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'Trash,' Censorship, and National Identity in Early Twentieth-Century Germany
Convinced that sexual immorality and unstable gender norms were endangering national recovery after World War One, German lawmakers drafted a constitution in 1919 legalizing the censorship of movies and pulp fiction, and prioritizing social rights over individual rights. These provisions enabled legislations to adopt two national censorship laws intended to regulate the movie industry and retail trade in pulp fiction. Both laws had their ideological origins in grass-roots anti-'trash' campaigns inspired by early encounters with commercial mass culture and Germany's federalist structure. Before the war, activists characterized censorship as a form of youth protection. Afterwards, they described it as a form of social welfare. Local activists and authorities enforcing the decisions of federal censors made censorship familiar and respectable even as these laws became a lightning rod for criticism of the young republic. Nazi leaders subsequently refashioned anti-'trash' rhetoric to justify the stringent censorship regime they imposed on Germany.
'Trash,' Censorship, and National Identity in Early Twentieth Century Germany
A legal and cultural history of censorship, youth protection, and national identity in early twentieth-century Germany.
Not Straight from Germany
Investigates the role of sex and sexuality in early 20th-century German culture, and how this past continues to shape the present
War and Childhood in the Era of the Two World Wars
This innovative book reveals children's experiences and how they became victims and actors during the twentieth century's biggest conflicts.
Prisoners of War and Local Women in Europe and the United States, 1914-1956
This book brings together historians from Great Britain, the United States, Germany, France, Canada, Austria, and Latvia who have worked and published on fraternisation between Prisoners of War and local women during either the First or Second World War, providing the first comparative study of this multi-faceted phenomenon in different belligerent countries. By focusing on prisoners as wartime migrants and studying the nature and impact of their interactions with the local female population, this book expands the existing framework on prisoner of war studies. Its substantial scope and comparative approach make it an important point of reference in the growing research field of POW studies.
Servants of Culture
In nineteenth century Cisleithanian Austria, poor, working-class women underwent mass migrations from the countryside to urban centers for menial or unskilled labor jobs. Through legal provisions on women’s work in the Habsburg Empire, there was an increase in the policing and surveillance of what was previously a gender-neutral career, turning it into one dominated by thousands of female rural migrants. Servants of Culture provides an account of Habsburg servant law since the eighteenth century and uncovers the paternalistic and maternalistic assumptions and anxieties which turned the interest of socio-political players in improving poor living and working conditions into practices that created restrictive gender and class hierarchies. Through pioneering analysis of the agendas of medical experts, police, socialists, feminists, legal reformers, and even serial killers, this volume puts forth a neglected history of the state of domestic service discourse at the turn of the 19th century and how it shaped and continues to shape the surveillance of women.
The Hygienic Apparatus
This study traces how the environmental effects of industrialization reverberated through the cinema of Germany’s Weimar Republic. In the early twentieth century, hygiene encompassed the myriad attempts to create healthy spaces for life and work amid the pollution, disease, accidents, and noise of industrial modernity. Examining classic films—including The Last Laugh, Faust, and Kuhle Wampe—as well as documentaries, cinema architecture, and studio practices, Paul Dobryden demonstrates how cinema envisioned and interrogated hygienic concerns about environmental disorder. Framing hygiene within the project of national reconstruction after World War I, The Hygienic Apparatus explores cine...
Harmful and Undesirable
The first English language study of book censorship in Nazi Germany, this book describes the way in which various state and party organizations in Germany exerted control over the creation, publication, and distribution of books. By presenting the fate of authors and publishers, who came into conflict with the organs of censorship, it sheds light on intellectual life under the Nazi dictatorship.
Seduction of Youth
The Seduction of Youth offers a new perspective on the history of the Weimar Republic by exploring the intersection between the homosexual movement, print culture, and homophobic fears about the seduction of young boys.
Endless Intervals
Revealing cinema’s place in the coevolution of media technology and the human Cinema did not die with the digital, it gave rise to it. According to Jeffrey West Kirkwood, the notion that digital technologies replaced analog obscures how the earliest cinema laid the technological and philosophical groundwork for the digital world. In Endless Intervals, he introduces a theory of semiotechnics that explains how discrete intervals of machines came to represent something like a mind—and why they were feared for their challenge to the uniqueness of human intelligence. Examining histories of early cinematic machines, Kirkwood locates the foundations for a scientific vision of the psyche as well...
