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Ernst Cassirer (1874–1945) occupies a unique place in 20th-century philosophy. His view that human beings are not rational but symbolic animals and his famous dispute with Martin Heidegger at Davos in 1929 are compelling alternatives to the deadlock between 'analytic' and 'continental' approaches to philosophy. An astonishing polymath, Cassirer's work pays equal attention to mathematics and natural science but also art, language, myth, religion, technology, and history. However, until now the importance of his work has largely been overlooked. In this outstanding introduction Samantha Matherne examines and assesses the full span of Cassirer’s work. Beginning with an overview of his life ...
Im Rahmen einer breiteren Neubewertung der neukantianischen Bewegung unternimmt dieses Buch die Aufgabe, Wilhelm Windelbands philosophische Bemühungen zu rekonstruieren. Windelbands philosophisches Programm konzentrierte sich auf die Synthese von zwei scheinbar gegensätzlichen Kräften: Transzendentalphilosophie und Geschichtsbewusstsein. Er besaß ein ausgeprägtes Bewusstsein für die dem historischen Denken innewohnenden Verwicklungen und die zwingende Notwendigkeit, die Transzendentalphilosophie im Sinne einer echten Geschichtsphilosophie neu zu formulieren. Diese konzeptionelle Entwicklung führt sein philosophisches Programm schließlich von seinen ursprünglichen neukantianischen Wurzeln weg und lässt eine neue Form des Neo-Hegelianismus entstehen.
The Maimonides Review of Philosophy and Religion is an annual collection of double-blind peer-reviewed articles that seeks to provide a broad international arena for an intellectual exchange of ideas between the disciplines of philosophy, theology, religion, cultural history, and literature and to showcase their multifarious junctures within the framework of Jewish studies. Contributions to the Review place special thematic emphasis on scepticism within Jewish thought and its links to other religious traditions and secular worldviews. The Review is interested in the tension at the heart of matters of reason and faith, rationalism and mysticism, theory and practice, narrativity and normativity, doubt and dogma.
Material Imagination examines the interrelated concepts of matter, materialism, and materiality in postwar European art, from 1946-1972. Provides a unique perspective on European art by prioritizing material dimensions over concept or context, while also paying attention to theoretical and historical concerns Explores artists’ methods and materials in order to better understand the social and cultural environments in which their works of art were made Demonstrates how materials can be harnessed to affect the critical interpretation of artwork Brings together exceptional illustrations and new research in eight essays by art historians and scholars
Reprint of the original, first published in 1883.
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