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A beautiful lady who can only be seen from far away, a machine that generates an entire civilization, a king who loves the hidden life of an inanimate statue, a city that appears once a year across a great chasm, an ancient Korean king assassinated in the dark of the night, a ghost that haunts soldiers on the DMZ - these are just some of the marvels you will encounter in these stories from the transcultural and metafictional imagination of Minsoo Kang. In diverse narratives grouped under the titles of Tales from a Lost History, Fables of the Dream World, and Stories from an Imaginary Homeland, Kang explores the nature and possibilities of storytelling itself as he spins out variations on an episodic theme, reinterprets an old myth, and struggles with a past that seeks a voice in the present. The result is a marvelously surrealistic landscape where histories, ideas, and legends freely intermingle and dance to the music of wonder and longing.
The Automaton in English Renaissance Literature features original essays exploring the automaton-from animated statue to anthropomorphized machine-in the poetry, prose, and drama of England in the 16th and 17th centuries. Addressing the history and significance of the living machine in early modern literature, the collection places literary automata of the period within their larger aesthetic, historical, philosophical, and scientific contexts. While no single theory or perspective conscribes the volume, taken as a whole the collection helps correct an assumption that frequently emerges from a post-Enlightenment perspective: that these animated beings are by definition exemplars of the new s...
"Reconstructing a vast archive of writing about reflex behaviors, this book demonstrates the ways in which a "politics of reflex" came to shape the intellectual and cultural life of the modernist era"--
During the Victorian period science shifted from being practiced in a theistic context (integrating religious considerations and ideas) to a naturalistic context (explicitly forbidding religious matters). This book examines the foundations of that change. While it is generally thought that the transformation was due to the methodological superiority of naturalistic science, Matthew Stanley shows that most of the methodological values underlying scientific practice were virtually identical between the theists and the naturalists. Each agreed on the importance of the uniformity of natural laws, the use of hypothesis and theory, the moral value of science, and intellectual freedom. This was des...
For most of the eighteenth century, automata were deemed a celebration of human ingenuity, feats of science and reason. Among the Romantics, however, they prompted a contradictory apprehension about mechanization and contrivance: such science and engineering threatened the spiritual nature of life, the source of compassion in human society. A deep dread of puppets and the machinery that propels them consequently surfaced in late eighteenth and early nineteenth century literature. Romantic Automata is a collection of essays examining the rise of this cultural suspicion of mechanical imitations of life. Recent scholarship in post-humanism, post-colonialism, disability studies, post-modern feminism, eco-criticism, and radical Orientalism has significantly affected the critical discourse on this topic. In engaging with the work and thought of Coleridge, Poe, Hoffmann, Mary Shelley, and other Romantic luminaries, the contributors to this collection open new methodological approaches to understanding human interaction with technology that strives to simulate, supplement, or supplant organic life. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
This book investigates how desires to transform our bodies can bring utopia to the present, and how utopian practices often lead to distinctly dystopian or anti-utopian outcomes. It is the first comprehensive study to address the paradoxical relationship between bodies and utopianism. Franziska Bork Petersen discusses doping, bodybuilding and cosmetic surgery alongside practices such as retouching the ‘body as image’ on social media, and looks at how fashion modelling and performance ‘estrange’ the body. Techniques and technologies to transform our bodies are increasingly accessible and suggest an excessive identification of the body as lacking. To ‘be a body’ in a culturally meaningful way, we incessantly improve our bodily appearance and capacity. The book therefore addresses the utopianism inherent in a cultural understanding of bodies as increasingly controllable.
A captivating exploration of the changing definitions of life in biology Biological Motion studies the foundational relationship between motion and life. To answer the question, “What is Life?,” prize-winning historian of science Janina Wellmann engages in a transdisciplinary investigation of motion as the most profound definition of living existence. For decades, information and structure have dominated the historiography of the life sciences with its prevailing focus on DNA structure and function. Now more than ever, motion is a crucial theme of basic biological research. Tracing motion from Aristotle’s animal soul to molecular motors, and from medical soft robotics to mathematical analysis, Wellmann locates biological motion at the intersection of knowledge domains and scientific and cultural practices. She offers signposts to mark the sites where researchers, technologies, ideas, and practices opened up new paths in the constitution of the phenomenon of motion. An ambitious rethinking of the life sciences, Biological Motion uncovers the secret life of movement and offers a new account of what it means to be alive.
What does popular culture's relationship with cyborgs, robots, vampires and zombies tell us about being human? Insightful scholarly perspectives shine a light on how film and television evince and portray the philosophical roots, the social ramifications and the future visions of a posthumanist world.
What does it mean to be human? I, Yantra examines ancient Indian narratives about robots and mechanically constructed beings to explore how their Hindu, Jain, and Buddhist authors approached this question. Making translations of many of these texts available in English for the first time, author Signe Cohen argues that they shed considerable light on South Asian religious notions of humanity, self, and agency. She also documents connections between ancient and modern responses to the ethical problems of what precisely constitutes a sentient being and what rights such a being should have. Situated at the intersection of humanities and bioethics, this cross-disciplinary study will be of interest to scholars of South Asian languages and literature as well as specialists in religion and technology.
How does the imagination work? How can it lead to both reverie and scientific insight? In this book, Kieran M. Murphy sheds new light on these perennial questions by showing how they have been closely tied to the history of electromagnetism. The discovery in 1820 of a mysterious relationship between electricity and magnetism led not only to technological inventions—such as the dynamo and telegraph, which ushered in the “electric age”—but also to a profound reconceptualization of nature and the role the imagination plays in it. From the literary experiments of Edgar Allan Poe, Honoré de Balzac, Villiers de l’Isle-Adam, and André Breton to the creative leaps of Michael Faraday and ...