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"In this book, Jeffrey Saletnik explores influential artist and pedagogue Josef Albers's teaching practices. The pedagogy Albers developed at the Bauhaus, Black Mountain College, and Yale consisted in a dynamic approach to teaching that transcended modernist agendas: it involved a set of ideas and practices that cultivated a material way of thinking among his students, which included notable future artists such as Eva Hesse and Richard Serra. By using exercises including paper folding, cutting, and collage, Albers tried to generate a form of "productive disorientation" in his students, teaching them problem-solving strategies to explore new conceptions of composition and color. Saletnik begi...
Presents an exhibition catalog that contains reproductions of the artist's working drawings along with essays discussing her works and methodology.
Leon Battista Alberti's 1435 treatise De pictura influenced generations of painters by suggesting that a painting should be approached as an open window. By the twentieth century, the window had transformed into a motif that would test the limits of painting. With his 1920 "Fresh Widow"--a replica of a French window with panes covered in black leather--Marcel Duchamp postulated a farewell to illusionist painting. This publication presents the development of window painting by artists such as Robert Delaunay, Henri Matisse, Marcel Duchamp, Ren Magritte, Ellsworth Kelly, Eva Hesse, Gerhard Richter and many others.
Art Catalogue Index (A.C.I.) aims to provide a comprehensive list of all the catalogues raisonnés and reviews on artists born between 1780 and the postwar period. This first edition is focused on the so-called 'modern' period. It starts with the birth of Jean Auguste Dominique Ingres, in 1780 in Montauban, who competed for the Prix de Rome in 1800 with his contemporaries; he therefore both witnessed and took part in this turning point in time which opened the gates of the 'modern' period, and which led up to today and contemporary art. Published with BFAS, Geneva, and Thierry Meaudre, Paris. English text.
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Diese Analyse des Werkes von Konstantin D. Bal’mont (1867–1942) schließt erstmals in der deutschsprachigen Slavistik auch die Lyrikbände aus der Zeit nach der Emigration sowie Prosawerke ein. Als bestimmend für das Oeuvre Bal’monts erweist sich dabei die Mystik als psychisch und ästhetisch wirksames Paradigma. Eine Darstellung relevanter Traditionen der östlichen und westlichen Mystik erlaubt es, den Makrotext von 30 Gedichtbänden schlüssig zu deuten. Im Ergebnis der Untersuchung wird Bal’monts Bedeutung für den russischen Symbolismus deutlich, woraus sich eine Revision bekannter Beschreibungsmodelle für diese Epoche ergibt. Ausführliche Anmerkungen zum Verhältnis des Autors zur Musik und bildenden Kunst seiner Zeit stellen die Ergebnisse der Werkanalyse in den weiten Kontext kunstreligiöser Strömungen in Europa.
Throughout her career, Eva Hesse produced a significant number of small, experimental works which she renamed 'studiowork'. This title contains a comprehensive catalogue of the studiowork, including many new works that have never before been seen in public.
The first two volumes of a highly anticipated four-volume catalogue raisonné of all known works by Eva Hesse The work of Eva Hesse (1936-1970) has been the focus of growing attention over the past few decades. With recent major exhibitions in San Francisco, London, and Wiesbaden, Hesse's tremendous contribution to the art world of the 1960s and '70s is now recognized by scholars and the general public alike. These two lavishly produced volumes are the first in a major new publishing initiative: a four-volume catalogue raisonné of Hesse's known artwork in all media: painting, sculpture, and works on paper. During her career, Hesse created 135 paintings and 176 sculptures, objects, and test ...
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