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Prospect.4
"Now in its fourth iteration, Prospect New Orleans draws its inspiration from the city itself, a place of graceful beauty that thrives in adverse conditions. By positioning itself in the city of New Orleans, the Prospect triennial aims to echo the city's history of cross-cultural fertilization. From Creole culture to jazz, in waves of migration and colonization, and as the American South's largest port, New Orleans is truly a cultural and historic nexus. 'Prospect.4' plumbs New Orleans's richly hybrid character to offer a diverse and exhilarating panoply of new and exciting art. Exhibition: New Orleans (various venues), United States (11.11.2017-25.02.2018)"--
Seeing the Unspeakable
One of the youngest recipients of a MacArthur “genius” grant, Kara Walker, an African American artist, is best known for her iconic, often life-size, black-and-white silhouetted figures, arranged in unsettling scenes on gallery walls. These visually arresting narratives draw viewers into a dialogue about the dynamics of race, sexuality, and violence in both the antebellum South and contemporary culture. Walker’s work has been featured in exhibits around the world and in American museums including the Museum of Modern Art, the Guggenheim, and the Whitney. At the same time, her ideologically provocative images have drawn vociferous criticism from several senior African American artists, ...
Freedom
"The future vision of a soon-to-be emancipated 19th century Negress."--Prelim. leaf.
Kara Walker: a Black Hole Is Everything a Star Longs to Be
An enormous clothbound panorama of Kara Walker's works on paper--all reproduced for the first time This gorgeous 600-page volume provides an exciting opportunity to delve into the creative process of Kara Walker, one of the most celebrated artists working in the United States today. Primarily recognized for her monumental installations, Walker also works with ink, graphite and collage to create pieces that demonstrate her continued engagement with her own identity as an artist, an African American, a woman and a mother. More than 700 works on paper created between 1992 and 2020--which are reproduced in print for the first time from the artist's own strictly guarded private archive--are colle...
Kara Walker
Text by Philippe Vergne, Sander Gilman, Thomas McEvilley, Robert Storr, Kevin Young, Yasmil Raymond.
Kara Walker: Figa
Kara Walker's (born 1969) Figa, a sculpture monumental in both size and symbol, was installed at the DESTE Foundation's Hydra Slaughterhouse in 2017. Once a part of Walker's colossal 2014 installation A Subtlety at the Domino Sugar Refinery in Brooklyn, Figa is made up of the hand piece from the anamorphic sphinx that gestures a "fig sign," at once both a symbol of fertility and a "fuck you." In making a return to the site of the Sugar Factory work and the work's progeny in Hydra, this book offers critical insight on A Subtlety and Figa. Through extensive photographic documentation of the installation of the hand sculpture in Hydra by Ari Marcopoulos and seven fables written by Walker illustrating the power of folklore, mythology and black identity across the history of the United States, Figa in book form captures a blockbuster exhibition in two parts.
Seeing the Unspeakable
DIVThe first book analyzing the artistic production and critical reception of Kara Walker, a young African-American artist whose controversial work deals with unsettling themes of racism./div
Kara Walker
"The works reproduced in this book were exhibited in their entirety in an exhibition titled 'Dust Jackets for the Niggerati - and Supporting Dissertations, Drawings submitted ruefully by Dr. Kara E. Walker' at Sikkema Jenkins & Co, New York, from April 21-June 11, 2011" -- from colophon.
Ruffneck Constructivists
"Ruffneck Constructivists," published to accompany a group exhibition curated by artist Kara Walker, brings together 11 international artists in order to define a contemporary manifesto of urban architecture and change. Inspired by both the Russian Constructivists and McLyte's 1993 hit song "Ruffneck," the phrase "Ruffneck Constructivists" evokes thuggishness as an expression of abjection. The book features sculpture, photography and video by the artists Dineo Seshee Bopape, Kendell Geers, Arthur Jafa, Jennie C. Jones, Kahlil Joseph, Deana Lawson, Rodney McMillian, Pope.L, Tim Portlock, Lior Shvil and Szymon Tomsia. As Walker states, "Ruffneck Constructivists are defiant shapers of environments. Whatever their gender affiliation, Ruffnecks go hard when all around them they see weakness, softness, compromise, sermonizing, poverty, and lack; they don't change the world through conscious actions, instead they build themselves into the world one assault at a time."
