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A beguiling look at the collaborative nature of art and design in postwar British Columbia.
Nietzsche, Kierkegaard, Virginia Woolf, Samuel Taylor Coleridge, André Breton, Rousseau, Simone de Beauvoir: who could imagine a better group of walking companions? In this engaging and invigorating book, Bruce Baugh takes us on a philosophical tour, following in the footsteps and thoughts of some great philosophers and thinkers. How does walking reveal space and place and provide a heightened sense of embodied consciousness? Can walking in André Breton’s footsteps enable us to "remember" Breton’s experiences? A chapter on Sartre and Beauvoir investigates walking in relation to anxiety and our different ways of responding to our bodies. Walking in the Quantocks, Baugh seeks out the con...
Canadian Art in the Twentieth Century is a survey of the richest, most controversial and perhaps most thoroughly confusing centuries in the whole history of the visual arts in Canada - the period from 1900 to the present. Murray shows how, beginning with Tonalism at the start of the century, new directions in art emerged - starting with our early Modernists, among them Tom Thomson and the Group of Seven. Today, Modernism has lost its dominance. Artists, critics, and the public alike are confronted by a scene of unprecedented variety and complexity. Murray discusses the social and political events of the century in combination with the cultural context; movements, ideas, attitudes, and styles; the important groups in Canadian art, and major and minor artists and their works. Fully documented, well researched and written with clarity and over four hundred illustrations in both black-and-white and colour, Murray’s book is essential for understanding Canadian art of this century. As an introduction, it is excellent in both its scope and intelligence.
Literacy is broadly understood to refer to the ability to read and write. But the term is heavily value-laden and is often used to elevate print at the expense of other forms of communication. In PhotoGraphic Encounters, the authors challenge this reductive notion of literacy and propose instead an integrated span of literacies: reaching across disciplinary boundaries to discover a text that draws upon both the visual and the verbal. PhotoGraphic Encounters discusses Canadian writers like Margaret Atwood, George Bowering, Robert Kroetsch, and Daphne Marlatt, and Canadian artists like Fred Douglas, Ernie Kroeger, Brenda Pelkey, and Michael Snow, then looks at the cross-fertilization of visual...
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Other Conundrums, copublished with Vancouver's Artspeak Gallery and the Kamloops Art Gallery, is an extraordinary collection of essays on Canadian artists of colour by Monika Kin Gagnon, one of Canada's most respected art writers and curators. The essays explore the history of cultural production in this country with an emphasis on race, cultural difference, and cultural hybridity. Using specific artists and exhibitions as a starting-point for Gagnon's discussions, these essays, and the artists she writes about, are firmly grounded in Canadian cultural events, artistic projects, and theoretical ideas concerning race and culture which have circulated in often disparate contexts for the last d...
Weather Systems features work by the Vancouver-based artist from the past two decades as well as new works made specifically for the exhibition. Koh's artistic practice focuses on the interrelatedness of conditions in the built and natural environment that otherwise seem unrelated. Her work can even intervene in the institution itself to reveal tensions between the public and private realms, as in the case of Players, a fog machine situated outdoors that transmits Morse code versions of data entered on a computer within the Gallery. By bringing together apparently unrelated activity and transposing one site onto another, Koh shifts expectations of these systems so they can be experienced from a new perspective.
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