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New essays on topics from love and sexuality to physical handicaps, old age, good and bad fortune, women's virtues, art and literature, and the writing of manuscripts. Fifteenth-Century Studies has appeared annually since 1977. It publishes essays on all aspects of life in the 15th century, including literature, drama, history, philosophy, art, music, religion, science, and ritual and custom. The editors strive to do justice to the most contested medieval century, a period that defies consensus on fundamental issues. In this volume the standard synopsis of research on 15th-c. theater is followed by essays on reflection/meditation on love and sexuality, physical handicaps, old age, betrayal, ...
The study takes the received view among scholars that women in the Middle Ages were faced with sustained misogyny and that their voices were seldom heard in public and subjects it to a critical analysis. The ten chapters deal with various aspects of the question, and the voices of a variety of authors - both female and male - are heard. The study opens with an enquiry into violence against women, including in texts by male writers (Hartmann von Aue, Gottfried von Straßburg, Wolfram von Eschenbach) which indeed describe instances of violence, but adopt an extremely critical stance towards them. It then proceeds to show how women were able to develop an independent identity in various genres ...
Addresses literary theory and criticism, comparative studies in terms of theme, genre movement and influence, and interdisciplinary perspectives.
This book is an examination of the concept of Fortune in the narratives of the sixteenth-century German writer, Jorg Wickram. Throughout the Middles Ages, Fortune functioned as a representation of the experience of contingency and the human attempt to cope with a God-given order. The Renaissance saw the advent of the notion that an individual possessed the ability to control his or her life to a certain extent, but the perception of Fortune as an external force acting on human agents remained intact. Wickram, however, saw fortune, not only as an external force acting in conjunction with or competing with divine agency, but also as a force within the human mind; it was this innovative understanding which set him apart from his contemporaries and lent originality to his literature.
This volume explores the various strategies by which appropriate pasts were construed in scholarship, literature, art, and architecture in order to create “national”, regional, or local identities in late medieval and early modern Europe. Because authority was based on lineage, political and territorial claims were underpinned by historical arguments, either true or otherwise. Literature, scholarship, art, and architecture were pivotal media that were used to give evidence of the impressive old lineage of states, regions, or families. These claims were related not only to classical antiquity but also to other periods that were regarded as antiquities, such as the Middle Ages, especially ...
From the earliest times to the death of Geothe.