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Women Writers of Traditional China
The book also includes an extended section of criticism by and about women writers.
The Cambridge History of Chinese Literature
Stephen Owen is James Bryant Conant Professor of Chinese at Harvard University. --Book Jacket.
Feminism/femininity in Chinese Literature
The present volume of Critical Studies is a collection of selected essays on the topic of feminism and femininity in Chinese literature. Although feminism has been a hot topic in Chinese literary circles in recent years, this remarkable collection represents one of the first of its kind to be published in English. The essays have been written by well-known scholars and feminists including Kang-I Sun Chang of Yale University, and Li Ziyun, a writer and feminist in Shanghai, China. The essays are inter- and multi-disciplinary, covering several historical periods in poetry and fiction (from the Ming-Qing periods to the twentieth century). In particular, the development of women s writing in the New Period (post-1976) is examined in depth. The articles thus offer the reader a composite and broad perspective of feminism and the treatment of the female in Chinese literature. As this remarkable new collection attests, the voices of women in China have begun calling out loudly, in ways that challenge prevalent views about the Chinese female persona."
Six Dynasties Poetry
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Journey Through the White Terror
Kang-i Sun Chang is Malcolm G. Chace ’56 Professor of East Asian Languages and Literatures at Yale University. In her memoir, Journey Through the White Terror, she tells the powerful story of her father Paul Sun (1919-2007). Along with numerous others, Sun was imprisoned more than 60 years ago during the “White Terror”, the decade following the withdrawal of Chiang Kai-shek’s Nationalist government from Mainland China to Taiwan in mid-December 1949. During this time, the Nationalist government implemented a policy of “better to kill ten thousand by mistake than to set one free by oversight,” and as a result, many innocent civilians such as the author’s father became victims of ...
The Cambridge History of Chinese Literature: From 1375
Stephen Owen is James Bryant Conant Professor of Chinese at Harvard University. --Book Jacket.
Trauma and Transcendence in Early Qing Literature
"The collapse of the Ming dynasty and the Manchu conquest of China were traumatic experiences for Chinese intellectuals, not only because of the many decades of destructive warfare but also because of the adjustments necessary to life under a foreign regime. History became a defining subject in their writings, and it went on shaping literary production in succeeding generations as the Ming continued to be remembered, re-imagined, and refigured on new terms. The twelve chapters in this volume and the introductory essays on early Qing poetry, prose, and drama understand the writings of this era wholly or in part as attempts to recover from or transcend the trauma of the transition years. By the end of the seventeenth century, the sense of trauma had diminished, and a mood of accommodation had taken hold. Varying shades of lament or reconciliation, critical or nostalgic retrospection on the Ming, and rejection or acceptance of the new order distinguish the many voices in these writings."
English Literature in Context
From Anglo-Saxon runes to postcolonial rap, this undergraduate textbook covers the social and historical contexts of the whole of the English literature.
The Power of Culture
A symposium of essays presented in honor of T. T. Ch'en and F. W. Mote on the occasion of their retirement from the East Asian Studies Department of Princeton University. The participants and contributors are all renowned scholars in Chinese studies, including K. C. Chang, Tsu-lin Mei, Shuen-fu Lin, Yu-kung Kao, Donald Holzman, John Hay, Jao Tsung-i, Peter Bol, Richard Barnhart, Shou-chien Shih, Kang-i Sun Chang, Andrew Lo, Keith McMahon, Ju-hsi Chou, Derk Bodde and the editors."
Writing Women in Late Imperial China
Scholars from the fields of literature, history, and art history apply a range of methodologies to newly discovered works by women writers and to other sources concerning women writers in China from 1600 to 1900.
