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The Rapids of a Great River
The Rapids of a Great River begins with selections from the earliest known Tamil poetry dating from the second century CE. The writings of the Sangam period laid the foundation for the Tamil poetic tradition, and they continue to underlie and inform the works of Tamil poets even today. The first part of this anthology traverses the Sangam and bhakti periods and closes with pre-modern poems from the nineteenth century. The second part, a compilation of modern and contemporary poetry, opens with the work of the revolutionary poet Subramania Bharati. Breaking free from prescriptions, the new voices—which include Sri Lankan Tamils, women and dalits, among others—address the contemporary reader; the poems, underscored by a sharp rhetorical edge, grapple with the complexities of the modern political and social world. The selection is wide-ranging and the translations admirably echo the music, pace and resonance of the poems. This anthology links the old with the new, cementing the continuity of a richly textured tradition. There is something in the collection for every reader and each will make his or her own connections—at times startling, at other times familiar.
Short Fiction from South India
A text for students of literature, Short Fiction from South India brings together English translations of twelve short stories originally written in Kannada, Malayalam, Tamil and Telugu. While the introduction sketches the phenomenon and history of translation in the Indian context, the exercises at the end of each unit encourage students to concentrate on various elements that constitute a story-theme, imagery, vocabulary and style.
Table For Four
It is their last evening together. Maya, Sandra and Derek, graduate students at UC Santa Cruz and house-mates for three years, prepare to sit down at the tortoise listening table for dinner with Uncle Prithvi, the house-owner. It's a cheerful and quirky household: Sandra is prone to Orkut attacks; Derek silently pines for the wistful-lookinge Afghan boy in the photo on his wall, taken while a war-journalist in Afghanistan; Maya, who has the hots for Derek, is inexplicably terrified of the ocean; elusive Uncle Prithvi communicates through notes he leaves all over the place. Sad at parting, perhaps forever, and half tipsy, they play a game of telling stories their own stories. As the evening deepens, unexpected secrets and fears of the four lives are unveiled. Sandra, abandoned at birth, tells of growing up in an orphanage with her precious twin, disabled Solana, only to be separated by circumstances; Uncle Prithvi rues the loss of his beloved daughter, whom he betrayed when he sought a new life with Karen in the US. And, Maya and Derek, who suddenly absents himself, cannot bring themselves to voice their tragedies except in a soliloquy.
This Kind of Child: The 'Disability' Story
About the Book A SENSITIVE AND EYE-OPENING ACCOUNT OF THE LIVES OF PERSONS WITH DISABILITIES AND THOSE AROUND THEM ‘I am the mother of a child who did not fit the school system, a child who was disabled by it. She was a child who made “errors”, “mistakes” that the school system was unforgiving of. We were told by the principal of an alternative school that they could not possibly admit “this kind of child”. My daughter went from being a child to “this kind of child” in that one moment.’ When she started working on the book, it was Srilata’s daughter who was its protagonist. But soon, she realised that there was no way she could stop with her daughter’s story. With eac...
A God at the Door
"We are homesick everywhere," writes Tishani Doshi, "even when we're home." With aching empathy, righteous anger, and rebellious humor, A God at the Door calls on the extraordinary minutiae of nature and humanity to redefine belonging and unveil injustice. In an era of pandemic lockdown and brutal politics, these poems make vital space for what must come next--the return of wonder and free movement, and a profound sense of connection to what matters most. From a microscopic cell to flightless birds, to a sumo wrestler and the tree of life, Doshi interrupts the news cycle to pause in grief or delight, to restore power to language. A God at the Doorinvites the reader on a pilgrimage--one that leads us back to the sacred temple of ourselves. This is an exquisite, generous collection from a poet at the peak of her powers.
The Scent of Happiness
'The Scent of Happiness could describe Vatsala too. Resilience, positivity, and laughter - these are the words that come to my mind when I think of Vatsala. Hers has been a life of deep troughs, just like the protagonist of this story. The scent of happiness pervades this story as it pervades Vatsala's spirit. Like the manoranjitham flower, the Ananda inside us may turn shades as we live, but it will always be fragrant.' Justice PRABHA SRIDEVAN (Retd), Writer and Translator 'When women begin to examine and represent their lives critically and with honesty, many an untruth starts to crumble. In order to prevent this crumbling, society hands them the burdensome responsibility of preserving family honour, thus forcing them into silence. The journey of Prema in Vatsala's novel The Scent of Happiness acts like a beacon of hope and light for such women.' A. ARULMOZHI, Advocate, Feminist and Social Activist
Lifescapes
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The Changing World of Contemporary South Asian Poetry in English
This collection uses a transnational approach to study contemporary English-language poetry composed by poets of South Asian origin. The poetry contains themes, motifs, and critiques of social changes, and the contributors seek to encapsulate the continually changing environments that these contemporary poets write about. The contributors show that English-language poetry in South Asia is hybridized with imagery and figurative language adapted from the vernacular languages of South Asia. The chapters examine women’s issues, concerns of marginalized groups—such as the Dalit community and the people of Northeastern India—, social changes in Sri Lanka, the changing society of Pakistan, and the formation of the identity in the several nation states that resulted from the British colony of India.
The Penguin Book Of Indian Poets
Jeet Thayil has compiled the definitive anthology of Indian poetry in English. This monumental undertaking, two decades in the making, brings together writers from across the world, a wealth of voices--in dialogue, in soliloquy, in rhetoric, and in play--to present an expansive, encompassing idea of what makes an 'Indian' poet. Included are lost, uncollected, or out of print poems by major poets, essays that place entire bodies of work into their precise cultural contexts, and a collection of classic black and white portraits by Madhu Kapparath. These images, taken over a period of thirty years, form an archive of breathtaking historical scope. They offer the viewer unparalleled intimacy and access to the lives of some of India's greatest poets.
