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Papers based on proceedings of two seminars held at the Center for Seventeenth- and Eighteenth-Century Studies of the William Andrews Clark Library, University of California, Los Angeles, and at the Universite du Quebec a Trois-Rivieres.
Editora: Maralheios Publicação: Outubro/2023 Gênero: Literatura e Artes visuais Descrição: A edição nº 01, volta trazendo como tema o “Desfrute”. Além disso, apresenta o Coletivo Escreviventes, um grupo nacional de escritoras, que compartilhou seus textos conosco. Sem contar com diversos outros autores e artistas que recheiam as páginas desta edição. Organização: Mandi Moreira e Ju Lopse Autores: Coletivo Escreviventes ( Carla Guerson, Mara Vanessa Torres, Linara Chaves, Maribel Vazquez, Elisabeth Amaral, Karen de Alencar, Fernanda Germano, Milena Maria Testa, Joseani Vieira, Sabrina Gottschlisch, Rita Fonseca Chaves), Patrícia Isabella, Matile Facó, Ybeane Moreira, Marcelino Rodriguês, 30xred, Larissa C. G. Oliveira, Daniela Viana, Renan Menicucci, Keth Braz, Caio Araújo de Oliveira e Daiane Macedo. Artistas: Gabi Assusção (arte da capa), Carú Montero, Paloma Piancó, Edra Moraes, Dm Tinta, Deni de Moraes, Fanny Victória, Kedma Castro, Dara Jennifer, Aline Matiusso e Karina Charupá.
Comparative Perspectives on the Rise of the Brazilian Novel presents a framework of comparative literature based on a systemic and empirical approach to the study of the novel and applies that framework to the analysis of key nineteenth-century Brazilian novels. The works under examination were published during the period in which the forms and procedures of the novel were acclimatized as the genre established and consolidated itself in Brazil.
Black Atlantic Religion illuminates the mutual transformation of African and African-American cultures, highlighting the example of the Afro-Brazilian Candomblé religion. This book contests both the recent conviction that transnationalism is new and the long-held supposition that African culture endures in the Americas only among the poorest and most isolated of black populations. In fact, African culture in the Americas has most flourished among the urban and the prosperous, who, through travel, commerce, and literacy, were well exposed to other cultures. Their embrace of African religion is less a "survival," or inert residue of the African past, than a strategic choice in their circum-At...
In Music and Cosmopolitanism, Cristina Magaldi examines music making in a past globalized world. This volume focuses on one city, Rio de Janeiro, and how it became part of a larger world through music and performance. Magaldi describes a process of creating connections beyond national borders, one that is familiar to contemporary city residents, but which was already dominant at the turn of the 20th century, as new technological developments led to alternative ways of making and experiencing music.
Over the past century, luxury has been increasingly celebrated in the sense that it is no longer a privilege (or attitude) of the European elite or America’s leisure class. It has become more ubiquitous and now, practically everyone can experience luxury, even luxury in architecture. Focusing on various contexts within Western Europe, Latin America and the United States, this book traces the myths and application of luxury within architecture, interiors and designed landscapes. Spanning from antiquity to the modern era, it sets out six historical categories of luxury - Sybaritic, Lucullan, architectural excess, rustic, neoEuropean and modern - and relates these to the built and unbuilt env...
Official and popular celebrations marked the Brazilian empire's days of national festivity, and these civic rituals were the occasion for often intense debate about the imperial regime. Hendrik Kraay explores the patterns of commemoration in the capital of Rio de Janeiro, the meanings of the principal institutions of the constitutional monarchy established in 1822–24 (which were celebrated on days of national festivity), and the challenges to the imperial regime that took place during the festivities. While officialdom and the narrow elite sought to control civic rituals, the urban lower classes took an active part in them, although their popular festivities were not always welcomed by the elite. Days of National Festivity is the first book to provide a systematic analysis of civic ritual in a Latin American country over a long period of time—and in doing so, it offers new perspectives on the Brazilian empire, elite and popular politics, and urban culture.