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'Dialect' and 'Accent' in Industrial West Yorkshire
This volume is concerned with one of the few thorough-going Labovian studies carried out in Britain. Based on a survey of over hundred randomly selected informants from the towns of Bradford, Halifax and Huddersfield, it deals first with the methodology employed, and then sketches some aspects of the ‘traditional’ dialects of the area before describing a large number of variables. Other non-standard features encountered during the survey are described, since these too are part of the changing patterns of speech in West Yorkshire. The final chapter draws a distinction between ‘dialect’ and ‘accent’ which is slightly different from that generally employed, and suggests that while ‘dialect’ features seem to have declined under the pressure of the standard language, ‘accent’ still persists as a social differentiator.
The Study of Dialect
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Dialect and Accent in Industrial West Yorkshire
This volume is concerned with one of the few thorough-going Labovian studies carried out in Britain. Based on a survey of over hundred randomly selected informants from the towns of Bradford, Halifax and Huddersfield, it deals first with the methodology employed, and then sketches some aspects of the 'traditional' dialects of the area before describing a large number of variables. Other non-standard features encountered during the survey are described, since these too are part of the changing patterns of speech in West Yorkshire. The final chapter draws a distinction between 'dialect' and 'accent' which is slightly different from that generally employed, and suggests that while 'dialect' features seem to have declined under the pressure of the standard language, 'accent' still persists as a social differentiator.
Facets of Wuthering Heights
Facets of Wuthering Heights is a collection of essays by one author concerned to throw critical light on several different facets of Emily Brontë’s masterpiece, Wuthering Heights. Although three of the essays deal partly with the historical background to the novel, the collection as a whole seeks to draw attention to Emily Brontë’s remarkable versatility as a novelist by, for example, implicitly pointing up the skill with which she has constructed the plot, the inventiveness with which she has created an astonishing variety of characters, and the brilliance with which she has made structural use of her central themes. This book is intended to encourage readers to take a fresh look at Wuthering Heights as a work of art which, far from deserving to be read merely for its extraordinary treatment of love, is, in fact, eminently notable for its author’s objective and dispassionate portrayal of a particular society and a particular set of individuals in late eighteenth-century England and beyond.
