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Berber Culture on the World Stage
"[S]ure to interest a number of different audiences, from language and music scholars to specialists on North Africa.... a superb book, clearly written, analytically incisive, about very important issues that have not been described elsewhere." -- John Bowen, Washington University In this nuanced study of the performance of cultural identity, Jane E. Goodman travels from contemporary Kabyle Berber communities in Algeria and France to the colonial archives, identifying the products, performances, and media through which Berber identity has developed. In the 1990s, with a major Islamist insurgency underway in Algeria, Berber cultural associations created performance forms that challenged Islamist premises while critiquing their own village practices. Goodman describes the phenomenon of new Kabyle song, a form of world music that transformed village songs for global audiences. She follows new songs as they move from their producers to the copyright agency to the Parisian stage, highlighting the networks of circulation and exchange through which Berbers have achieved global visibility.
Algeria
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The Kabyle People
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The Kabyle People
So little has been known of the mountain people of Algeria and that little has been so inaccessible that this careful study of the kabyles is most welcome at this time. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing many of these classic works in affordable, high quality, modern editions, using the original text and artwork.
Locating Bourdieu
Pierre Bourdieu's work viewed within the context of his life and times.
The Magical Life of Berber Women in Kabylia
Kabyle women from Algeria were believed to have been relegated to a role, subjugated by dominant males, in which they were confined to reproduction, nature, and their sensibilities. The weaknesses created by this inequality were thought to be compensated for by their living inconspicuous lives practicing magic, especially in love. Makilam rejects these preconceived ideas and demonstrates that women's magic was expressed in every domain of their daily lives: pottery making, food provision/preparation, and weaving. In fact, the traditional Kabyle society was incapable of functioning without women, who ensured its material and spiritual unity.
Symbols and Magic in the Arts of Kabyle Women
Makilam's research on the history of women and Berber culture, one of North Africa's most ancient civilizations, demonstrates that the Kabyle women's magic practices, graphic symbols, and rites of passage permit a new interpretation of their cultural identity from those that have traditionally been attributed to them by Western observers. This completely new vision of the symbolic grammar of the «decorations, » notably expressed in pottery, weaving, tattoos, and wall-paintings, leads us to reconsider the meaning of the Kabyle arts and contributes to our knowledge of Maghreb cultures and the role of women in «traditional» societies.
The Sociology of Time
The volume offers a comprehensive introduction to the sociology of time. Based on selected contributions from leading writers, it illustrates the range of issues and perspectives which define the field. The volume traces distinct traditions of time analysis in social science and uses these to explain, for example, the development of capitalist time-consciousness, the ways we structure time in organizations and institutions, and how our time perceptions change in line with changes in culture. The book is for those who wish to understand how time comes to condition our everyday actions and affairs.
