transformation
Mike Nichols burst onto the American cultural scene in the late 1950s as one half of the comic cabaret team of Nichols and May. He became a Broadway directing sensation, then moved on to Hollywood, where his first two films--Who's Afraid of Virginia Woolf? (1966) and The Graduate (1967)--earned a total of 20 Academy Award nominations. Nichols won the 1968 Oscar for Best Director and later joined the rarefied EGOT (Emmy, Grammy, Oscar, Tony) club. He made many other American cinematic classics, including Catch-22 (1970), Carnal Knowledge (1971), Silkwood (1983), Working Girl (1988), Postcards from the Edge (1990), and his late masterpieces for HBO, Wit (2001) and Angels in America (2003). Filmmakers like Steven Spielberg and Steven Soderbergh regard him with reverence. This first full-career retrospective study of this protean force in the American arts begins with the roots of his filmmaking in satirical comedy and Broadway theatre and devotes separate chapters to each of his 20 feature films. Nichols' permanent achievements are his critique of the ways in which culture constructs conformity and his tempered optimism about individuals' liberation by transformative awakening.
Appraising The Graduate
The popular success in 1967 of The Graduate was immediate and total; at the time, only Gone with the Wind and The Sound of Music were bigger box-office winners. Yet such phenomenal success came at a price: On the film's 40th anniversary, director Mike Nichols claimed that The Graduate had been "whipped away" by a young audience hungry for countercultural documents. This study, the first monograph on The Graduate, explores how popular and subsequent critical reception deflected a full understanding of the film's complex point of view, which satirizes everything in its path--especially Benjamin and Elaine, its young "heroes." The text explores how the film offers not the happy ending some imagine, but a corrosive and satirical vision of humanity. Instructors considering this book for use in a course may request an examination copy here.
Alfred North Whitehead
This volume's aim is to clarify, criticize and theoretically develop some of Whitehead's major philosophic ideas and insights. Eighteen distinguished contributors follow Whitehead in his unique attempt to integrate the often disparate concerns of science (including mathematics and mathematical logic), art, religion, social life and common sense. They manage to avoid the twin pitfalls of uncritical acceptance and impatient rejection of Whitehead's thought. They delineate Whitehead's indebtedness to and divergence from the philosophic traditions of Plato, Leibniz, Hume, Hegel, Bergson and others. Some of the distinguished philosophers contributing to this volume are: Charles Hartshorne, William Ernest Hocking, Richard M. Rorty, Gregory Vlastos, William A. Christian, Sr., Nathaniel Lawrence, Ivor Leclerc, Victor Lowe, Robert M. Palter, and Donald W. Sherburne. Originally published in 1963 by Prentice-Hall, this edition contains a new preface by the editor
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