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Magical Realism in Africa
Magical realism has deep roots across many African languages and regions. This book explores African magical realism from a transregional and inclusive approach, drawing on contributions from different literary genres across the continent. The chapters in this book constitute a sustained and insightful reflection on the salient components of this literary genre as well as evaluating its connections to themes of conflict, violence, women’s rights, trauma, oppression, culture, governance, and connecting to the African self. As well as theorizing magical realism, this book engages with African expressive performance across various formats, novels, plays, and films. This book investigates African magical realism from its origins up to the present day, where local oral traditions link indigenous cosmogonic stories with Western literature, as well as with the specific narrative traditions of Arabo‐Islamic literature. The rich analysis draws on works from across the continent, including Egypt, Sudan, Mauritania, Cameroon, Kenya, Tanzania, Angola, and Mozambique. This book is a timely contribution to debates within African literature, cultural anthropology, ethnography, and folklore.
Transgression in Swahili Narrative Fiction and its Reception
"This book remarkably analyses the development of recent Swahili prose narrative. The main thesis is that since the 90s, Swahili literature has developed to go beyond aspects that had hitherto conditioned literature in African languages (local, popular and didactic) and has opened itself to global, sophisticated and subversive perspectives. Remi Tchokothe uses the leitmotif of transgression as the unifying thread to render an account of this evolution of the Swahili narrative fiction towards the disruption of narrative linearity, an increase in intertextual references, an awareness of globalisation in political analysis and a shift to magical realism. The finishing touch to the analysis is a meticulously conducted reception survey which highlights editorial ambiguities that go with the transgressive turn." -- Xavier Garnier, U. Sorbonne Nouvelle - Paris 3 (Series: Contributions to Research on Africa / Beitrage zur Afrikaforschung - Vol. 56)
Once Craved (a Riley Paige Mystery--Book #3)
“A masterpiece of thriller and mystery! The author did a magnificent job developing characters with a psychological side that is so well described that we feel inside their minds, follow their fears and cheer for their success. The plot is very intelligent and will keep you entertained throughout the book. Full of twists, this book will keep you awake until the turn of the last page.” --Books and Movie Reviews, Roberto Mattos (re Once Gone) ONCE CRAVED is book #3 in the bestselling Riley Paige mystery series, which begins with ONCE GONE (Book #1)--a free download with over 100 five star reviews! When prostitutes turn up dead in Phoenix, not much attention is paid. But when a pattern of d...
On the Poetics of the Utendi
Originally published as author's thesis (doctoral)--BIGSAS, Bayreuth, 2009.
Of Worlds and Artworks
The present volume brings together contributions which explore artworks – including literature, visual arts, film and performances – as dynamic sites of worlding. It puts emphasis on the processes of creating or doing worlds, implying movement as opposed to the boundary drawing of area studies. From such a processual perspective, Africa is not a delineated area, but emerges in a variety of relations which can reach across the continent, but also the Indian Ocean, the Atlantic or Europe. Contributors are: Thierry Boudjekeu, Elena Brugioni, Ute Fendler, Sophie Lembcke, Gilbert Ndi Shang, Samuel Ndogo, Duncan Tarrant, Kumari Issur, CJ Odhiambo, Michaela Ott, Peter Simatei, Clarissa Vierke, Chinelo J. Enemuo.
