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Nordic Speculative Fiction
This volume brings together scholarly theories and practices on speculative fiction from the Nordic countries, including Denmark, Finland, Iceland, Norway, and Sweden, that are all rooted in similar values, culture, and history yet are independent and unique societies. The book exhibits both the convergences and the diversity of the Nordics in fiction and fandom as well as in research. It traces the roots of Nordic speculative fiction, how it has developed over time, and how the changes in Nordic environments and societies caused by overhanging shared global issues – such as climate change, mass migration, and technological acceleration – find space in speculative practices. The first of...
Tolkien and the Kalevala
This book explores J. R. R. Tolkien’s unique and warm relationship to the Kalevala, a poem usually hailed as the Finnish and Karelian national epic, compiled, edited and partly revisioned from older folk poetry by Finnish scholar Elias Lönnrot in the 19th century. J. R. R. Tolkien, an Oxford academic and the greatest author of the 20th-century fantasy, creator of The Hobbit and The Lord of the Rings, was fascinated from early on by the Kalevala. Tolkien himself described the Kalevala as “a germ” of his fantasy fiction.
The Mythopoeic Code of Tolkien
J. R. R. Tolkien is arguably the most influential fantasy writer of all time--his world building and epic mythology have changed Western audiences' imaginations and the entire fantasy genre. This book is the first wide-ranging Christian Platonic reading on Tolkien's fiction. This analysis, written for scholars and general Tolkien enthusiasts alike, discusses how his fiction is constructed on levels of language, myth and textuality that have a background in the Greek philosopher Plato's texts and early Christian philosophy influenced by Plato. It discusses the concepts of ideal and real, creation and existence, and fall and struggle as central elements of Tolkien's fiction, focusing on The Hobbit, The Lord of the Rings, The Silmarillion and The History of Middle-earth. Reading Tolkien's fiction as a depiction of ideal and real, from the vision of creation to the process of realization, illuminates a part of Tolkien's aesthetics and mythology that previous studies have overlooked.
The Sacred in Fantastic Fandom
To the casual observer, similarities between fan communities and religious believers are difficult to find. Religion is traditional, institutional, and serious; whereas fandom is contemporary, individualistic, and fun. Can the robes of nuns and priests be compared to cosplay outfits of Jedi Knights and anime characters? Can travelling to fan conventions be understood as pilgrimages to the shrines of saints? These new essays investigate fan activities connected to books, film, and online games, such as Harry Potter-themed weddings, using The Hobbit as a sacred text, and taking on heroic roles in World of Warcraft. Young Muslim women cosplayers are brought into conversation with Chaos magicians who use pop culture tropes and characters. A range of canonical texts, such as Supernatural, Buffy the Vampire Slayer, and Sherlock--are examined in terms of the pleasure and enchantment of repeated viewing. Popular culture is revealed to be a fertile source of religious and spiritual creativity in the contemporary world.
New Perspectives on Dystopian Fiction in Literature and Other Media
This collection of essays examines various forms of dystopian fiction in literature, television, and digital games. It frames the timely trend of dystopian fiction as a thematic field that accommodates several genres from societal dystopia to apocalyptic narratives and climate fiction, many of them examining the hazards of science and technology to human societies and the ecosystem. These are genres of the Anthropocene par excellence, capturing the dilemmas of the human condition in the current, increasingly precarious epoch. The essays offer new interpretations of classical and contemporary works, including the canonised prose of Orwell, Atwood and Cormac McCarthy, modern pop culture classics like Battlestar Galactica, Fallout and Hunger Games, and the work of Johanna Sinisalo, a pioneer of Finnish speculative fiction. From Thomas Pynchon to Watership Down, the volume’s multifaceted approach offers fresh perspectives to those already familiar with existing research, but it is no less accessible for newcomers to the ever-expanding field of dystopian studies.
Speculative Modernism
Speculative modernists--that is, British and American writers of science fiction, fantasy and horror during the late 19th and early 20th centuries--successfully grappled with the same forces that would drive their better-known literary counterparts to existential despair. Building on the ideas of the 19th-century Gothic and utopian movements, these speculative writers anticipated literary Modernism and blazed alternative literary trails in science, religion, ecology and sociology. Such authors as H.G. Wells and H.P. Lovecraft gained widespread recognition--budding from them, other speculative authors published fascinating tales of individuals trapped in dystopias, of anti-society attitudes, post-apocalyptic worlds and the rapidly expanding knowledge of the limitless universe. This book documents the Gothic and utopian roots of speculative fiction and explores how these authors played a crucial role in shaping the culture of the new century with their darker, more evolved themes.
Discovering Dune
Frank Herbert's Dune is one of the most well-known science fiction novels of all time, and it is often revered alongside time-honored classics like The Lord of the Rings. Unlike Tolkien's work, the Dune series has received remarkably little academic attention. This collection includes fourteen new essays from various academic disciplines--including philosophy, political science, disability studies, Islamic theology, environmental studies, and Byzantine history--that examine all six of Herbert's Dune books. As a compendium, it asserts that a multidisciplinary approach to the texts can lead to fresh discoveries. Also included in this collection are an introduction by Tim O'Reilly, who authored one of the first critical appraisals of Herbert's writings in 1981, and a comprehensive bibliography of essential primary and secondary sources.
The Sagas of Icelanders
This book offers an accessible and concise introduction to the sagas of Icelanders, perfect for both general and academic readers. Authored by a recognized expert, it immerses readers in the sagas’ world, exploring their cultural and historical context. The book surveys major themes such as belief systems, family dynamics, legal matters, honor, and gender roles, elucidating Icelandic society’s fundamental worldview. Covering diverse tales from the Middle Ages, the sagas depict the struggles of ordinary farmers, fierce heroes, and shrewd women, including epic expeditions to Greenland and Vinland. The book also examines the influence of foreign literature, manuscript evidence, and dating, categorizing the sagas into three periods. Additionally, it explores their unique literary style, including paranormal elements and skaldic poetry. The final section provides concise summaries and information about the dating, manuscripts, and transmission of the forty preserved sagas, offering a comprehensive understanding of these captivating narratives.
Reading Kazuo Ishiguro’s Never Let Me Go
Reading Kazuo Ishiguro’s Never Let Me Go: The Alternative Dystopian Imagination aims to offer innovative perspectives for the analysis of Nobel-prize winner Kazuo Ishiguro’s oeuvre through a focus on the genre of science fiction, particularly the novel Never Let Me Go (2005). The study proposes the term "intimate dystopia" to reflect on the passage from totalitarian or external oppressive forces to more "subtle" systems of power. Its interdisciplinary approach combines, apart from literary theory on different genres such as science fiction and memory, race studies, feminism and ecocriticism. It is based on an exhaustive critical and textual analysis that allows for a thorough and nuanced understanding of Ishiguro’s multi-layered novel, covering themes such as the ethical dimensions and gender implications of caregiving, the dystopian portrayal of the environment, the significance of art in the existence of marginalized groups and the genre-related complexities of the text.
Magic Words, Magic Worlds
While all fiction uses words to construct models of the world for readers, nowhere is this more obvious than in fantasy fiction. Epic fantasy novels create elaborate secondary worlds entirely out of language, yet the writing style used to construct those worlds has rarely been studied in depth. This book builds the foundations for a study of style in epic fantasy. Close readings of selected novels by such writers as Steven Erikson, Ursula Le Guin, N. K. Jemisin and Brandon Sanderson offer insights into the significant implications of fantasy's use of syntax, perspective, paratexts, frame narratives and more. Re-examining critical assumptions about the reading experience of epic fantasy, this work explores the genre's reputation for flowery, archaic language and its ability to create a sense of wonder. Ultimately, it argues that epic fantasy shapes the way people think, examining how literary representation and style influence perception.
